“ JK: I’m always interested in processing organic textures and combining them with electronic textures in a way that blurs the boundaries between both, so that it’s hard to tell where one leaves off and the other begins.”
“Creative work–whether it’s making music or writing or performing physically–can sometimes produce its own chronology and in that way seem to escape time.” —Julia Kent Words: Mark Carry Last month saw the eagerly awaited return of world-renowned Canadian cellist and composer Julia Kent’s fifth studio album, ‘Temporal’: a deeply transformative journey into our very being […]
via Chosen One: Julia Kent — FRACTURED AIR
Reblog – Geyser by Annabelle Playe — The future of music, today, one record at a time.
Wait for it…..slowburn ignites .
Thanks to Toneshift this didn’t pass me by.
Annabelle Playe | Geyser DAC Records (12″/DL) Geyser is from French multidisciplinary sound artist Annabelle Playe and is her third full-length effort — it’s one to keep an ear out for. It offers something solitary, about infinitesimal fragments slowly expanding toward the far corners of the horizonline. It’s a balance of soft and hard […]
via Geyser by Annabelle Playe — The future of music, today, one record at a time.
In a world of horror, multi-instrumentalist Colleen’s loops, layers, and prose-poem lyrics feel medicinal.
via Album of the Day: Colleen, “A flame my love, a frequency” — Bandcamp Daily
On an October evening in 1934, Clara Rockmore made her debut performance with the theremin, a then-new electronic instrument played without touch, in New York City’s historic Town Hall. Attended by critics from every major newspaper in the city, the performance not only marked the beginning of Rockmore’s illustrious career as a thereminist, it also […]
via The Theremin’s Voice: Amplifying the Inaudibility of Whiteness through an Early Interracial Electronic Music Collaboration — Sounding Out!
Such an interesting read via Sounding Out!