Tag Archives: Reblog

REVIEW REBLOG – Mirum Mulier – Metaphysical Spectra

So here is another great find courtesy of Yeah I Know it Sucks and Mirum Mulier is Todays Discovery.

kainobuko's avatarYeah I Know It Sucks

Artist: Mirum Mulier
title: Metaphysical Spectra
keywords: ambient, IDM,
label: GV Sound

Just because we came back with commercial shit,
I thought it is nice to also have something to celebrate with a free downloadable thing. A freely downloadable release by Mirum Mulier named ‘Metaphysical Spectra’. It contains 7 tracks and a cover that fits the uprising of the rainbows that we have seen spiraling out of control on social media. Rainbows here, rainbows there but no leprechaun or pots of gold to be seen… Let’s get to the pointless point and tell you a bit about what to expect when hearing this album…

Think something slippery like an jellyfish or perhaps a drill pudding that shivers itself forward over a wet, but still  a bit dirty professional  kitchen floor, and add some weirdo humble mumble singing in the background and you’ll probably get something similar as what ‘Ancient…

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REVIEW REBLOG – Various Artists ~ Tiny Portraits

Here is another review of the Tiny Portraits project from Flaming Pines, courtesy of A Closer Listen.

postrockcafe's avatara closer listen

Tiny PortraitsThe always creative Flaming Pines label has just launched its third 3″ series, arriving on the heels of the successful Birds of a Feather and Rivers Home sets.  Tiny Portraits is a year-long series in which artists are invited to reflect on place, in particular “somewhere small, overlooked or obscure”.  It’s also a broadening of concepts first explored on Flaming Pines’ Australia-based 2013 compilation of the same name.  The first four singles (released concurrently) come from Siavash Amini (Iran), Yuco (Japan), Zenjungle (Greece) and Sound Awakener (Vietnam).  Arash Akbari’s sound map helps the listener to position the recordings in space.  Yet while the inspirations may be international, the tone is similar; these singles sound like home.

Given the theme of the last series, it’s appropriate that the new series includes the sound of birds.  Siavash Amini‘s Luminous Streams of Dawn (Doostan Boulevard, Tehran) isn’t what most people think…

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REVIEW REBLOG – Imogen Heap: Sparks – Album Review

Couple of different things tonight…Thanks and Courtesy to PonDeWayWayWay for the reviews

pondewaywayway's avatarPon De Way Way Way

I’m going to be honest and say from the start that this review underwent a complete overhaul right at the last minute. Originally I tried to look at how fans and casual listeners would view Imogen Heap’s latest album but, as I am myself a diehard fan, that became too difficult. What I concluded in that draft was that, for the casual listener, the success of the album rests on how they deal with what is, really, a rather fractured listen. Imogen’s new protracted approach to making an album has resulted in a release that lacks the sonic or thematic cohesion that would usually draw the songs on an album together. If you’re a fan whose followed the run-up to Sparks though this probably won’t prove to be a stumbling block because you’ll know about the projects that accompanied most songs. As a soundtrack to Imogen’s adventures over the last…

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REVIEW REBLOG – A Sense of Place: Tiny Portraits on Flaming Pines

Courtesy to Stationary Travels for this review.

ARTICLE REBLOG – Ritual, Noise, and the Cut-up: The Art of Tara Transitory

I first came across the artist Tara Transitory aka One Man Nation when I put together a season on African and Asian Electronic artists, so I have been looking forward to reading this article ( also recommend the series ). Just as an aside – I posted the article on the Feminatronic Facebook page and it has had a very positive response.

jstasiowska's avatarSounding Out!

Sound and AffectMarginalized bodies produce marginalized sounds to communicate things that escape language. The queer body is the site of sounds that engage pleasure, repression, rage, isolation, always somehow outside of dominant language. Sound Studies tells us that we should trust our ears as much as our eyes, justifying our trust in sound, and of the resonating body. Affect Theory goes further, saying that all senses play into a body that processes input through levels of response, experience, and anticipation. Affect is the vibrational space that is both bodily memory and anticipation. So where do sound and affect meet in queer bodies? How do marginalized peoples use sound and the body to express liberation, objectification, joy, and struggle?

Our writers in Sound and Affect tackle these questions across a spectrum of the marginalized experience.  I opened the series by offering the concept of the tremble, a sonic form of affect that is…

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REVIEW REBLOG – p0stm0rtem – p0stm0dern p0stm0rtem

This fits in well with my focus on Noise music and I have included a track by P0stm0rtem on the recent Soundcloud playlist. (see above).
Thanks again to Yeah I Know it Sucks for this review and also for highlighting those artists who may not get any exposure otherwise.

kainobuko's avatarYeah I Know It Sucks

The album art for p0stm0dern p0stm0rtem is probably perfect for this, an image of the artist wearing a pair of comically oversized shades. It is, otherwise and even in that regard nearly completely detached from any symbolic reference that I could deduce to the album in question. If you're asking, what could it all mean?.. nada. No, I am fully convinced that there is not a shred of tangible evidence here to suggest that this image has any conceptual relevance to... wait... upon closer inspection, I've discovered that the sunglasses are a faint yellow color and that a screen of some kind is being reflected, mirrored by the surface of the glasses, and... yeah, I guess I've still got nothing. Nevermind, I feel like I've just wasted a lot of your time. I apologize for the useless tangent. The album art for p0stm0dern p0stm0rtem is an image of the artist wearing a pair of comically oversized shades. It is, otherwise and even in that regard completely detached from any symbolic reference that I could deduce to the album in question. If you’re asking, what could it all mean?.. nada. No, I am fully convinced that there is not a shred of tangible evidence here to suggest that this image has any conceptual relevance to… wait… upon closer inspection, I’ve discovered that the sunglasses are a faint yellow color and that a screen of some kind is being reflected, mirrored by the surface of the glasses, and the image is all pixelated, and… yeah, I guess I’ve still got nothing. Nevermind. Wow, I feel like I’ve just wasted a lot of your time. I apologize for the useless tangent. Next time, I swear we’ll find something post-modern about an…

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REVIEW REBLOG – Volutes – The Quiet Hours

Really recommend this release and so glad I can reblog this review courtesy of Stationary Travels.

REBLOG – Meet Female Frequency

Courtesy to SoundGirls.org for this spotlight on Female Frequency.

REVIEW REBLOG – Birds of Passage & I’ve Lost ~ I Was All You Are

What a Todays Discovery – Maybe it’s the way I’m feeling this afternoon but the electroacoustic ambience of Alicia Merz aka Birds of Passage, is quite a find….and yes I agree with ACL, it is like watching a film in extreme slow motion, a beautiful film at that.

Courtesy to A Closer Listen for the review.

postrockcafe's avatara closer listen

The cover of I Was All You Are says it all: blinding sunshine, dried weeds, a woman walking alone.  Alicia Merz (Birds of Passage) seems to have been raised in haziness, forever existing just a bit out of focus.  When she sings of “sunny garden places”, it’s easy to picture her lying in a meadow, catching the clouds between her fingertips.  On I Was All You Are, she also sings of water; the elements are beginning to coalesce.

I’ve Lost is a downbeat name for a recording artist, bearing poetic associations: it’s not you I’ve lost, but the world.  The art of losing isn’t hard to master.  The ambient settings of I’ve Lost are slow beyond slow; there’s no way to measure them, but 4 b.p.m. seems a reasonable estimate.  Listening is like watching a film in slow motion, then filming it and watching that film in…

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REBLOG – Delphine Dora and Sophie Cooper “Distance Future” (Was Ist Das? – 2015)