Artist: Mohrer Title: Guilt of Man Keywords: experimental ambient dark ambient noise occult seattle vocal vocal noise London Label: Dubbed Tapes The seductive sound of the unknown has coming out from under the gravel. As attractive as it was sounding to my ears I had to go in and check it all out. There I […]
via Mohrer – Guilt of Man — Yeah I Know It Suck
Re listening to –
Experimental, ambient, dark ambient, noise, occult, vocal
“…improvised and intuitive exploration of Humanity Realizing Itself as we come to terms with the nature of our species on the Earth.”
It is an honor to present this extended conversation with Félicia Atkinson, whose latest record, The Flower and The Vessel, has just been released on Shelter Press. We discuss her multifaceted art practices, her musical formation, the importance of running an independent press, and the power inherent in stones. Sound Propositions is an ongoing, semi-regular […]
via Sound Propositions 016: Félicia Atkinson — a closer listen
This is a wonderful in depth long read for a Sunday or any day afternoon.
“My childhood was deep blue and foamy,” writes Serbian composer Manja Ristić. Her memories of Korčula Island are pristine. As she recalls the town streets “positioned in the shape of a fish bone,” and the “natural air conditioning of the Adriatic winds,” one can imagine long, carefree days and nights spent by the sea. But when […]
via Manja Ristić ~ The Black Isle — a closer listen
“In her changed environment, despite sonic pollution, she is still able to find an oasis.” (Richard Allen)
Maybe it’s because I recognise the methods in creating The Black Isle, this is a release that I loved from first listening. Thanks to A Closer Listen it would have otherwise escaped me.
Electro-acoustic music is an acquired taste, falling under the same banner as musique concrète and the lesser-used acousmatics. For 20 years, Montreal’s empreintes DIGITALis has been releasing a steady stream of this intricate, fascinating music, bringing award-winning compositions to the attention of larger audiences. But when we write larger, we still don’t mean large. There’s little of the […]
via Sophie Delafontaine ~ Accord ouvert — a closer listen
In order to appreciate electro-acoustics, one must lay aside all preconceptions…
and just immerse yourself in the sound : )
Kate Carr is a sound artist whose work investigates our relationship with the natural world, and explores place and non-place, being and imagining. Her music is often composed using field recordings and sounds sourced from location. Besides her recorded output and live performances, she has contributed to artist residencies that have taken her all over […]
via Interview with Kate Carr —
Lovely long interview here….
This piece explores sonic transmissions and emissions, radio, morse code, sonar, satellite, blue tooth, and wireless. From our efforts to track and transmit into our solar system using radio, to blue tooth connections across the room, this work examines the ephemeral sonic tools we use and the traces these leave as we attempt to reach each other. It is an ode to the fragility, dynamism and determination encapsulated in the ways we attempt to connect.
Contact is an edited version of a live performance at Radiophrenia Festival in Glasgow on May 15, 2019.
The Nashville artist’s work has the slippery strangeness of electronic music from the late ’70s and early ’80s.
via Album of the Day: Eve Maret, “No More Running” — Bandcamp Daily
Also my album of the day too : )
Artist: Seffi Starshine Title: Goddess of the Calm Waters Keywords: dark drone ambient electronic ambient dark ambient dark drone drone drone ambient drone dark ambient experimental edm vaporwave witchwave Portland Label: Girly Girl Musik To battle the kind drunkenness of too much dangerous Belgian beers I went into a wonderful land created by Seffi Starshine. […]
via Seffi Starshine – Goddess of the Calm Waters — Yeah I Know It Sucks
“Something that comes at us from a different dimension, one way bigger than life, like an enigmatic untouched force that covers our entire hearing range completely, embracing everyone like a miraculous motherly force that feels protective and gentle at the same time”….Beautifully said.