Tag Archives: Fractured Air

INTERVIEW REBLOG – Step Right Up: La Nuit

Have followed Felicia Atkinson for a while and recommend listening to her work. Have been listening to this collaboration and suggest checking out  La Nuit too.
Article and Interview courtesy to Fractured Air.

FRACTURED AIR

Interview with Félicia Atkinson & Peter Broderick (La Nuit).

“The words appeared to me like this, I don’t know, I like to improvise lyrics, it’s like day dreaming, you dig in your own soul and see what you can fish there.”

Félicia Atkinson

Words: Mark Carry, Photographs: Félicia Atkinson 

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The music of Félicia Atkinson and Peter Broderick both surfaced to my attention around the same space in time, during 2008. John Xela’s Type imprint served the most trusted sources for independent music discoveries and two composers from the label’s roster particularly forged an indelible imprint, namely Peter Broderick and Sylvain Chauveau. ‘Float’s utterly captivating neo-classical-based compositions served a gateway into Broderick’s soaring songbook – that soon would follow with the gifted Portland musician’s ‘Home’ and ‘4-TrackSongs’ full-lengths – and across the years, any project conceived by Broderick (or shares his involvement in any way)…

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INTERVIEW REBLOG – Step Right Up: Moon Ate the Dark

Earlier this week I reblogged a review about Moon Ate the Dark (Headphone Commute) and here is an in depth interview with them courtesy of Fractured Air.

FRACTURED AIR

Interview with Moon Ate the Dark.

“..there is always a surprise and it keeps the music alive, which is what I think we both strive for whilst playing together.”

— Anna Rose Carter

Words: Mark Carry

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Moon Ate the Dark is the neo-classical-infused-drone collaborative project between Welsh pianist Anna Rose Carter and Canadian producer Christopher Brett Bailey. The London-based transplants’ two full-length releases – 2012’s self-titled debut and this year’s highly-anticipated follow-up, both released on the prestigious Berlin-based imprint Sonic Pieces – forges a deeply affecting experience for the heart and mind: the rich, dense textures of Bailey’s production is masterfully inter-woven with Carter’s stunningly beautiful piano-based compositions.

Delicate and hushed tones of Anna Carter’s piano serve the opening notes to Moon Ate the Dark’s latest sonic journey –the mesmerising sophomore record, ‘Moon Ate theDarkII’ – whose fragile beauty radiates like the first rays of sunlight…

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TODAYS’ DISCOVERY – PAPERDOLLHOUSE

FEMINATRONIC DISCOVERY – THE BEING MUSIC

I clicked on the link from the Fractured Air article below and this is what I discovered –