Reblog – Electric Elizabeth – FutureConeB

Today’s Discovery….

Yeah I Know It Sucks

Artist: Electric Elizabeth
Title: FutureConeB
Keywords: experimental, noise, video

Electric Elizabeth’s description of one of her actual music videos online sounds way simpler than what it deserves. She wrote “Some slowed down footage of water with one of my tracks over the top.” Of course that’s what it is, literally speaking, but imaginative speaking there is so much more to it. First of all the ‘one of her tracks’ that she added to the visual video is one that fits the water footage so extremely well, so much so that it might even be a bit frightening in how good it fits.

It’s like every bit of water flow, every wrinkle on top and in it is attached to the sounds generated by her track. It is as if the water knows exactly when to move and is triggered by her sounds, or that Electric Elizabeth had made the track…

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Today’s Discovery – Susan Drone

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“Electroacoustic Composition, Graphic Artist and Experimental Composer, who uses field recordings combined with computer processing and electronic sounds, in an attempt to create dreamlike, sensitive hypnagogic states.”

https://susanloop.bandcamp.com/

susana lópez

 

 

Review Reblog – Sarah Angliss – Ealing Feeder

How could I have missed this ?

Ears For Eyes

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If you’ve seen Sarah Angliss play live and wondered how she could capture her rambling, magical suitcase of weirdness in a recording, ‘Ealing Feeder’ goes some way to realising it. Sadly missing the robotic ventriloquist dummy heads and breathing handbag of her performances, this album still retains the eerie magic of Sarah’s music which pitches between spooky and a benign and welcoming oddness. ‘You Taught Me How to See the Crows’ is a pastoral recorder ensemble summer fantasia. ‘A Wren in the Cathedral’ features recordings of birdsong, manipulated by theremin, their pitch and melody bent and swirled; a narration about domes and altars overlays the song, sinister bells drizzling through the sound cracks. ‘The Bows’ is an evocative haunting of backwards whispering and creaking strings. ‘Ventriloquist’ lists the craft and objects of ‘modern Merlins’, the perversions ‘a parliament of monsters’, backed with ghostly operatic theremin and squealing metal…

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Review Reblog – Leah Kardos ~ Rococochet — A Closer Listen

 

 

I thought I had the measure of Rococochet a few minutes into “Let Your Body”, a soothing opener of polyrhythmic ivories, mallets and skins that slowly unfurls to reveal increasingly vivid jazz-infused colours. Even as other, unexpected timbres join – mellotron, synth and backing vocals, the tone and atmosphere hold steady, and I assumed charted […]

Read more via Leah Kardos ~ Rococochet — a closer listen

Review Reblog – Eva Bowan – Ringwoodite

Yeah I Know It Sucks

Artist: Eva Bowan

Title: Ringwoodite

Keywords: electronic ambient ambient electronic experimental electronic Brighton

Let me introduce you to this wonderful album by Eva Bowan; maybe you heard it already and maybe you didn’t, but I’m over the moon to share it here with you. It had been keeping me companionship in difficult times & thought you might experience comfort or joy within these tracks too. On before hand, please excuse me if this write up / review thing sounds a bit too serious; it’s just that kind of thing… it’s important to me & feel it deserves to be treated with the same respect as it had been treating me in it’s comforting & empowering audio ways…

It started with one piece named “Regression To The Mean”, which comes across as a mysterious sounding recording, one in which a intense magically sounding vocal immediately puts a spell on the listener…

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Reblog – Album of the Day: Kedr Livanskiy, “Ariadna (ариадна)”

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Bandcamp Daily

In a recent interview, Yana Kedrina, the producer and vocalist who releases music under the name Kedr Livanskiy, described Soviet Union-era Russia as being almost entirely closed off to the cultural innovations happening around the world. “Music revolutions were taking place everywhere,” she said. “None of that passed through to us.” Thanks to the Internet, hungry artists like herself have been catching up fast, fostering a vibrant electronic scene that incorporates an array of styles and voices.

As heard on her previous EP January Sun and her new album Ariadna (both on 2MR Records), Kedrina’s spirit aligns with the pinched, analog sound of early acid house and hip-hop. That came through clearly enough on her raw Ableton-constructed work, but those influences have sunk in deeper on her full-length as she now has vintage synths like the Roland Juno-106 and the Korg Minilogue at her disposal.

Ariadna has the same…

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Review Reblog – Dendera Bloodbath – Inanna at the Gates

I’m a great believer in giving lesser well known artists a bit of a spotlight and many I find via Yeah I Know it Sucks.
Today’s Discovery, Dendera Bloodbath’s Inanna at the Gates is an experimentation in visceral noise.
Currently she performs both experimental darkwave sets with autoharp and noise sets with electronics of her own design. For more info, visit: http://www.denderabloodbath.com

Yeah I Know It Sucks


Artist: Dendera Bloodbath
Title: Inanna at the Gates
Keywords: experimental female artist noise music usaworld Finland
Label: United By Chaoshttp://www.unitedbychaos.net/
Artist Website: http://www.denderabloodbath.com/

At first Dendera Bloodbath squeaks her ultimate power sounds in your ear like it’s a metal chainsaw going in full (but precise) overdrive! It feels like your head had been split in two, leaving it exposed for her other (more reasonable?) sounds-to-come,material that she will spill into your skull like a liquid brutal attack of Experimental origin. It’s all for the sake of science and experiment! How far can Dendera Bloodbath go? And what will drive you over the edge or please your ears tremendously? This artist seems to seek both extremities and wants to apply them both at the same time! Is that a pretentious project? It might be, but listening to her release it seems like this experiment works in full force!

She pours…

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