Here is part 2 of the focus on Akane Hosaka.
There is a certain charm with the music and the review sums it up, it does bring a ray of sunshine through the clouds.
Review courtesy of Yeah I Know it Sucks.
Artist: Akane Hosaka
keywords: rhythm, melodies, lo-fi, retro, loops, fun, happy, experimental, electronic
Do you remember the fun music by Akane Hosaka? Her album ‘Loop Music‘ on Wrieuw Recordings (released on a floppy diskette) is still one of my personal highlights in the collection. But to be fair, Akane Hosaka doesn’t sit still and continues her musical journey in an ever expanding way!
Akane Hosaka creates the happiest loopiest electronic loop experimentations and it’s not only obvious fun for her to make them, but also great fun for us listeners to follow these electronic adventures as they come to life and evolve. The great thing of her music expeditions is that a part of the process is that her wonderful nostalgic happiness are once done all finding a way on her official sound cloud account; making it possible to really follow the happenings as if it’s stories within…
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These “focus on women in audio production articles” are a real eye opener and give the reader a great insight into the varied roles women can pursue as a career in music. Just need to encourage more.
She spread sorrow is chastity
She spread sorrow is discipline
She spread sorrow is denial
She spread sorrow is a ritual deathscape / obscure noise project run by Alice Kundalini of Deviated Sister Tv
This is dark and mesmeric and thanks to A Closer Listen is Todays Discovery.
The violence enacted by noise and industrial music has been, from their very inception, directed towards the body in one way or another. Shattering its insides, penetrating its skin, transgressing all of its boundaries, they are musics that draw the domination of nature to its harshest consequence — an organic pain inflicted in the key of progress. It is not, however, a sort of absolute pain (as romantic longing for nature), but one that concedes the complexity of the body-mind relationship when it states the obvious: some of us like this stuff. This kind of pleasurable harm presents a very modern revelation with which tradition prefers to be iron-fisted, in the sense that when taboos are broken there is often a disciplinary ritual process of social healing, of reintegration, but what happens when that ritual enacts even more violence upon the body it is attempting to restore? Such is…
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Something a bit different for this Monday. I had been saving this review and then someone sent me an article about Women in UK Hip Hop and it all came together.
As usual many thanks to Yeah I Know It Sucks for this review.
artist: The Femme-Mynistiques
title: Here She Comes… Live @ The Boom Room
keywords: hip-hop, rap, experimental, electronica, jungle,lyrical,spoken word,poetry,tribal house,vocals, Philadelphia
reviewer: Esther Langendorf
some info from The Femme-mynistiques bandcamp account:
In January 2011, at the behest of the Plum Dragoness (founder/hostess of Poet-tree-En-Motion), the three artists (Alexa Gold, Lady Omni Mc & Plum Dragoness) decided to collaborate, performing as The Femme-mynistiques and blending their respective skills in dance, music production, theater, poetry and song into an illuminating blend of musical performance celebrating the spirit of freedom, femininity and love.
Now in Augustus 2015 we are listening to this trio’s E.P. named ‘Here She Comes… Live @ The Boom Room’ a release consisting of four tracks recorded from a live performance that is of an excellent audio quality.
When hearing the first track named ‘she walks among us’ I can’t ignore that there is ‘music and vocal wise’ something very…
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Continuing with the theme of poetry in sound this weeks Soundcloud playlist includes tracks that use text, voice and electronics –
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