Category Archives: Introducing

THE COTERIE COLLECTIVE – NECK OF THE WOODS

REVIEW HERE AT A CLOSER LISTEN

A cLOSER LISTEN

Maria Marzaioli

Thanks to Ekho – Women in Sonic Art for this post.

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Maria Marzaioli is a Musician/Composer MariaMarzaioliSoundcloud

“As an artist I am interested in sonic and musical representations of the landscape around us – both the natural and built environment. Through sound, my work seeks engagement with the phsyical world in alternative ways and encourages people to explore and (re)evaluate their relationship with place and space differently.”

Submission to ‘Ekho:: Toward a Repetitive Sounding of Difference’

“This work was conceived as a score, giving a set of instructions to be followed for a journey of your own choosing that is to be repeated on the hour, every hour for 24 hours. The piece of music ’24 hours in 12 minutes’ is created from the recordings made on the journey I chose, following those instructions.”

“The piece is made up of multiple acts of repetition, physically walking the same path repeatedly and recording at the same places for set durations of time…

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YOUTUBE FEATURED CHANNEL – MATZUMI

The latest playlist on Soundcloud #30 includes tracks from artists who create Melodic Instrumental music and Matzumi is one of the biggest names in this genre of electronic music.

Matzumi

MATZUMI

One woman – one project ! New Age, Ambient and Soundtracks.

FEMINATRONIC INTRODUCES – PAULINE OLIVEROS

This is a new feature for Feminatronic where each month I will be highlighting the music of women who create and produce electronic music in all its’ forms.

This month, I thought that I would start with one of the giants in electronic music creation, development and innovation –

pauline oliveros

PAULINE OLIVEROS

As her website says:

PAULINE OLIVEROS is a senior figure in contemporary American music.  Her career spans fifty years of boundary dissolving music making.  In the ’50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. Recently awarded the John Cage award for 2012 from the Foundation of Contemporary Arts, Oliveros is Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College.  Oliveros has been as interested in finding new sounds as in finding new uses for old ones –her primary instrument is the accordion, an unexpected visitor perhaps to musical cutting edge, but one which she approaches in much the same way that a Zen musician might approach the Japanese shakuhachi.  Pauline Oliveros’ life as a composer, performer and humanitarian is about opening her own and others’ sensibilities to the universe and facets of sounds.  Since the 1960’s she has influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual.  Pauline Oliveros is the founder of “Deep Listening,”  which comes from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics.  Pauline Oliveros describes Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing.  Such intense listening includes the sounds of daily life, of nature, of one’s own thoughts as well as musical sounds. Deep Listening is my life practice,” she explains, simply.  Oliveros is founder of Deep Listening Institute, formerly Pauline Oliveros Foundation.

 

deep listening

Album: Sanctuary (1995).The Deep Listening Band was founded in 1988 by Pauline Oliveros, Stuart Dempster and Panaiotis. David Gamper replaced Panaiotis in 1990. The band is named after Oliveros’ term, concept, program and registered servicemark of the Deep Listening Institute, Ltd., Deep Listening, and specializes in performing and recording in resonant or reverberant spaces such as cathedrals and huge underground cisterns including the 2-million-US-gallon (7,600 m3) Fort Worden Cistern which has a 45 second reverberation time.