“ JK: I’m always interested in processing organic textures and combining them with electronic textures in a way that blurs the boundaries between both, so that it’s hard to tell where one leaves off and the other begins.”
“Creative work–whether it’s making music or writing or performing physically–can sometimes produce its own chronology and in that way seem to escape time.” —Julia Kent Words: Mark Carry Last month saw the eagerly awaited return of world-renowned Canadian cellist and composer Julia Kent’s fifth studio album, ‘Temporal’: a deeply transformative journey into our very being […]
via Chosen One: Julia Kent — FRACTURED AIR
Reblog – Geyser by Annabelle Playe — The future of music, today, one record at a time.
Wait for it…..slowburn ignites .
Thanks to Toneshift this didn’t pass me by.
Annabelle Playe | Geyser DAC Records (12″/DL) Geyser is from French multidisciplinary sound artist Annabelle Playe and is her third full-length effort — it’s one to keep an ear out for. It offers something solitary, about infinitesimal fragments slowly expanding toward the far corners of the horizonline. It’s a balance of soft and hard […]
via Geyser by Annabelle Playe — The future of music, today, one record at a time.
There Is a Home
I came across this gem via ToneShift and seems to express sonically this time of year beautifully.
You can read the review here
Ji Youn Kang performing on Kkwaenggwari and Bambusoides. © Nina Mik Heartography & Branislav GrebečíJi Youn Kang (aka KANG) searches for set-ups that combine acoustic, analogue and digital instruments and devices. Her works with the Korean gong kkwaenggwari and self-built bamboo instruments are intriguing examples of such amalgams. The kkwaenggwari is a small hand-held gong made out…
via Kkwaenggwari and Bambusoides by Ji Youn Kang — Between Air and Electricity