Tag Archives: Arts

TODAYS DISCOVERY – Deemer / Dee Byrne

Dee Byrne

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Dee Byrne composes for and leads ‘space-jazz’ group Entropi (debut album, New Era was released on the F-IRE Presents label in June 2015), is one half of experimental electronics/sound art duo Deemer (debut album, Interference Patterns was released on Luminous Label in December 2015), is involved in numerous collaborations including six piece improvising electro-acoustic ensemble Zonica, eight piece saxophone ensemble Saxoctopus (debut album released on Raw Tonk Records in July 2015) and Word of Moth (debut album to be released on Luminous label in 2016). Dee also plays with Xantone Blacq (Platinum Fingers/Whirlwind) and the Soul Immigrants (P-Vine records Japan). She is co-founder of the acclaimed original and improvised music platform LUME with Cath Roberts and is Project Manager for the National Youth Jazz Collective.

Deemer employ, among other things, alto saxophone, drums, analogue electronics, tape, transducer microphones/speakers to instantly compose, activate space, and blur the boundaries between free jazz and sound installation.

TODAYS DISCOVERY – Hyaena Fierling

Hyaena Fierling

Develops work in the field of sound action since 1999 as composer and investigator in the field of sound structuring; dedicates herself to experimental/improvised music since 1996.

Her work is based on improvisation and exploration, involving the capture of sounds and soundscapes (field work) as well as programming and editing (based on the canons of film sound) of sound sequences originated from unorthodox sound sources – wood and metal objects, stones, different instruments (prepared bass guitar, Hexluth – electrified luth, Moog and Micro Korg synths) or the exploration of sound possibilities in spaces with uncanny acoustic characteristics – the same sound sequences at a later time edited and sequence according to soundtrack assemblage composition, breaking the borders of experimental sound and music in cinematic space.



REVIEW REBLOG – Hyaena Fierling & Comrades – Emissaries

Strange ethereal wonder this and thanks to this review, Hyaena Fierling is Todays Discovery.

Yeah I Know It Sucks

Artists: Hyaena Fierling & Comrades
title: Emissaries
keywords: experimental, soundscape, sound art, poetry, sound poetry, electroacoustic,
label: suRRism-Phonoethics

Hyaena Fierling’s ‘madrigal for sugar dogs’ begins with an atmospheric soundscape that comes across warm and mysterious. It feels natural and yet unnatural at the same time; something human made with the moving sounds similar to a damp propellor from a helicopter and rare daft firework explosions in the deep backdrop. Then voices appear as if they are sirens of first aid ambulances making their noises in the warm atmospheric surreal darkness. Somehow these sirens are not the sounds of an emergency response as they seemingly come across as if they actually quite enjoy themselves.

With ‘Sunrise in Utopia’ Hyaena Fierling gets joined by MUTATE to deliver a fierce and yet roaming track of warrior-like awakening. It’s as if the grainy color on the artwork is being penetrated by glorious hand drumming…

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REVIEW REBLOG – Eli Gras (a amazing multidisciplinary artist, performer, inventor,entertainer, musician…)

The creativity and pure inventiveness of Eli Gras :)) An artist well worth watching all the videos and checking out more. Courtesy to Yeah I Know it Sucks for this overview.

Yeah I Know It Sucks

Eli Gras is a multidisciplinary artist active in lots of creative fields, but mostly known for her excellent career in experimental underground music since the early eighties. Her experimentations have covered all kinds of musical paths, from pure experimentalism to electropop, minimalism, funk, and so much more. What is striking to me from this artist is that she invents her own instruments, which of course brings a completely new and unique sound perspective to the ears and minds.

There are lots of videos of her live performances playing her inventions, which of course is an exciting thing to see and hear on the digital highway; but its even better and more exciting when you can hear and see her performing live in front of you. In a couple of days (upcoming Saturday 14th November) she will be doing her magical thing on the experimental cozy toxic grounds of Gifgrond.

