Tissa Mawartyassari’s Harsh Noise Compositions Are Sonic “Ghost Stories”
“Harsh noise wall is dedicated to “blistering cacophony,” but Tissa Mawartyassari’s compositions can be oddly contemplative.”
Tissa Mawartyassari Bandcamp
via Ladyz in Noyz on Facebook here is a new release if you are into Experimental, harsh noise, harsh noise wall, power electronics
In this incarnation Cronaca Nera is Adriano Vincenti: analog synth and Tissa Mawartyassari is Monica Isabel Sanchez: harsh noise
There was a long thread about pioneers of electronic music on twitter and the usual names cropped up but as is often the case there were names I hadn’t heard of and Jean Eichelberger Ivey is one of those names…shame on me.
On further listening, where have my ears been?
Better late than never for me here –
Jean Eichelberger Ivey
Jean Eichelberger Ivey (1923 – 2010) founded the Peabody Electronic Music Studio in 1967. Dr. Ivey has a large catalog of works in virtually every medium and is frequently represented on the programs of major orchestras and ensembles.
Piano, sounds of nature and electronics
Composer Jean Eichelberger Ivey
A Conversation with Bruce Duffie
Music by Jean Eichelberger Ivey for Voices, Instruments and Tape
Electro-acoustic music is an acquired taste, falling under the same banner as musique concrète and the lesser-used acousmatics. For 20 years, Montreal’s empreintes DIGITALis has been releasing a steady stream of this intricate, fascinating music, bringing award-winning compositions to the attention of larger audiences. But when we write larger, we still don’t mean large. There’s little of the […]
via Sophie Delafontaine ~ Accord ouvert — a closer listen
In order to appreciate electro-acoustics, one must lay aside all preconceptions…
and just immerse yourself in the sound : )
So you know when I said I had a lot in my draft file, well here’s something I put together in 2015 when I started this journey and forgot to post but fits really well in #Rolemodels.
I have often wondered…
WHAT IS SOUND ART?
This was part of a series on Sound Art and the women who have been and are, at the forefront of this highly eclectic and diverse art form but I never posted this until now…
Sound art is here to stay
Sound artist Susan Philipsz’s inclusion on the Turner prize shortlist should make Britain sit up and listen
Hear hear: Artangel sound art comes to Radio 4
John O’Mahony asks leading sound artists if their work is moving closer to the mainstream
Who is Susan Philipsz?
At the moment, I am in semi offline state trying to get some projects of my own finished. However, I will not be abandoning things completely and anyway it gives me a good chance to finally post things that have mysteriously been left in my drafts, for a long time.
Let’s begin with this excoriating in a good way release from 2017 –
Artist: Heejin Jang Title: Trouble in the Camp Keywords:electronic experimental avant-garde experimental indie rock noise psychedelic rock synth United States Label: Doom Trip Unleashed on the special day of spookiness, the one that people named ‘Halloween’ are the fearful sounding spooky sounds from ‘Trouble in the Camp’ by Heejin Jang. It is best to hear […]
via Heejin Jang – Trouble in the Camp — Yeah I Know It Sucks
An occasional series where I try and shine a little light on some of the women at the forefront of electronic music who I think should have more acknowledgement.
Daria Semegen (b. 1946) is a composer of instrumental, vocal and electronic music. She is a recognized authority on electronic music composition.
This article in New Music USA set me on a journey to find out more –
Daria Semegen: So Many Awareness Pixels Going On at the Same Time
Here’s a great podcast interview I enjoyed listening to from More from Art + Music + Technology with Darwin Grosse
The Nashville artist’s work has the slippery strangeness of electronic music from the late ’70s and early ’80s.
via Album of the Day: Eve Maret, “No More Running” — Bandcamp Daily
Also my album of the day too : )