Review Reblog – Dendera Bloodbath – Inanna at the Gates

I’m a great believer in giving lesser well known artists a bit of a spotlight and many I find via Yeah I Know it Sucks.
Today’s Discovery, Dendera Bloodbath’s Inanna at the Gates is an experimentation in visceral noise.
Currently she performs both experimental darkwave sets with autoharp and noise sets with electronics of her own design. For more info, visit:

Yeah I Know It Sucks

Artist: Dendera Bloodbath
Title: Inanna at the Gates
Keywords: experimental female artist noise music usaworld Finland
Label: United By Chaos
Artist Website:

At first Dendera Bloodbath squeaks her ultimate power sounds in your ear like it’s a metal chainsaw going in full (but precise) overdrive! It feels like your head had been split in two, leaving it exposed for her other (more reasonable?) sounds-to-come,material that she will spill into your skull like a liquid brutal attack of Experimental origin. It’s all for the sake of science and experiment! How far can Dendera Bloodbath go? And what will drive you over the edge or please your ears tremendously? This artist seems to seek both extremities and wants to apply them both at the same time! Is that a pretentious project? It might be, but listening to her release it seems like this experiment works in full force!

She pours…

View original post 463 more words

Review Reblog – Barberic Slapton – tonne

….and is also Today’s Discovery – Lo fi experimental noise.

Yeah I Know It Sucks

Artist: Barberic Slapton
title: tonne
keywords: experimental crunchy noise rage weird Hamilton

Barberic Slapton has brought the music that you ought to hear, material that Stockhausen would masturbate too and Einstein would pulls his nose hairs out with. With a strong pass in the legs the first one named ‘naptonne’ steps fiercely in. It’s like psychedelic fireworks to my ears, heels clicking on the terrain while rockets gets launched into the ether and submarines bubble around in electrified water… In other words; it’s abstract! But oh so mentally challenging the sensible corners of a person’s intellect… But wait, it gets even weirder… pardon, I mean; it gets even intensively better!

A track named ‘live at doors pub’ will pop in like a instant hellfire in which a panicked panic shouts at the hairs of your neck to stand up and bow to the noise! Barberic Clapton pushes us all to…

View original post 197 more words

Today’s Discovery – Paper Moon by Anda Volley


Released June 1, 2017

tags: alternative, dark ambient, dream pop,  electro gothic, indie rock, Boston.


Today’s Discovery – Jessica Moss – Pools of Light

“Pools Of Light is elegiac durational music at the intersection of neo-classicism, soundtrack, electronic, art-punk and avant-folk – a decidedly organic, non-academic, profoundly searching and emotive work, guided by Moss’s liner note mantra: “FEELING LOVE IN A MELTING WORLD”. 

Review Reblog – Tattered Kaylor ~ Sombre nay Sated

This week’s playlist #102 is Artist Alphabet letter E and it gives me a good reason to catch up and discover new artists. This lead me to this older review from ACL regarding the sound artist Tessa Elieff / Tattered Kaylor.

a closer listen

cover_1000Australian sound artist Tessa Elieff (Tattered Kaylor) has created and curated many workshops, festivals and sound installations over the past few years, but her recorded discography (including last year’s debut album Selected Realities) is expanding her reach to a global audience.  Sombre nay Sated, released on World Listening Day (July 18), gives listeners a metaphorical window into the rooms of some recent installations.

Elieff’s fascination with perception as it pertains to “sonic realities” was put to the test on this recording, as none of the three pieces were meant to be confined to the studio.  As frequent visitors to performances and installations can attest, depth, space and movement are key factors.  In many cases, a sound cast in one room is meant to be echoed in another.  How then does one translate such an environment to a stereo experience – one that will itself be…

View original post 358 more words

Now Listening: Sue Ann Harkey via Many Many Women

Today’s listening via Many Many Women is….

Many Many Women

View original post

Revisiting Review Reblogs- Elizabeth Veldon, Ars Sonor And Sean Derrick Cooper Marquart – Her Her Hers (None)

Revisiting some reviews that you may have missed over the next few weeks.

If you like deep immersive atmospheric soundscapes then this is for you. Also much of the music is Free Download.
Courtesy to Yeah I Know it Sucks for the reviews.


Yeah I Know It Sucks

Elizabeth Veldon, Ars Sonor And Sean Derrick Cooper Marquart - Her Her Hers The artwork for Elizabeth Veldon, Ars Sonor and Sean Derrick Cooper Marquart’s Her Her Hers is simple, basic, pure, refined, minimal, greyscale, typographic, elementary, opaque, lowercase, just to name a few adjectives that apply in a relative way.

Artists: Elizabeth Veldon, Ars Sonor And Sean Derrick Cooper Marquart
Title: Her Her Hers
Label: Black Circle Records
Cat#: None
Keywords: Experimental, Computer Music, Drone, Electronica, Guitar Noise
Reviewer: Alex Spalding

Wanted to take a moment to thank those of our readers who lent their signatures to the petition to help Laetitia (Ars Sonor, iky iky) keep from being deported to Russia — something that would be a veritable death sentence, and surely is an institutionalized hate crime. For those of you haven’t had the chance to sign yet, that link will take you to the petition. The fight is not over, so I’m intending to write more reviews of Laetitia’s work…

View original post 705 more words