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ARMISTICE DAY 2015


Here is a sublime piece that sonically fits the day from my Artist of the Week

Sharon Gal


TODAYS DISCOVERY – NAOMI KASHIWAGI

Naomi K

Naomi Kashiwagi is an award-winning artist who produces sound works, installations, performances and works on paper, that draw upon her cultural heritage, an intrinsic fusion of two cultures, British and Japanese. Drawing is central to Kashiwagi’s practice and she makes drawings using a range of media including diamonds, typewriters, gramophones and pianos, as well as graphite and pen.


The reason this artist is my Todays Discovery is her work with Gramophone records entitled –  Gramophonica

ARTICLE REBLOG – Sound and Space

Some interesting thoughts here and includes sound artists Susan Philipsz and Louise K Wilson

Hayley Wanless

Different spaces resonate in different ways.
The materials of a space will alter how a space sounds which also has an effect on how a space feels.
Sonic qualities of different spaces will all differ, whether the space is open and large, small and confined or outside and windy.

The environment can affect sound which is why if the same composition was played in a bedroom as opposed to a large hall, the listening experience would be completely different.
Materials can either reflect or absorb sound; reflecting surfaces provide and echo where as absorbing surfaces can dampen a sound. 

Susan Philipsz 

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Whilst visiting the Hamburger Bahnhof in Berlin last February, I experienced Susan Philipsz work ‘Part File Score’- 2014. Exhibited in the converted train station part of the gallery, Philipsz used the stations pillars to install speakers, thus almost hiding them away and revealing the true architecture of the space…

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WEB FOCUS – Many Many Women – About

Here is a fantastic index of innovative composers, improvisers, and sonic artists which if you fulfil the criteria as an artist you can request to be added. Follow the About link –

The focus of this index is on women in experimental/avant garde music: contemporary classical/post-classic composition, free improvisation and avant jazz, electronic/ electroacoustic music, sound art, sound installations, radio art, sound poetry, etc. A few of these artists may also work within relatively mainstream forms, but they are included here because of their other work that is more challenging (example: Yoko Ono)

Source: About

REVIEW REBLOG – Various Artists ~ Pod Tune

This is a pure ambient joy and wonderful collection of tracks that I can’t fail to make my Todays Discovery, including Christina Vantzou and Mia Hsieh to name a couple of artists.
Courtesy to A Closer Listen for the review.

a closer listen

4 POD TUNE Cover ArtBefore podcasts, there were pod tunes ~ long, intricate songs flowing from underwater behemoth to underwater behemoth.  These dynamic vocalizations carried stories of other pods in other oceans.  Together, the humpback whales would learn these new songs, sometimes hours long, and share them with those they met.  Even with dwindling populations, they continue this practice to the present day.

A humpback whale’s ability to memorize music is unsurpassed, and yet each rendition is different: a nuance here, an inflection there.  It’s easy to project our emotions upon the whales, hearing plaintive cries in the drawn-out lower registers and joy in the higher tones.  Yet their true depth of meaning lies beyond us.  Whalesong provides a window into something ultimately unfathomable: the life of the earth’s largest creatures, connected by ancestry and geographic expanse.

Humans have been fascinated by whales for years, although the earliest fascinations had more to do with…

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ARTICLE REBLOG – A Conversation With Themselves: On Clayton Cubitt’s Hysterical Literature

Part two of the Sounding Out series on Hysterical Sound. This is a really interesting piece and raises important questions…read on

Sounding Out!

Hysterical Sound3Welcome to our second installment of Hysterical Sound. Last week I discussed silence and hysteria in relation to Sam Taylor-Johnson’s silent film Hysteria, suggesting that the hysteric’s vocalizations go unheard because we have tuned them out. In upcoming weeks Veronica Fitzpatrickwill explore how the soundtrack of The Texas Chainsaw Massacre can be considered hysterical in its rejection of language and meaning and John Corbett, Terri Kapsalis and Danny Thompson share an excerpt from their performance of The Hysterical Alphabet.

Today, Gordon Sullivan, considers the video art series Hysterical Literature in relation to a long history of women’s vocalizations serving as aural fetishes for the pleasure of male listeners. In doing so he troubles the dichotomies raised by the project, dichotomies between masculine visual pleasure and feminine aurality, between language and bliss.

— Guest Editor Karly-Lynne Scott

Each video in filmmaker and photographer Clayton…

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