“Creative work–whether it’s making music or writing or performing physically–can sometimes produce its own chronology and in that way seem to escape time.” —Julia Kent Words: Mark Carry Last month saw the eagerly awaited return of world-renowned Canadian cellist and composer Julia Kent’s fifth studio album, ‘Temporal’: a deeply transformative journey into our very being […]
via Chosen One: Julia Kent — FRACTURED AIR
Reblog – Geyser by Annabelle Playe — The future of music, today, one record at a time.
Wait for it…..slowburn ignites .
Thanks to Toneshift this didn’t pass me by.
Annabelle Playe | Geyser DAC Records (12″/DL) Geyser is from French multidisciplinary sound artist Annabelle Playe and is her third full-length effort — it’s one to keep an ear out for. It offers something solitary, about infinitesimal fragments slowly expanding toward the far corners of the horizonline. It’s a balance of soft and hard […]
via Geyser by Annabelle Playe — The future of music, today, one record at a time.
In a world of horror, multi-instrumentalist Colleen’s loops, layers, and prose-poem lyrics feel medicinal.
via Album of the Day: Colleen, “A flame my love, a frequency” — Bandcamp Daily
On an October evening in 1934, Clara Rockmore made her debut performance with the theremin, a then-new electronic instrument played without touch, in New York City’s historic Town Hall. Attended by critics from every major newspaper in the city, the performance not only marked the beginning of Rockmore’s illustrious career as a thereminist, it also […]
Such an interesting read via Sounding Out!
This is how it should work. It’s great when hidden gems are picked up by reviewers and it really doesn’t matter how old a release is, good music has longevity 😊
Reblog courtesy of Yeah I Know It Sucks
Artist: angelica castello
Title: Silvertone e il sentimento oceanico
Keywords: experimental adela del campo angelica castello attila faraveli hanna schimek martin siewert monotype records radio susanna niedermayer tomek mirt urkuma ö1 Vienna
I’m a big fan of this fine website called Feminatronic. Why? Because somehow this personal journey of a website always seem to dig up great artists whose work had never been played into my ears. Today I’m checking out the music by one named Angelica Castello which is one of them that I had never had the privilege to hear or know about before. Which is a shame perhaps, although they say it’s sometimes better late than never, because geez, she had been hypnotizing me instantly with her album over here. The first track on it titled ‘adela aurita’ instantly made me hooked on her sounds, something like a unconventional mingling soundscape that intrigued in all its…
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Lovely read on the bus ☺️ Reblog courtesy of ToneShift.
ÉlianeRadigue | Geelriandre/Arthesis
Important Records (LP)
Released tomorrow, this welcome reissue is the first vinyl pressing (1000 ltd ed; black + clear) of this work by the lauded French composer Éliane Radigue which was originally recorded back in 1972-73 (previously released in 2011 by Senufo Editions on CD). They have put each singular, lengthy composition on one side, giving these works the space and grooves they require to open up like a fine wine. Radigue will be 87 years old this month, so this treatment is a warranted tribute to her legendary career as a composer of delicate, complex work that truly stands alone.
Geelriandre is breathtaking from the very first note, “realized on an ARP 2500 synthesizer in 1972, featuring Gérard Fremy on prepared piano, for whom the piece was originally composed.” It moves slowly, with a hyper slow, breathless motion. The piano is styled in…
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Artist: Sabiwa
Title: 輪 迴
Keywords: experimental idm abstract ambient electronic asian experimental electronic London
Label: CHINABOThttp://www.chinabot.co/
Okay, we have to talk. Or no, let me refrain this; I have to pen up and you just read and accept it for what it is: a little praise for a fantastic album. Yes, you have read it well; a fantastic album. It’s done and created by a artist named Sabiwa who order us not to make any sound ourself and instead listen to her big banging beats, mythologically impressive sounds and futuristic ambiences. She is right, first of all because it sounds so massive that your own sounds would just fade away into nothing, but second of all; it’s just to impressive to be chatted through.
All these goodies on this album seem to be smeared into each other, like good ideas that had become real things in reality. Odd…
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