There was a long thread about pioneers of electronic music on twitter and the usual names cropped up but as is often the case there were names I hadn’t heard of and Jean Eichelberger Ivey is one of those names…shame on me.
On further listening, where have my ears been?
Better late than never for me here –
Piano, sounds of nature and electronics
Composer Jean Eichelberger Ivey
A Conversation with Bruce Duffie
Music by Jean Eichelberger Ivey for Voices, Instruments and Tape
So you know when I said I had a lot in my draft file, well here’s something I put together in 2015 when I started this journey and forgot to post but fits really well in #Rolemodels.
I have often wondered…
WHAT IS SOUND ART?
This was part of a series on Sound Art and the women who have been and are, at the forefront of this highly eclectic and diverse art form but I never posted this until now…
Sound artist Susan Philipsz’s inclusion on the Turner prize shortlist should make Britain sit up and listen
Hear hear: Artangel sound art comes to Radio 4
John O’Mahony asks leading sound artists if their work is moving closer to the mainstream
Who is Susan Philipsz?
“Bribri Meditation” Deconstructred – Susan Campos Fonseca
Electroacoustic
Music and poetry by Marvin Camacho Villegas
“Meditación Bribrí” (1985-86) by solo contrabass
José Saavedra, contrabass, piano, voice
Ronald Bustamante & Carla Alfaro, electronics
Susan Campos-Fonseca, producer & music director
Sounddesign by Ronald Bustamante
Special colaboration with:
“IV Encuentro sobre estudios sonoros y creación experimental” (November 2017), Escuela de Artes Musicales, Universidad de Costa Rica.
Bernal Chaves -Laboratorio de Experimentación Sonora
Art cover: “Sibö” by Adrián Arguedas (Picture by Susan Campos at Marvin Camacho`s home in Turrialba)
Live performance –
Complex layered sounds created on a Powerbook – electronic / avant garde / ambient
modified drum machines
As some of you may know, I am an electronic artist myself and sometimes I need some time to create things. It’s been a bit quiet here, I know, and my presence elsewhere has been pared back a little as I try to work on some music.
I will be posting but not as much, although I am trying to maintain the playlists, Twitter feed, Facebook and Instagram as best I can.
In the meantime, here’s some Furchick that made me smile today –
I came across Agnes Pe via Yeah I Know it Sucks some time ago and have followed her avant garde, witty and experimental work ever since.
“Wasn’t that a marvellous experience?”
Yes….and recommended too are her radio sound collages – Mitt Pate : )
Artist: Agnès Pe
Title: Para Ana (music video)
Keywords: devotional faux-utopian ambience devotional distorted e-stim malfunction muzak muzak-stun Lleida
It doesn’t happen everyday when two intriguing artists collaborate in a audio visual form, but when the odd moons align and such a special thing actually happens it’s for sure something to inform everyone about! Especially when the artists in question are Agnès Pe & Jan Strach. The result is a spectacular experience in the shape of a excellent trip in music video form. Jan Strach heard ‘Para Ana’ by Agnès Pe and must have been incredibly inspired as the good man started to create the perfect visuals to the sounds.
With his love for video games and the excellent trained ears for the bizarreness in the music spectrum, Jan Strach managed to make the track come alive. It’s a real trip, one that is best viewed…
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Today’s Discovery….
Artist: Electric Elizabeth
Title: FutureConeB
Keywords: experimental, noise, video
Electric Elizabeth’s description of one of her actual music videos online sounds way simpler than what it deserves. She wrote “Some slowed down footage of water with one of my tracks over the top.” Of course that’s what it is, literally speaking, but imaginative speaking there is so much more to it. First of all the ‘one of her tracks’ that she added to the visual video is one that fits the water footage so extremely well, so much so that it might even be a bit frightening in how good it fits.
It’s like every bit of water flow, every wrinkle on top and in it is attached to the sounds generated by her track. It is as if the water knows exactly when to move and is triggered by her sounds, or that Electric Elizabeth had made the track…
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Sound art is here to stay 
