Having a focus on the Theremin on all platforms this week so I am reposting some old and new posts this weekend starting with this –
Rockmore was without peer as a performer in the early decades of the instrument’s use. While many listeners have heard the theremin played poorly or used mostly as a spooky special-effects device, Rockmore used it to perform classical works. Under her control, the theremin sounded like a blend of the cello, violin and human voice.
THE NADIA REISENBERG AND CLARA ROCKMORE FOUNDATION
When I first came across Mirror Lands via A Closer Listen, I was struck by the sounds and images. Seems I still am and the release of the Deluxe Edition gives me another reason to revisit it.
Review courtesy to A Closer Listen.
One of our favorite field recording works of last year, Mark Lyken and Emma Dove‘s Mirror Lands, is about to get the deluxe treatment from Time Released Sound. Those who missed it last time will have another shot this Sunday! To celebrate the re-release, we’ve slightly edited our initial review to reflect the new edition.
We last encountered Mark Lyken and Emma Dove with their installation-based EP and video The Terrestrial Sea. Their new work expands on that prior release and continues an investigation of the sonic and visual properties of Scotland’s Black Isle. Time Released Sound is presenting the work in two versions: a regular and a deluxe edition. Both editions include the soundtrack and a link to the film, while the deluxe edition includes additional ephemera (shown above): vintage prints, maps and pages from travel books, all honoring the location of the film.
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I have been following Six Pillars for a while as it covers all the arts from Iran and further afield. It was the doorway into discovering the importance of electronic music in Iran and subsequently, elsewhere in the World. Looks like a great Sonic event happening in December. Please support if you can.
Six Pillars began as an audio-research adventure into arts and culture from Iran and its diaspora in 2005, and the website began in 2007. This weekly experimental radio show has since expanded over the years into performance events, residencies, art exhibitions, installations and an avant garde sound ensemble. Six Pillars’ focus has now progressed into West Asian, South Asian and North African arts and culture. it has taken its producers and collaborators to West Asia, Columbia and more. It has taken its listeners into anonymous bedrooms in Tehran and major art events and galleries around the world.
Nominated for a Radio Academy Award in 2014, Six Pillars has an adaptive format and a pedagogical approach to programming, resulting in guest producers from a far afield as Malaysia, Iran and Egypt.
I will be talking at Brighton’s Digital Radio Festival on Sept 24th part of a day long conference being run by Totally Radio a day of inspiring conversation, music, live broadcast and sound art at radio’s cutting edge. More info
http://brightondigitalfestival.co.uk

Here is part 2 of the focus on Akane Hosaka.
There is a certain charm with the music and the review sums it up, it does bring a ray of sunshine through the clouds.
Review courtesy of Yeah I Know it Sucks.
Artist: Akane Hosaka
keywords: rhythm, melodies, lo-fi, retro, loops, fun, happy, experimental, electronic
Do you remember the fun music by Akane Hosaka? Her album ‘Loop Music‘ on Wrieuw Recordings (released on a floppy diskette) is still one of my personal highlights in the collection. But to be fair, Akane Hosaka doesn’t sit still and continues her musical journey in an ever expanding way!
Akane Hosaka creates the happiest loopiest electronic loop experimentations and it’s not only obvious fun for her to make them, but also great fun for us listeners to follow these electronic adventures as they come to life and evolve. The great thing of her music expeditions is that a part of the process is that her wonderful nostalgic happiness are once done all finding a way on her official sound cloud account; making it possible to really follow the happenings as if it’s stories within…
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Continuing with the theme of poetry in sound this weeks Soundcloud playlist includes tracks that use text, voice and electronics –
I’ve been saving this review from ACL for a little while and then Q2 posted the overview and whole piece to listen to here –
Anna Thorvaldsdottir Carves Isolated, Icy Paths With ‘In the Light of Air’
The two fit well together.
Thank you A Closer Listen for the Review.
Less than a month after Anna Thorvaldsdottír’s inclusion on Nordic Affect’s Clockworking, a new collection of her work has been issued. This four-movement work (plus a concluding piece) premiered only a year ago, and is performed by the International Contemporary Ensemble. At the 2014 Reykjavik Arts Festival, a series of breath-activated lights enhanced the experience, while many klakabönd (metallic ornaments known as a bind of ice) were used as percussion. Much of this is apparent in the clip below, but home listeners might imitate the experience through creative lighting and sound-and-motion activated appliances.
Not that any of this is necessary to enjoy the album, a combination of filigree-thin solos and remarkable convergences. Thorvaldsdottír honors both the contributions of the individual performers and their work as an ensemble. At this point, fifteen years and five hundred premieres into their career, ICE’s resume is so long that it causes the…
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