Instead of playlists this Summer, I’m going to highlight and post compilations that may be of interest to listeners, covering all electronic genres and diverse in sound. Although this collection is not solely electronic, it does spotlight some of the artists creating experimental music.
I have reached playlist #134 and this must be one of my favourites. You have to give it time and it’s not easy listening but it covers all genres and artists and if you like this one there are another 133 waiting for you here
Eclectic Electronic Soundscapes –
During the past 5 years of Feminatronic I have been on a bit of a personal sonic journey around the world with the focus on human beings who just happen to identify as women and create electronic sounds /noise /music via a huge plethora of electronic means. This playlist hopes to demonstrate some of the eclecticism that I have listened to this past couple of months but as usual it is just the tip of the iceberg.
As with all the playlists, they are jumping off points to discoveries. They are not meant to be definitive. Just let some of the tracks play onto the next….follow up on “sounds like”….see who’s following, many artists follow other artists…..
Artists are Hallie Smith, Zyklus, Tullia Benedicta, Odio Sis, Alessandra Zerbinati,Skoddie, MG Raconteur, Anna Peaker, Isabel Porto Nogueira, Bana Haffar, Eartheater, Enchantedlands, Yara Mekawei, AGF, Georgina Canifru, Jaclyn Kendall, Monika Ze, Lesley Romano, Flavia Goa, The Lady C Universe, Roslyn Steer, Rachel Lancaster, kobto, BorealNetwork, Cruel Diagonals, Zavoloka, Nadia Struiwigh, Minerva, Laurel Halo and Renu.
ROOM40 – RM491 – 12th April 2018
It’s not even as much as a distant rumble. It’s barely the sound of air. An uneven hum eventually creeps into the realm of audible perception, but it’s still so quiet as to be questionable: is my mind playing tricks? Am I imagining sound to fill the silence. The whir of the disc in the player is still louder, and stands to the fore because of its higher pitch. But no, the rumble is growing now. I’ve been sitting here for three minutes or more, but now, the sound is upon me, and it’s like an approaching helicopter, thick, beating the air. It reaches a point of sustained crescendo, from whence if continues to grow, from a low roar to an excruciating multi-tonal blitz that fills the room and fills my head. Treble whines and drones above the gut-clenching low-end and…
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Since first hearing “Paisajes Sonoros” near the beginning of this personal sonic journey, I’ve had a love for the quiet, understated sound of Valentina Villarroel, so was so pleased to see this new release, thanks to ACL.
Valentina Villarroel is one of the most unassuming artists we’ve even encountered. Content to let her work speak for itself, she provides only sparse descriptions. In a single sentence, she writes that Mares was recorded at “different locations around the region of Bio Bio, Chile.” The rest is up to us.
This is her second release of the season on Sonospace, arriving on the heels of the recently reissued Pequeñas Composiciones, an experimental set comprised of field recordings, found sounds and studio manipulations. Mares is more straightforward, a collection of crisply mastered recordings captured where land meets sea. It’s the best recording of its kind since Chris Silver T’s Salty Spots, and pairs nicely with Simon Šerc‘s Bora Scura: one set wind, the other one waves.
For those who can’t get to the beach, Mares makes an evocative sonic companion. The nine numbered tracks rise in…
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Recorded between 2016-17 here we find two longtime experimental composers at work, and both women have pioneered new sonics at every turn over five decades. Released via the Soundscape Series (Gruenrekorder; 2xCD) New Zealander Annea Lockwood and German Christina Kubisch deliver The Secret Life Of The Inaudible. The record consists of four tracks, two from each artist, separated on the two included disks. Starting off with Wild Energy (with Bob Bielecki) Lockwood darkens the room with a earthly rumbling, maybe she’s a storm-chaser? The atmosphere is cavernous with sudden broad bass. As she conducts this muffled noise symphony tiny starry electronic blips emerge and disappear quickly. At 70-something she is still sculpting soundscapes with intuition and a greater understanding of minimalism. As the storm moves out a tiny watery ‘thwack’ grows into what sounds like distortions derived by nature. A rustling whistle plays audibly on the…
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Title: Constant Consequence
Keywords: world experimental feedback free improvisation live electronics love noise outsider queer virtual Detroit
Label: BASTARD GIRL UTOPIA
This album might be for the brave adventurous kind of listener. That must be you, right? As Constant Consequence is one big experimental adventure that even though feeling consistent in it’s sound, will not pass by like something you would take for granted. It made me think and even experience to feel certain things. Let me give you some kind of walk through:
Listening to ‘Taps run dry’ made me feel like there has been something stuck in my teeth, something squeaky; perhaps a tool placed in by the dentist and rambling among my calcified items in my mouth. But because of its length and creative weird squeaks it also made me think of an alien dog in the half life series. Something that has a anus…
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Many labels make an effort to raise the profile of female electronic musicians, but pan y rosa discos goes all out. Of their fifteen releases so far this year, eight are by women. Their music demonstrates an incredible variety of styles and is drawn from a wide variety of countries. Incredibly, all of the downloads are free! Our respect for label head Keith Helt continues unabated as quality music comes our way multiple times each month.
When listening to the first few seconds of attractive synthesis by Latvia’s Līga Smirnova, one thinks, “oh, it’s just another club-based synth track.” But listen just a little longer, and all preconceptions will be destroyed. The five-part piece eradicates all traces of club culture on its way to becoming a thick, drone-based suite. Part two alone begins like a cyclone and ends like a forest fire. By the fourth segment, the cycle has…
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