About Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?

Listening to…

“Components of local experimental beats and a wide gamut of electronic music draw from Taiwan’s irregular view / architectures and buildings, muggy, emissions-filled air, and hectic streetscapes, while Mandarin Chinese and Japanese influences marry intricate beats and whispering lyrics. All these tiny elements serve as pondering-points on the darkness that underpins the most intense emotions of the city’s aggregations.”

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Listening to…

” blistering hardstep gabba/techno” …..Yep

 

 

Reblog – Meuko! Meuko! ~ 鬼島 Ghost Island — A Closer Listen

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A fast and fierce story accompanies this intriguing EP by Taiwanese artist Meuko! Meuko! It tells of a dream in which the narrator finds herself a part of a small gang of scavenger children in a Blade Runner landscape of a city seemingly too old to represent the future. The music is industrial both in […]

via Meuko! Meuko! ~ 鬼島 Ghost Island — a closer listen

Reblog – Lunisolar by Mayuko Hino

There’s so much going on , too much for one person to keep up so looking through the Toneshift site I stumbled on this gem. Better late than never : )

Toneshift: The Future of Music Today

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From UK-based Cold Spring Records comes the new release by Mayuko Hino (from the band CCCC) titled Lunisolar. It’s two lengthy tracks starting with the crusty drone vs. monastery bells on Fantainhead. It’s like an open circuit mixed with heavy rough winds, a low-fi reverberating buzz and a centering tone of a gong-like bell. 日野繭子 makes no bones about her wide-ranging noisician flexability here, nor her honored place in the contemporary Japanoise scene. After all, she’s been actively at it since the early 90s, even though this is only her second solo record. Unlike a bevy of artists who just make ear-splitting sonic somersaults, Hino’s sound is more impressionistic and staggered in its delivery, incorporating a yin/yang of the industrial and environmental.

The severe blast of wired drones sound like a giant firehose battling a blaze in the final minutes of track one. The half-stops and firestarts are…

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Listening to…

Today’s ambience. Nothing can be added to this comment –

“weightless, blissful, but also flightless – always connected to the body whose aurality must be blocked to survive its seduction. This tender voice calls from far away yet from a place we all know, stretched on filaments strung through clouds of condensation, the clinking jigsaw of melting ice, soft flows of breath and dawn mists that speak through water insects and dreaming.” ––David Toop

 

Reblog – Meg Bowles: Evensong: Canticles for the Earth — starsendradio

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Meg Bowles: Evensong: Canticles for the Earth Released: 22 June 2018 http://www.megbowlesmusic.com Meg Bowles makes us vulnerable to the beauty of our planet. In doing so, she shares something of herself with us. With each album release she is becoming new herself – in ways that matter. Evensong: Canticles for the Earth (63’13”) is a […]

via Meg Bowles: Evensong: Canticles for the Earth — starsendradio

 

 

Reblog – VIDEO PREMIERE : Strië – Perpetual Journey — Headphone Commute

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Olga Wojciechowska‘s album as Strië, titled Perpetual Journey, came out on Serein earlier this year. See Headphone Commute coverage here. “Inspired by the true story of Laika, a stray dog sent into space by Soviet Russia in the fifties, Perpetual Journey speaks of the emotional journeys and strange fates that entangle our lives.” This is definitely a […]

via VIDEO PREMIERE : Strië – Perpetual Journey — Headphone Commute