There is a good overview of the album here at Time Released Sound
If you go to Bandcamp there are many other releases including the first release Sleptis
There is a good overview of the album here at Time Released Sound
If you go to Bandcamp there are many other releases including the first release Sleptis
I have posted previous reviews of the music of Strie but reading this review has led me to some great sonic discoveries which I will highlight .
Thanks to Headphone Commute for this review.
Iden Reinhart first appeared on the scene back in 2010, with her Sléptis debut on Soundscaping Records. I finally got a chance to properly cover Reinhart’s second release as Strië on Time Released Sounds back in 2012, and Õhtul was featured on Headphone Commute’s Best of 2012 list, Music For The Frosty Night When I Miss Your Warm Light. The third proper album from this somewhat mysterious artist is released courtesy of Serein records, and this time I must take a moment to allow the curtain of shadowy background remain, while I focus strictly on the music within.
The sound is immediately dear to my ears, with its lo-fi aesthetics, cinematic soundscapes, and noir-fi atmospheres. If the esoterically named hauntology style was indeed a real genre, Strië’s approach at production, composition, and sonic environment shall gain her a worldwide recognition among the purveyors of these moods. Shuffling textures, ringing telephones, somber pads, and, from what…
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Every Monday I look forward to the Sounding Out posts as they are very thought provoking and interesting. Todays is no exception and kind of fits with the Experimental season here at Feminatronic. By the way, I am writing this listening to Yoko Onos’ ‘Cough Piece’ which has an aura about it through headphones. Courtesy to Sounding Out for the article.

This is the second post in Sounding Out!’s 4th annual July forum on listening in observation of World Listening Day on July 18th, 2015. World Listening Day is a time to think about the impacts we have on our auditory environments and, in turn, their effects on us. For Sounding Out! World Listening Day necessitates discussions of the politics of listening and listening, and, as Carlo Patrão shares today, an examination of sounds that disturb, annoy, and threaten our mental health and well being. –Editor-in-Chief JS
An important factor in coming to dislike certain sounds is the extent to which they are considered meaningful. The noise of the roaring sea, for example, is not far from white radio noise (…) We still seek meaning in nature and therefore the roaring of the sea is a blissful sound. Torben Sangild, The Aesthetics of Noise
When hearing bodily sounds, we often react with discomfort, irritation…
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Well this is a find and thanks Yeah I know it Sucks for the review.
In this, the album art for p0stm0rtem’s My Obsession With Forever, the artist stares at us from within a pink circular void, looking as though she were wondering if we were ready to have our ears exposed to enormous waves of destructive and infectious audio frequencies.
Artist: p0stm0rtem
Title: My Obsession With Forever
Label: Raging River Rec
Cat#: None
Keywords: Electronic, Experimental, Avant-Garde, Dream Pop, Emotronic, Experimental, Glitch, Noise, Noise Pop, Piano
Reviewer: Alex Spalding
Wow, dear readers, it’s hard to believe it’s another day and another review! And… I promise, it will be a really great review this time. Not like that one time, when I accidentally didn’t review anything at all and we just stood here staring at each other in silence for four hours. This time, there will be a soundtrack!
Through acquaintances on this vast electronic worldscape we have come to know as the internet, some…
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Many thanks to Yeah I know it Sucks for leading me to Todays Discovery – p0stm0rtem
Here is the original article by AKSHATHASHETTY that led me to listen and discover the music of Ramsha Shakeel.
Courtesy to AKSHATHASHETTY for the reblog.
“My role as a musician is to sculpt harmonies out of sounds and vibrations which further the beauty of the cosmos. Music offers a subjective way of experiencing reality. From quarks, galaxies to the entire observable universe, everything is in motion. We have to develop an appreciation of the symphonic reality that we’re a part of. You know how sometimes we’re unable to ‘think straight’. I have come to realise that clarity of the mind forms only when you harmonise with your surroundings,” says Karachi-based Ramsha Shakeel, an experimental musician whose dabbles with macabre timbres and rhythmical depth has led to some incredible experiments within the drone and ambient world. Although the artiste’s musical journey is a synergistic collision of art, science and philosophy; it’s her metaphysical romance with the cosmos that perhaps best describes her tryst with music.
Like an ocean of formless waves, her sounds seem…
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As part of the season highlighting the huge variety of experimental electronic artists I came across this piece by Elizabeth Veldon and it connects well with a pioneer of experimental electronic muisc – Eliane Radigue.
Courtesy to Dalston Sound for this review. Worth clicking through to Crammed Discs to hear clips from the album. Wonderfully atmospheric.
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