I Don’t Do Lists Continued

During the year I myself fail to cover everything that is released. I just cannot keep up  (which is a good thing) and miss a lot too, try as hard as I do to listen. I thought that I would try to recap as many 2019 releases as possible here throughout December, as a way to rectify this.
Anyway here goes. No order, no preference –
I don’t do lists but these were released in 2019-


















Thank you for listening : )

I Don’t Do Lists…

I have an aversion to lists.

They create an atmosphere of  competition between artists and genres. They also often only plug those releases that are ‘readily’ there in view – easy to find.  That is, the artists and/ or labels / PR etc who have the most money and time, often are the ones that get the most focus. Consequently, many female identifying artists don’t even get a look in and /or get overlooked, as proved by the many studies and reports available to prove this fact. I will refer you to female:pressure FACTS and Counting the Music   although sadly and even very recently, there are many more studies from Classical to Jazz as well as Electronic, that report the same findings.

Believe me when I say, that there are large numbers of female identifying artists out there. You only have to look.

Of course, during the year I myself fail to cover everything that is released. I just cannot keep up ( which is a good thing) and miss a lot too, try as hard as I do to listen. I thought that I would try to recap as many 2019 releases as possible here throughout December, as a way to rectify this.

Anyway here goes. No order, no preference –

I don’t do lists but these were released in 2019-











Listening to…

 

 

Beatriz Ferreyra – Argentinian Pioneer of Electronic, Tape and Electroacoustic music.

Reblog – Sofía Bertomeu – And you, In which movie are you playing? — Yeah I Know It Sucks

Artist: Sofía Bertomeu Title: And you, In which movie are you playing? Keywords: ambient experimental experimental electronicidm lars von trier sofia bertomeu technoglitch Spain And you, In which movie are you playing? I’m playing a fool in a silent black and white slapstick spaghetti western movie that almost hast seen the light of day, but […]

via Sofía Bertomeu – And you, In which movie are you playing? — Yeah I Know It Sucks

 

As usual, YIKIS have a wonderful off kilter review to go with this release : )

Update November 2019

Hi Everyone,

You may or may not have noticed that I haven’t posted much here these past weeks. This is due to me actually getting on with some of my own projects, as I too am an electronic musician who just happens to be female : )

Anyway, time has flown this year, so fast, that I even missed my anniversary for Feminatronic. Yes, time flies and I have been doing this for 6 years.

I have had to adapt and at times find it difficult to keep up with all the new releases and reviews, which is not a bad thing as I feel there is much more visibility of female identifying artists now, but there is still a long way to go especially in changing attitudes. Anyway,  I post as much as I can on the Twitterverse and Facebook and I have reached the 160th playlist on SoundCloud.

I need to rethink about here…but this website will remain in some form next year.

In the meantime, here are a couple of posts coming up …

Thank you again for supporting Feminatronic

Reblog – amby downs – kinjarling studies

Atmospheric deep listening…

Please do as the reviewer asks and please listen : )

 

 

Yeah I Know It Sucks

Artist: amby downs
Title: kinjarling studies
Keywords: ambient dark ambient field recordings improvisation soundscape soundtrack Australia
Review by Furchick

https://ambydowns.bandcamp.com/releases

It is rare to have the privilege of listening to art by an Indigenous Australia artist. When I saw that Tahlia Palmer had created some music when I know her as a photographer and visual artist, I got excited. As it turns out my excitement was justified. This music is connected to country and made in a place familiar to the listener. “Amby Downs” is a station (farm) in Southern Queensland where Tahlia’s aboriginal ancestors lived and worked on for a few generations after they were dispossessed of their traditional homelands.

Tahlia’s father’s line is Yuwaalaraay/Gamilliaroi, from the Narran river area of Northern New South Wales. She informs me that connecting with Noongar boodja through these works has afforded her the confidence to go to her ancestral country for the…

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Listening to…

Not all drones sound the same…

Ambient, drone, electronic, experimental, neo classical


 

Electronic, experimental, ambient, drone, electroacoustic, neo-classical


 

Experimental

Celebrating the eclecticism of Electronic Artists who identify as female

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