TODAYS DISCOVERY – Deemer / Dee Byrne

Dee Byrne

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Dee Byrne composes for and leads ‘space-jazz’ group Entropi (debut album, New Era was released on the F-IRE Presents label in June 2015), is one half of experimental electronics/sound art duo Deemer (debut album, Interference Patterns was released on Luminous Label in December 2015), is involved in numerous collaborations including six piece improvising electro-acoustic ensemble Zonica, eight piece saxophone ensemble Saxoctopus (debut album released on Raw Tonk Records in July 2015) and Word of Moth (debut album to be released on Luminous label in 2016). Dee also plays with Xantone Blacq (Platinum Fingers/Whirlwind) and the Soul Immigrants (P-Vine records Japan). She is co-founder of the acclaimed original and improvised music platform LUME with Cath Roberts and is Project Manager for the National Youth Jazz Collective.

Deemer employ, among other things, alto saxophone, drums, analogue electronics, tape, transducer microphones/speakers to instantly compose, activate space, and blur the boundaries between free jazz and sound installation.

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TODAYS DISCOVERY – Hyaena Fierling

Hyaena Fierling

Develops work in the field of sound action since 1999 as composer and investigator in the field of sound structuring; dedicates herself to experimental/improvised music since 1996.

Her work is based on improvisation and exploration, involving the capture of sounds and soundscapes (field work) as well as programming and editing (based on the canons of film sound) of sound sequences originated from unorthodox sound sources – wood and metal objects, stones, different instruments (prepared bass guitar, Hexluth – electrified luth, Moog and Micro Korg synths) or the exploration of sound possibilities in spaces with uncanny acoustic characteristics – the same sound sequences at a later time edited and sequence according to soundtrack assemblage composition, breaking the borders of experimental sound and music in cinematic space.



REVIEW REBLOG – Hyaena Fierling & Comrades – Emissaries

Strange ethereal wonder this and thanks to this review, Hyaena Fierling is Todays Discovery.

Yeah I Know It Sucks

Artists: Hyaena Fierling & Comrades
title: Emissaries
keywords: experimental, soundscape, sound art, poetry, sound poetry, electroacoustic,
label: suRRism-Phonoethics

Hyaena Fierling’s ‘madrigal for sugar dogs’ begins with an atmospheric soundscape that comes across warm and mysterious. It feels natural and yet unnatural at the same time; something human made with the moving sounds similar to a damp propellor from a helicopter and rare daft firework explosions in the deep backdrop. Then voices appear as if they are sirens of first aid ambulances making their noises in the warm atmospheric surreal darkness. Somehow these sirens are not the sounds of an emergency response as they seemingly come across as if they actually quite enjoy themselves.

With ‘Sunrise in Utopia’ Hyaena Fierling gets joined by MUTATE to deliver a fierce and yet roaming track of warrior-like awakening. It’s as if the grainy color on the artwork is being penetrated by glorious hand drumming…

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REVIEW REBLOG – Eli Gras (a amazing multidisciplinary artist, performer, inventor,entertainer, musician…)

The creativity and pure inventiveness of Eli Gras :)) An artist well worth watching all the videos and checking out more. Courtesy to Yeah I Know it Sucks for this overview.

Yeah I Know It Sucks

Eli Gras is a multidisciplinary artist active in lots of creative fields, but mostly known for her excellent career in experimental underground music since the early eighties. Her experimentations have covered all kinds of musical paths, from pure experimentalism to electropop, minimalism, funk, and so much more. What is striking to me from this artist is that she invents her own instruments, which of course brings a completely new and unique sound perspective to the ears and minds.

There are lots of videos of her live performances playing her inventions, which of course is an exciting thing to see and hear on the digital highway; but its even better and more exciting when you can hear and see her performing live in front of you. In a couple of days (upcoming Saturday 14th November) she will be doing her magical thing on the experimental cozy toxic grounds of Gifgrond.

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ARMISTICE DAY 2015


Here is a sublime piece that sonically fits the day from my Artist of the Week

Sharon Gal


TODAYS DISCOVERY – NAOMI KASHIWAGI

Naomi K

Naomi Kashiwagi is an award-winning artist who produces sound works, installations, performances and works on paper, that draw upon her cultural heritage, an intrinsic fusion of two cultures, British and Japanese. Drawing is central to Kashiwagi’s practice and she makes drawings using a range of media including diamonds, typewriters, gramophones and pianos, as well as graphite and pen.


The reason this artist is my Todays Discovery is her work with Gramophone records entitled –  Gramophonica

ARTICLE REBLOG – Sound and Space

Some interesting thoughts here and includes sound artists Susan Philipsz and Louise K Wilson

Hayley Wanless

Different spaces resonate in different ways.
The materials of a space will alter how a space sounds which also has an effect on how a space feels.
Sonic qualities of different spaces will all differ, whether the space is open and large, small and confined or outside and windy.

The environment can affect sound which is why if the same composition was played in a bedroom as opposed to a large hall, the listening experience would be completely different.
Materials can either reflect or absorb sound; reflecting surfaces provide and echo where as absorbing surfaces can dampen a sound. 

Susan Philipsz 

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Whilst visiting the Hamburger Bahnhof in Berlin last February, I experienced Susan Philipsz work ‘Part File Score’- 2014. Exhibited in the converted train station part of the gallery, Philipsz used the stations pillars to install speakers, thus almost hiding them away and revealing the true architecture of the space…

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