Instead of playlists this Summer, I’m going to highlight and post compilations that may be of interest to listeners, covering all electronic genres and diverse in sound. Although this collection is not solely electronic, it does spotlight some of the artists creating experimental music.
I have reached playlist #134 and this must be one of my favourites. You have to give it time and it’s not easy listening but it covers all genres and artists and if you like this one there are another 133 waiting for you here
Eclectic Electronic Soundscapes –
During the past 5 years of Feminatronic I have been on a bit of a personal sonic journey around the world with the focus on human beings who just happen to identify as women and create electronic sounds /noise /music via a huge plethora of electronic means. This playlist hopes to demonstrate some of the eclecticism that I have listened to this past couple of months but as usual it is just the tip of the iceberg.
As with all the playlists, they are jumping off points to discoveries. They are not meant to be definitive. Just let some of the tracks play onto the next….follow up on “sounds like”….see who’s following, many artists follow other artists…..
Artists are Hallie Smith, Zyklus, Tullia Benedicta, Odio Sis, Alessandra Zerbinati,Skoddie, MG Raconteur, Anna Peaker, Isabel Porto Nogueira, Bana Haffar, Eartheater, Enchantedlands, Yara Mekawei, AGF, Georgina Canifru, Jaclyn Kendall, Monika Ze, Lesley Romano, Flavia Goa, The Lady C Universe, Roslyn Steer, Rachel Lancaster, kobto, BorealNetwork, Cruel Diagonals, Zavoloka, Nadia Struiwigh, Minerva, Laurel Halo and Renu.
I don’t like lists but this is an exception – thoughtful and wide ranging .
For your January reading pleasure, here are the Top Ten Posts of 2017 (according to views as of 12/28/17). Visit this brilliance today–and often!–and know more fire is coming in 2018!
On May 18th, 2017, Solange Knowles took viewers on an expedition as she glided, danced and “agonized” in a “joyful praise break” on the floor of New York City’s Guggenheim museum. Drawing from the museum’s narrative of introspection and multi-sensory connection, Solange’s performance of “An Ode To. . .” prompted viewers to relearn and reorient the melodies of A Seat at the Table (2016). Solange’s performance in this setting hearkened listeners to new concepts and emotions in the record they didn’t catch before as they consumed it. This begs the question– what other sonic elements have we neglected to identify in A Seat…
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Seven artists changing the game within the predominantly male-dominated genre.
New on tape and digital, a two-trrack album from live-coding duo, Algobabez. Burning Circuits is a pair of 20 minute algorithmic jams using both SuperCollider and hardware, creating abrasive, jacking and disconcerting dancefloor music. Preorder from 28th March, released 15th April. This tape is released for Dismantle Yourself, a night of deconstructive rave in the Deadhouse […]
The website Pinknoises.com was founded in 2000 by musician and writer Tara Rodgers (Analog Tara). It was supported by a large community of contributors and participants in online discussions and occasional events. The site was updated for a few years and has remained online as an archive since then. This page continues its mission with links to info and videos of inspiring artists, gear, and audio esoterica.”
Ludmila Frajt (December 31, 1919 – March 14, 1999) was a Yugoslav and Serbian composer. She wrote choral, orchestral and chamber works, music for films and radio-dramas, electro-acoustic works, as well as music for children.
A pioneer of female writing in the domain of Serbian music, she often wrote ‘female’ vocal genres such as lullabies and threnody (music for mourning the dead) .