Category Archives: History

Listening to –

Posted on by

 

“Lena Platonos is a Greek musician, pianist and music composer. She was one of the pioneers in the Greek electronic music scene of the 1980s, and she remains active today. Lena was born on the island of Crete and grew up in Athens. She began learning how to play the piano at the age of two and became a professional pianist before turning eighteen. Soon afterwards, she received a scholarship to study in Vienna and Berlin, where she was exposed to jazz, rock, and Middle Eastern music. She returned to Greece in the late 70’s and began working with the Hellenic Broadcasting Corporation. She released three collaborative albums between 1981 and 1983, but it was her “triptych” of solo albums, Sun Masks (1984), Gallop (1985), and Lepidoptera (1986) that would lead many to call her the “Greek Laurie Anderson” or “mother of Greek electronica”.

https://www.facebook.com/LenaPlatonos/

Advertisements

Reblog – Teresa Rampazzi in the last issue of Positionen n. 114 “Heroines of Sound”

Posted on by

laura zattra

I just uploaded the full text of my new article on teresarampazzi.it site!

Laura Zattra (2018), “Sie war ihrer Zeit voraus. Teresa Rampazzi, eine wichtige Komponistin elektronischer Musik in Italien”, Positionen. Texte zur Aktuellen Musik, n. 114 “Heroines of Sound”, pp. 9-11, ISSN: 0941-4711.

Enjoy the reading.

DOWNLOAD HERE

gruppo-nps-100-_v-gseapremiumxl The NPS Group during the first phase: 1965-1968 (Teresa Rampazzi with sunglasses).

View original post

Reblog – on the early immersive music of joan la barbara, via mode records

Posted on by

 

“She is one of great figures in the history of the American musical avant-garde – holding equal standing as an innovator, composer, and performer, but has rarely received the attention she deserves. Considering that she single-handedly changed the face of music, has defined the field of extended vocal technique for the better part of half a century – largely sculpting its terms from scratch, and has continuously pushed our understanding of the sonic possibility of the human voice for decades – drawing on its primal root, thrusting it into the unknown, this sin becomes that much more apparent. -“

Bradford Bailey

The Hum Blog

View original post 885 more words

Review Reblog – on pauline anna strom’s trans-millenia music, via rvng

Posted on by

It is a sad fact that some artists gain recognition late in their lives, sometimes due to a reappraisal of the “genre” they write. In hindsight some are realising that New Age and Melodic Instrumental music is really worth sitting down and listening to, albeit a bit late for some as in Pauline Anna Strom’s case, or too late for others. Without sounding preachy here – give things a listen, you might be pleasantly surprised.

The Hum Blog

View original post 962 more words

Review Reblog – on éliane radigue’s occam ocean vol. 1, out via shiin

Posted on by

 

” … It is the endpoint of a long arc which began in the 1940s with Musique concrète and synthesis, transferring the creative potential and cultural optimism activated by electronic process, into the realms of a remarkable collaborative approach. “

The Hum Blog

View original post 856 more words

Reblog – Pioneer Spirits: New media representations of women in electronic music history

Posted on by

laura zattra

“Pioneer Spirits: New media representations of women in electronic music history” is a new important article by Frances Morgan in the current issue of Organised Sound, Vol. 22, Issue 2 (Alternative Histories of Electroacoustic Music) August 2017, pp. 238-249.

Teresa Rampazzi is numbered amongst those composers previously “either ignored or thought to be marginal […]. Some media representations of the female electronic musician raise concerns for feminist scholars of electronic music history. Following the work of Tara Rodgers, Sally MacArthur and others, [Frances Morgan considers] some new media representations of electronic music’s female ‘pioneers’, situate them in relation to both feminist musicology and media studies, and propose readings from digital humanities that might be used to examine and critique them”.

You can read the complete abstract here.

Frances Morgan is Deputy Editor of The Wire, former editor of plan b magazine, writes the Soundings column for Sight & Sound…

View original post 32 more words

Reblog – a meeting of remarkable minds, a live radio discussion between annea lockwood and pauline oliveros from december 1972

Posted on by

The Hum Blog

View original post 349 more words