Category Archives: Review

REVIEW REBLOG – Akane Hosaka – Loop Music

Something joyful and different today courtesy of Akane Hosaka. Very reminiscent of early electronic experiments, childrens telly and retro games. Her music is on a free download and thanks to Yeah I Know it Sucks, she is my Todays Discovery.

kainobuko's avatarYeah I Know It Sucks

Artist: Akane Hosaka
Title: Loop Music
keywords: electronic, Japan, Wrieuw, ambient, bleeps, bloops, cute, electronic, experimental, folktronica, loop, loop music, Southen On Sea
label: Wrieuw Recordings

Akane Hosaka’s latest release is brought to you by the lovely Wrieuw Recordings and it’s as cute and adorable as the label it’s own cat-like furry reputation.
The EP is made in a way that can be seen described on its front cover; the artist improvises her music, uses a loop pedal and as a modern day musician loads it all up on a cloud of sound like cute little music memories. The collection of tracks here are selected by the producer herself and is an instant brew that of honest and friendly loopy music that quite frankly is quite adorable.

The first track ‘loop 5 – insect of matchstick’ is the sweet opener of this lovely EP, it feels absolutely cozy and homely…

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REVIEW REBLOG – Marie Davidson – Un Autre Voyage

Feminatronic favourite, Marie Davidson and thanks to Yeah I Know it Sucks for the review.

kainobuko's avatarYeah I Know It Sucks

Artist: Marie Davidson
title: Un Autre Voyage
keywords: electronic, experimental, ambient, avant-garde, drone, uncategorizable, Austin
Label: Holodeck Records

within an instant Marie attaches synthesized music with an electronic beat to the brain of the lucky listener. With perfect skill and will to thrill the music explores a journey infected by the story telling voice of Marie who merged perfectly on the bubbling strangeness that is this music. We are all burning’ the story goes; and I can only say that this music is worth to burn for! But wait,(don’t burn up straight away) it’s getting even better!

With ‘Excès de vitesse’ the electronic music becomes very groovy, with a infectious baseline and a rocking steady beat which gives the voice of Marie the right amount of flavor to go all French on us. It’s like rocking out on commodore bleep rock from a time that we all would smoke freely…

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REVIEW REBLOG – Moon Ate the Dark – II (Sonic Pieces)

This is a lovely start to the week and thank you Headphone Commute for the review.

HC's avatarHeadphone Commute

Moon Ate The Dark - II

Once in a while, comes an album that becomes an instant hit… But instead of telling you about this gem right away, I seem to selfishly sit upon this album for months, savoring its givings, as if it was made just for me. As if I alone was privileged enough to experience its beauty… as if its temporary permanence was only mine… There are times, however, that I do receive a promotional copy, way in advance of its street date, and so I use that excuse as the justification for my greedy ears – I want to share this treasure, but only when it’s ready to be yours as well… This is the case with the second release by Moon Ate the Dark, a preview of which I have received earlier in April, the worldwide release of which finally happened in July. It is now, that I feel is the perfect…

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REVIEW REBLOG – Tomoko Sauvage – Ombrophilia

Courtesy to Dalston Sound for this review.

Here is a link to an earlier post on Tomoko Sauvage.

Tim Owen's avatar_____on Sound

Ombrophilia

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REVIEW REBLOG – Yullippe – Lys

Review courtesy of Yeah I Know it Sucks. This has led to Todays Discovery…

kainobuko's avatarYeah I Know It Sucks

Artist: Yullippe
title: Lys
keywords: electronic, Japan, industrial, new wave, noise, ambient, techno,

Yullippe is born in 1993, Osaka, Japan. And now many years later (what year is it now? 2015?) she released her new album named ‘lys’. It is here that she hits all the self-claimed genre boxes like ‘electronic/industrial/techno/noise/vocal/.. For a big part the tracks seems to cover a sense of darkness, but there are some bright sparkles too. An album with tracks that would do well at a Gothic intended midnight party, as well as something shimmerier; for perhaps a listening session at home.
But there is also ‘Miss You’ which is the surprise on this album.. but let me start with the beginning and walk you through it (in case you want to skip it, you can either click the album cover, or scroll down for a link if interested)

Lys’ gives the right amount of…

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REVIEW REBLOG – Dalot & M.Cadoo – Phantom Strains

This is how I hoped it would work for artists.
Reblog a couple of articles from Headphone Commute​ about the artist Dalot.
I then go an discover more for myself and find this release. After listening to it I made it my discovery for the day.
It is then listened to by Yeah I Know I Sucks, who write a great review of the release, which I am reblogging here and linking to Twitter and Facebook.

kainobuko's avatarYeah I Know It Sucks

Artists: Dalot & M.Cadoo
title: Phantom Strains
keywords: electronic, Greece, London, ambient, electronic, post-rock, United Kingdom

Thanks to a post on the wonderful blog named Feminatronic that is setup to celebrate the eclectic creativity of women in electronic music /an equal share of music information gets passed along. Today I followed their recommendation up and became hopelessly intrigued by a psychedelic work done by Dalot, aka sound artist Maria Papadomanolaki.

