I’ve been saving this review from ACL for a little while and then Q2 posted the overview and whole piece to listen to here –
Anna Thorvaldsdottir Carves Isolated, Icy Paths With ‘In the Light of Air’
The two fit well together.
Thank you A Closer Listen for the Review.
Less than a month after Anna Thorvaldsdottír’s inclusion on Nordic Affect’s Clockworking, a new collection of her work has been issued. This four-movement work (plus a concluding piece) premiered only a year ago, and is performed by the International Contemporary Ensemble. At the 2014 Reykjavik Arts Festival, a series of breath-activated lights enhanced the experience, while many klakabönd (metallic ornaments known as a bind of ice) were used as percussion. Much of this is apparent in the clip below, but home listeners might imitate the experience through creative lighting and sound-and-motion activated appliances.
Not that any of this is necessary to enjoy the album, a combination of filigree-thin solos and remarkable convergences. Thorvaldsdottír honors both the contributions of the individual performers and their work as an ensemble. At this point, fifteen years and five hundred premieres into their career, ICE’s resume is so long that it causes the…
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Feminatronic favourite, Marie Davidson and thanks to Yeah I Know it Sucks for the review.
Artist: Marie Davidson
title: Un Autre Voyage
keywords: electronic, experimental, ambient, avant-garde, drone, uncategorizable, Austin
Label: Holodeck Records
within an instant Marie attaches synthesized music with an electronic beat to the brain of the lucky listener. With perfect skill and will to thrill the music explores a journey infected by the story telling voice of Marie who merged perfectly on the bubbling strangeness that is this music. We are all burning’ the story goes; and I can only say that this music is worth to burn for! But wait,(don’t burn up straight away) it’s getting even better!
With ‘Excès de vitesse’ the electronic music becomes very groovy, with a infectious baseline and a rocking steady beat which gives the voice of Marie the right amount of flavor to go all French on us. It’s like rocking out on commodore bleep rock from a time that we all would smoke freely…
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Earlier this week I reblogged a review about Moon Ate the Dark (Headphone Commute) and here is an in depth interview with them courtesy of Fractured Air.
Interview with Moon Ate the Dark.
“..there is always a surprise and it keeps the music alive, which is what I think we both strive for whilst playing together.”
— Anna Rose Carter
Words: Mark Carry
Moon Ate the Dark is the neo-classical-infused-drone collaborative project between Welsh pianist Anna Rose Carter and Canadian producer Christopher Brett Bailey. The London-based transplants’ two full-length releases – 2012’s self-titled debut and this year’s highly-anticipated follow-up, both released on the prestigious Berlin-based imprint Sonic Pieces – forges a deeply affecting experience for the heart and mind: the rich, dense textures of Bailey’s production is masterfully inter-woven with Carter’s stunningly beautiful piano-based compositions.
Delicate and hushed tones of Anna Carter’s piano serve the opening notes to Moon Ate the Dark’s latest sonic journey –the mesmerising sophomore record, ‘Moon Ate theDarkII’ – whose fragile beauty radiates like the first rays of sunlight…
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Slightly different format here as the releases by Flaer Smin are downloadable.
Further information can be found here at Promodj
Courtesy to Dalston Sound for this review.
Here is a link to an earlier post on Tomoko Sauvage.
Review courtesy of Yeah I Know it Sucks. This has led to Todays Discovery…
Artist: Yullippe
title: Lys
keywords: electronic, Japan, industrial, new wave, noise, ambient, techno,
Yullippe is born in 1993, Osaka, Japan. And now many years later (what year is it now? 2015?) she released her new album named ‘lys’. It is here that she hits all the self-claimed genre boxes like ‘electronic/industrial/techno/noise/vocal/.. For a big part the tracks seems to cover a sense of darkness, but there are some bright sparkles too. An album with tracks that would do well at a Gothic intended midnight party, as well as something shimmerier; for perhaps a listening session at home.
But there is also ‘Miss You’ which is the surprise on this album.. but let me start with the beginning and walk you through it (in case you want to skip it, you can either click the album cover, or scroll down for a link if interested)
Lys’ gives the right amount of…
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