Quotes

Reblog – Ana Mazzotti’s Smooth Samba-Jazz is Rescued From Obscurity — Bandcamp Daily

The Far Out label reissues two LPs by the disciple of Hermeto Pascoal.

via Ana Mazzotti’s Smooth Samba-Jazz is Rescued From Obscurity — Bandcamp Daily

 

Not strictly electronic, but sometimes I think it’s good to plug something you really like and vocalist and multi-instrumentalist Ana Mazzotti is one such artist.

Brazilian jazz, latin soul, world, bossa nova, brazilian funk, jazz latin, samba, soul-jazz

Reblog – The Mirror by People Like Us — The Future of Music One Record at a Time – ToneShift

People Like Us | The MirrorDiscrepant (LP/DL) People Like Us (Vicki Bennett) has most definitely left her indelible mark on the world of experimental sound since the early 90’s, now and forever. Released on vinyl by Discrepant these eleven tracks on The Mirror were previously out on CD last year (Cutting Hedge). Bennett’s signature brand […]

via The Mirror by People Like Us — The Future of Music One Record at a Time


 

People Like Us ( Vicki Bennett) is a true master of the dark arts of plunderphonics.

“Since 1992, she has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture”.

You get to my age and it’s spot the song from my past but it’s done with such seemless magic that something so familiar becomes wholly new and shiny.

 

 

Vicki Bennett reflects on The Mirror, unlocking the archives and a curious cease and desist order

The Wire – May 2018

Vicki Bennett

 

 

Reblog – Ka Baird’s Transcendent Experimentalism — Bandcamp Daily

The Spires That In The Sunset Rise member considers the negotiations between bodies and environments, time and space.

via Ka Baird’s Transcendent Experimentalism — Bandcamp Daily

 

I have known of Ka Baird’s music since starting this journey and I always felt that here was an artist who was wonderfully creative and expressive in her art.

This was proved to me when I watched her performance at Tusk Festival here in the UK via the livestream. Her presence on the stage was sheer “ecstatic energy and a cathartic experience”  and her vocal manipulations and electronic processing of her flute was a joy to watch and listen.

But hey, don’t listen to me, make your own minds up –

ICYMI – Hidden Gems: Various Artists, “Rien Ni Personne—A French Compilation” — Bandcamp Daily

An overwhelming, glorious survey of the French experimental underground.

via Hidden Gems: Various Artists, “Rien Ni Personne—A French Compilation” — Bandcamp Daily

Sonic Women — The Future of Music One Record at a Time

Toneshift on Mixcloud presents a special edition of its history-defining and defying sub-series Origins: Sonic Women. And there are some fourteen exquisite nuggets to contemplate here. When designing a weekly podcast for our readers to listen to, I felt it necessary to offer some context and background, however diverse, as possible. I dug into the […]

via Sonic Women — The Future of Music One Record at a Time

 

Playing tracks by
Meredith Monk, Laurie Anderson, Nina Hagen, Wendy Carlos, Björk and more.

Reblog – The Burning sessions — Christine Webster

An eagle with two heads : Camille Escudero Cinetics /// Christine Webster Modular synthesis A tryptich /// brûlures aux cendres apaisées, conçues et rêvées /// 1 2 3 ///

via The Burning sessions — Christine Webster

Review Reblog – Shadow of a Shadow by Cyanching —

Shadow of a Shadow by Cyanching
By TJ Norris – Toneshift – August 10, 2019

 

Cyanching | Shadow of a ShadowBezirk Tapes (CS/DL) From London-based Taiwanese composer Cyanching comes an ear-catching debut. Her work, at least at first, comes off subtle with a shroud of harmony slowly emerging from a quiet space. Perhaps Shadow of a Shadow is the sonoric equivalent to mise en abîme, as it transmits what sound […]

via Shadow of a Shadow by Cyanching —

 

” “I try to redefine sampling,” she explains. “If I like a sound, I don’t just record it, I try to recreate it. If I love a bassline on a track for example, I try to play it myself and capture the qualities that attract me. By doing that you create a new sound within an old pattern.”