Interesting perspective here and a wonderful insight into what artists are creating in other parts of the World, namely Africa and Asia. I have cited Syrphe on many occasions as a site that tirelessly promotes the creativity of artists in the electronic and experimental fields and the original playlists that I had on 8Tracks were based on the discoveries that I came across via Syrphe. The 8Track playlists I am in the middle of replicating on SoundCloud but this exhaustive list will add to the roster of artists I have linked with from not only Africa and Asia but also South America.
Finally, I recommend you read this article and discover for yourself. It’s great that there is an index of many of the under represented artists as well as the more known.
Here is a recommendation from last year but it still stands –
Todays recommendation from the Syrphe label is this wonderful sampler of Far East Asian experimental electronic artists and I shall be discovering more in the coming season but in the meantime –
Dee Byrne composes for and leads ‘space-jazz’ group Entropi (debut album, New Era was released on the F-IRE Presents label in June 2015), is one half of experimental electronics/sound art duo Deemer (debut album, Interference Patterns was released on Luminous Label in December 2015), is involved in numerous collaborations including six piece improvising electro-acoustic ensemble Zonica, eight piece saxophone ensemble Saxoctopus (debut album released on Raw Tonk Records in July 2015) and Word of Moth (debut album to be released on Luminous label in 2016). Dee also plays with Xantone Blacq (Platinum Fingers/Whirlwind) and the Soul Immigrants (P-Vine records Japan). She is co-founder of the acclaimed original and improvised music platform LUME with Cath Roberts and is Project Manager forthe National Youth Jazz Collective.
Deemer employ, among other things, alto saxophone, drums, analogue electronics, tape, transducer microphones/speakers to instantly compose, activate space, and blur the boundaries between free jazz and sound installation.
Eli Gras is a multidisciplinary artist active in lots of creative fields, but mostly known for her excellent career in experimental underground music since the early eighties. Her experimentations have covered all kinds of musical paths, from pure experimentalism to electropop, minimalism, funk, and so much more. What is striking to me from this artist is that she invents her own instruments, which of course brings a completely new and unique sound perspective to the ears and minds.
There are lots of videos of her live performances playing her inventions, which of course is an exciting thing to see and hear on the digital highway; but its even better and more exciting when you can hear and see her performing live in front of you. In a couple of days (upcoming Saturday 14th November) she will be doing her magical thing on the experimental cozy toxic grounds of Gifgrond.
Here is review number two courtesy of Notes on Sounds…
“When you get bored of me I’ll be back on the shelf” sings Claire Boucher on one of her poppiest and catchiest tunes to date, ‘California.’ Luckily for her, Grimes isn’t likely to be put on to the shelf anytime soon. Her fourth LP Art Angels has been three years in the making, and halfway through that process she claimed to have thrown out a whole album’s worth of material for it not being good enough. More recently, she said that she found her older works “embarrassing.” Apparently she found listening to the likes of ‘Oblivion’ cringe worthy.
That must have left fans of Boucher’s a bit worried. Her last, breakthrough album Visions was a sometimes abrasive but often intelligent dive into harsher electronic, analogue territory, moving on from the double-whammy of synth-experiments Halfaxa and Geidi Primes in 2010 and her collaborative LP with d’Eon, Darkbloom. In…