Reblog – ICYMI – The Theremin’s Voice: Amplifying the Inaudibility of Whiteness through an Early Interracial Electronic Music Collaboration — Sounding Out!

On an October evening in 1934, Clara Rockmore made her debut performance with the theremin, a then-new electronic instrument played without touch, in New York City’s historic Town Hall. Attended by critics from every major newspaper in the city, the performance not only marked the beginning of Rockmore’s illustrious career as a thereminist, it also […]

via The Theremin’s Voice: Amplifying the Inaudibility of Whiteness through an Early Interracial Electronic Music Collaboration — Sounding Out!

 

Such an interesting read via Sounding Out!

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Reblog – angelica castello – Silvertone e il sentimento oceanico

This is how it should work. It’s great when hidden gems are picked up by reviewers and it really doesn’t matter how old a release is, good music has longevity 😊
Reblog courtesy of Yeah I Know It Sucks

Yeah I Know It Sucks

Artist: angelica castello
Title: Silvertone e il sentimento oceanico
Keywords: experimental adela del campo angelica castello attila faraveli hanna schimek martin siewert monotype records radio susanna niedermayer tomek mirt urkuma ö1 Vienna

I’m a big fan of this fine website called Feminatronic. Why? Because somehow this personal journey of a website always seem to dig up great artists whose work had never been played into my ears. Today I’m checking out the music by one named Angelica Castello which is one of them that I had never had the privilege to hear or know about before. Which is a shame perhaps, although they say it’s sometimes better late than never, because geez, she had been hypnotizing me instantly with her album over here. The first track on it titled ‘adela aurita’ instantly made me hooked on her sounds, something like a unconventional mingling soundscape that intrigued in all its…

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Reblog – Geelriandre/Arthesis by Éliane Radigue – ToneShift

Lovely read on the bus ☺️ Reblog courtesy of ToneShift.

ATOZ_JKTÉlianeRadigue | Geelriandre/Arthesis
Important Records (LP)

Released tomorrow, this welcome reissue is the first vinyl pressing (1000 ltd ed; black + clear) of this work by the lauded French composer Éliane Radigue which was originally recorded back in 1972-73 (previously released in 2011 by Senufo Editions on CD). They have put each singular, lengthy composition on one side, giving these works the space and grooves they require to open up like a fine wine. Radigue will be 87 years old this month, so this treatment is a warranted tribute to her legendary career as a composer of delicate, complex work that truly stands alone.

Geelriandre is breathtaking from the very first note, “realized on an ARP 2500 synthesizer in 1972, featuring Gérard Fremy on prepared piano, for whom the piece was originally composed.” It moves slowly, with a hyper slow, breathless motion. The piano is styled in…

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A New Year….A New Start

For those of you who know me well and /or understand what this site is about, you will be aware that I believe in collaboration, support, and co-operation to try and shine a spotlight on those ‘electronic’ artists from many genres, who just happen to identify as female.

This is a personal journey that I began 6 years ago and increasingly have found that I cannot cover everything, especially as I am an artist myself and have my own projects to create and finish.

Feminatronic is on many platforms. Although I do not have a public contact link here ( for particular reasons), I am contactable via social media and it has been a pleasure to receive messages out of the blue from artists, labels and reviewers, as well as messages of support. I have made clear from the start it is not about me as an individual. The name suggests the subject and although centred around female identifying artists is NOT exclusive and / or divisive, which is against the ethos of the site and me personally.

By the methods of RT and reblogging (by means of the WordPress mechanisms), I have been able to make a small contribution to getting some focus on what is in fact only a tiny proportion of the many female artists, from all genres of electronic music, creating art out there. I am a tiny cog in the wheel of progress, which I have seen over the past years.

This site is a portal where you can click through to the original site / articles and I have had the honour to reblog many articles and reviews from respected writers via their own sites for many years. In doing this I discover and learn so much about a subject dear to my heart, find new artists and listen to their work, as well as enjoy reading the varied viewpoints and thoughts of writers.

The ultimate aim is to enable visitors to go on their own journey’s of discovery, like I have been doing these past years, as you never know what you will find and listen to from one day to the next. Hopefully, by doing this, lesser known artists also get some focus and maybe you will listen to more of their music and even buy it and thereby support artists in a concrete way.

I am not going to go into detail what sparked this post but it has given me a chance to take stock and maybe rethink how I may do things in the future. Watch this space.

What I do know is that I will be continuing here, at least for the present, in some way.

Thank you for reading this and supporting the concept of Feminatronic.

I wish you all the best for 2019, whoever and wherever you are.

O

 

 

Listening to…

clang062_cover

There Is a Home
Cæcilie Overgaard

Electroacoustic

I came across this gem via ToneShift and seems to express sonically this time of year beautifully.

You can read the review here

Review Reblog – Sabiwa – 輪 迴

 

 

Yeah I Know It Sucks

Artist: Sabiwa
Title: 輪 迴
Keywords: experimental idm abstract ambient electronic asian experimental electronic London
Label: CHINABOThttp://www.chinabot.co/

Okay, we have to talk. Or no, let me refrain this; I have to pen up and you just read and accept it for what it is: a little praise for a fantastic album. Yes, you have read it well; a fantastic album. It’s done and created by a artist named Sabiwa who order us not to make any sound ourself and instead listen to her big banging beats, mythologically impressive sounds and futuristic ambiences. She is right, first of all because it sounds so massive that your own sounds would just fade away into nothing, but second of all; it’s just to impressive to be chatted through.

All these goodies on this album seem to be smeared into each other, like good ideas that had become real things in reality. Odd…

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Reblog – Interview: Me, Claudius – Good Diz, Bad Bird

MeClaudius01_MarkPringle_crop

We need no swords

me CLaudiusBezirk Tapes cassette and download

When Me, Claudius released their debut tape, ‘Reasons for Balloons‘, back in January 2017, it wasn’t the fact that it appeared seemingly out of nowhere that blew my mind. In the global weirdo underground, you expect unfamiliar artists to bubble up pretty much all the time. No, the thing that stopped me in my tracks was that the distinctive Me, Claudius aesthetic seemed to arrive full-formed. ‘Reasons for Balloons’ mixed the open-ended, enigmatic tactility of more established players – I’m thinking of Matthew Revert and Vanessa Rossetto’s great release on Erstwhile from earlier this year or some of the stuff on Caduc in particular – with a homespun, rough-edged feel, resulting in a worldview that was wholly unique. The mystery of who was behind the Me, Claudius moniker only added to its lo-fi charm.

A year later, ‘Back To The Sweat-Out Tower

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Celebrating the eclecticism of Electronic Artists who identify as female

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