Category Archives: Monday Reblogs

Review Reblog – Laughing Ears ~ Metamorphosis 形变 — A Closer Listen

 

Instability, incompleteness, a certain kind of relativity. These are the sources of Laughing Ears’ Metamorphosis, which avoids totalizing effects and holistic conceptions of style in order to present listeners with an ever-shifting music that sounds like dance but is more akin to walking the streets of a city. For instance, the rhythms come mostly from […]

via Laughing Ears ~ Metamorphosis 形变 — a closer listen

 

Yes…all of this and more : )

Review Reblog -Despicable Zee – Zahra Haji Fath Ali Tehrani – عتیقه — Yeah I Know It Sucks

Artist: Despicable Zee – Zahra Haji Fath Ali Tehrani Title: Atigheh – عتیقه Keywords: diaspora drums electronic experimental farsi Oxford WITCHFORK We were lucky enough to be present at a live performance by Zahra Haji Fath Ali Tehrani late last year, and we would like to say that far from being ‘Despicable’ we found ‘Zee’ […]

via Despicable Zee – Zahra Haji Fath Ali Tehrani – عتیقه — Yeah I Know It Sucks

 

One of my favourite listens from 2019 : )

Reblog – Sofía Bertomeu – And you, In which movie are you playing? — Yeah I Know It Sucks

Artist: Sofía Bertomeu Title: And you, In which movie are you playing? Keywords: ambient experimental experimental electronicidm lars von trier sofia bertomeu technoglitch Spain And you, In which movie are you playing? I’m playing a fool in a silent black and white slapstick spaghetti western movie that almost hast seen the light of day, but […]

via Sofía Bertomeu – And you, In which movie are you playing? — Yeah I Know It Sucks

 

As usual, YIKIS have a wonderful off kilter review to go with this release : )

Manja Ristić ~ The Black Isle — a closer listen

“My childhood was deep blue and foamy,” writes Serbian composer Manja Ristić. Her memories of Korčula Island are pristine. As she recalls the town streets “positioned in the shape of a fish bone,” and the “natural air conditioning of the Adriatic winds,” one can imagine long, carefree days and nights spent by the sea. But when […]

via Manja Ristić ~ The Black Isle — a closer listen

 

“In her changed environment, despite sonic pollution, she is still able to find an oasis.” (Richard Allen)

Maybe it’s because I recognise the methods in creating The Black Isle, this is a release that I loved from first listening. Thanks to A Closer Listen it would have otherwise escaped me.

Review Reblog – Wetwe Feat. Tatyana Kalmykova – Okoloreki

It’s been a strange few weeks and I haven’t been able to keep up with things here but I’m kicking myself that I missed this…It is a wondrous thing to listen to…

Yeah I Know It Sucks

Artist: Wetwe Feat. Tatyana Kalmykova
Title: Okoloreki
Keywords: electronic experimental abstract ambient bass music downtempo drone folk modern classical russian folklor techno Moscow

I don’t know much about this music as I evidently avoided all the information that came with it as it appeared through our illustrious request form, but from my own ears and mind I could make up that this was a bit of a holistic revelation in sound ways. It was a calming one, that featured the prominent voice of a certain Tatyana Kalmykova that seemed to sing among the walls of ruins, or perhaps a still standing church with great acoustics. Sometimes her voice gets bounced into a room in which it still feels warm, yet the acoustics feel flat, a bit as if the bigness gets suddenly beamed through some old time radio.

But it’s not all about Tatyana Kalmykova’s voice, it’s also pretty much…

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Article Reblog – Out of Sync: Gendered Location Sound Work in Bollywood

Sounding Out! is a definite recommend from me. It never ceases to amaze me how long term issues such as gender and class, amongst others, are covered in engaging, intelligent and interesting ways and this series is a welcome addition to their huge collection of writings, articles and ‘food for thought’.

Sounding Out!

co-edited by Praseeda Gopinath and Monika Mehta

Our listening practices are discursively constructed. In the sonic landscape of India, in particular, the way in which we listen and what we hear are often normative, produced within hegemonic discourses of gender, class, caste, region, and sexuality. . . This forum, Gendered Soundscapes of India, offers snapshots of sound at sites of trans/national production, marketing, filmic and musical texts. Complementing these posts, the accompanying photographs offer glimpses of gendered community formation, homosociality, the pervasiveness of sound technology in India, and the discordant stratified soundscapes of the city. This series opens up for us the question of other contexts in India where sound, gender, and technology might intersect, but, more broadly, it demands that we consider how sound exists differently in Pakistan, Sri Lanka, the Maldives, Bangladesh, Bhutan, Nepal, and Afghanistan. How might we imagine a sonic framework and South Asia from these…

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Review Reblog – Heejin Jang – Trouble in the Camp

I came across Heejin Jang – Binary Breath via YIKIS last year and was interested to hear this new release. On listening, it’s excoriating…but in a good way.

Yeah I Know It Sucks

Artist: Heejin Jang
Title: Trouble in the Camp
Keywords:electronic experimental avant-garde experimental indie rock noise psychedelic rock synth United States
Label: Doom Trip

Unleashed on the special day of spookiness, the one that people named ‘Halloween’ are the fearful sounding spooky sounds from ‘Trouble in the Camp’ by Heejin Jang. It is best to hear it in complete darkness with the sound up loud and yourself hiding underneath a blanket of comfort. This music will bring out the shimmering demons of the night, the creepy crawlers & the audio ghouls that hammer their wooden sticks of magic in fierce-full depths, ready to haunt you for some poisoned candy.

Some of them come across cold and slimy, as if the ghosts of the many snails you have stepped on all throughout your life had now come to scare the hell out of you for a good old-time case of revenge…

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