The music captured within the production of Dalot is one that comes across as if it’s alive and breathing electronic waves. Slowly the sound of this happening begins to open up, be more present as it becomes more clear and to the foreground. When it reaches the right volume it folds open like a flower of nature, showcasing a rustic field of electric calmness that has an effect on me as a listener that is of a visually pleasing and…

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REVIEW REBLOG – möström ~ we speak whale

Courtesy to A Closer Listen for this review and well worth following the link and looking at the creativity of The Vegetable Orchestra : )

postrockcafe's avatara closer listen

UNREC09_frontThe genre-defying debut of female trio möström is a sparkling original, beguiling in the best sense.  These Viennese veterans of other bands (including Gustav, broken.heart.collector and The Vegetable Orchestra, dedicated to “the exploration of the acoustic properties of vegetables” – really!) have now combined forces to produce music that can’t be imitated, because it doesn’t imitate anything else.  In fact, the only comparison we can make involves the “Emoticon” video, which shares the visual (although not the aural) tone of múm’s “They made frogs smoke til they exploded”.  Simultaneously playful and creepy, the childlike visuals are blended with extremely dark undertones, earning a parental warning without a single lyric.

Still with us?  Good.  Then you’ll definitely appreciate the album.  Perhaps the safest way to approach the music is sideways, so as not to alarm it.  The disjointed feeling of the combined instrumentation (bass clarinet, keyboard, DIY electronics) is mirrored by…

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REVIEW REBLOG – Dalot – Minutestatic (n5MD)

Here is the review of Minutestatic by Dalot..Thanks again to Headphone Commute for the review.

HC's avatarHeadphone Commute

It’s been some time since I covered an n5MD release. Mike Cadoo’s Oakland based label has been a favorite for over a decade now. So it’s totally my fault for overseeing its releases in 2012. Here’s how it this usually happens. A promo copy from the label lands in my mailbox. I open the package and think, “Aha! Another n5MD CD! This is going to be fantastic! I need to do a label special soon!” Then I carefully place the disc along with other n5MD releases… and there it stays… for months… I suppose that is how I missed out on the latest from Light Out Asia, Crisopa, Asonat, Aerosol, Ex Confusion, DreisskEleventhfloorrecords, Mike Harris, and of course, Dalot.

Well, the good news is that I didn’t completely forget about any of the above, and that a label special is still in…

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REVIEW REBLOG – Furchick – NoizeMachin!!#12

Courtesy to Yeah I Know it Sucks for this review.

kainobuko's avatarYeah I Know It Sucks

ballsArtist: Furchick
title: NoizeMaschin!!#12
keywords: balls, noise, ambient, machine, video, performance
words by: Bert Ball

Furchick is on tour, playing at various venues and obviously having a good time. If you are a fan or just want to know what she is been up to, you are free to join her posse over at her official Facebook page. A while ago she posted that after a performance a man came up to her suggesting to bring a laptop next time in order to make something that would resemble ‘music’, this isn’t a quote (as I couldn’t find the actual post back, but it was something along this line..)

I don’t understand this complaint as people who perform live music with the use of a laptop are also bombarded with morons who claim that they are playing a game of cards, or just check their emails. (maybe they do, and…

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REVIEW REPOST – Sara Goodman – Airplanes No Longer Exist

This is getting to be a habit but Yeah I Know it Sucks has done it again with this find. This is the first of my discoveries today and is another example of the huge variety of experimentalism that is out there.

kainobuko's avatarYeah I Know It Sucks

Artist: Sara Goodman
title: Airplanes No Longer Exist
keywords: dub, electronic, experimental, glitch, musique concrete, noise, poetry,
label: Poverty Electronicshttp://povertyelectronics.bandcamp.com

Sara Goodman’s ‘airplanes no longer exist’ release on Poverty Electronics is one that is of a kind experimental kind. My ears are drawn in directly by ‘ She Spanks Silver Peacocks’ which sounds to low-bit loving ears like a soft brew of recognizable data loss. The sound is one of a rhythmic, yet muffled kind; as if a microscopic microphone with the ability to record had been placed in a pocket of a coat and the artist added her hand and moving fingers to get this specific sounding audio work to sound like it sounds.

‘The Sideways Market Collapsed ‘skips the low-bit aspect and goes for a soundtrack that has musical aspects, yet it is fully dressed as a experimental of sound in which a listener can apply their…

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