Category Archives: Introducing

REVIEW REBLOG – Agnès Pe – Método para Enya: el fluir del Orinoco

Courtesy to Yeah I Know it Sucks for this review.

kainobuko's avatarYeah I Know It Sucks

1
artist: Agnès Pe
title: Método para Enya: el fluir del Orinoco
keywords: enlightment, experimental, electronic, Enya, devotional, blinding, light, music, video, experimental

Agnès Pe is next to someone with experimental musical skills, an creative individual with a special gift. She has a special magical power that could potentially blind you, me and others. This she can do by pointing her hands in a way that a blinding ray of light could shoot out like bright laser beams.

I know it sounds ridiculous and I totally agree that you cannot make such a thing up… And that’s why it’s the truth, and nothing but the truth. Of course there is evidence, but this evidence comes with a great risk. In fact watching the evidence might be so damaging to your eyes, that it might be the last thing you will ever see. Is it worth the risk of losing your eye…

View original post 217 more words

SOUNDCLOUD SPOTLIGHT – Alma Laprida

ALMA LAPRIDA

Alma Laprida is an Argentinian artist specialising in Electroacoustic, experimental and field recordings.

TODAYS DISCOVERY -Diane Thome

There was a bit of a buzz on Twitter today about a list compiled on RYM website covering women in electroacoustic, minimalism, tape music, musique concrète, free improvisation, and related genres  which I highly recommend.

This is a brilliant work in progress and although there are many artists I know there are many that I do not. Never missing a chance to discover new music I began to look through and just followed the links.

In doing so, I came across Todays Discovery – Diane Thome.

thome

Here is a wonderful collaboration she did with Robert Austin. He states on the Soundcloud page –

This is a collaboration with my longtime collaborator, Seattle composer Diane Thome. I designed sounds for her (usually hundreds), from which she selected a subset, and arranged the samples into an audio collage, typically 8-16 tracks. I would then nip, tuck, re-synthesize, adjust dynamics and panning etc. We would pass it back and forth until we both agreed that it was ‘done’. I would sometimes write sections for pieces myself, and the goal was to produce a computer-synthesized tape which could stand on its own, though typically a solo instrument would play together with the tape. “Estuaries” was scored for oboe and computer synthesized sound, and here is the latter.

NEWS – Kaleidoscope to release Nov. 27th

I first came across the music of Magnetic Wind right at the very start of this project, when our music was featured along with other women electronic musicians on an all female playlist. For a while I thought that she had given up music but so glad to see that the muse is still there and pleasantly surprised to see this new release after a hiatus.

Magnetic Wind - Jessica Waters Art and Sound's avatarMagnetic Wind

Magnetic Wind’s newest album Kaleidoscope will release November 27th on CDBaby, ITunes and Bandcamp as well as CD Baby sponsored retailers (Spotify ect).Kaleidoscope is a collection of space driven ambient that has come to be Magnetic Wind’s musical signature.  Like a kaleidoscope, sounds and textures are patterned pieces organized into one work.  “Life is like a kaleidoscope too”, says Jess Waters of Magnetic Wind.  “You have pieces of memories and experiences and they are put together to create this unit of a whole experience of you.”xk9Ed61448155801

View original post

TODAYS DISCOVERY – CATERINA BARBIERI

caterina barbieri


REBLOG – Caterina Barbieri

Here is an overview of the artist Caterina Barbieri from Ekho :: Women in Sonic Art, which I recommend you visit. Thanks to Ekho, Caterina Barbieri is my Todays Discovery and her music fits in well with the Friday Culture Fix.

Ekho's avatar:::::::::::: Ekho :::::::::::: Women in Sonic Art

“Caterina Barbieri (b.1990, Bologna, Italy) is a composer and performer of electroacoustic music. Mostly interested in modular synthesis, three-dimensional spatialisation and psychoacoustic aural sculpture, her music arises from a meditative approach to primary waveforms, microtonality and the polyrhythm of harmonics, on the boundary between drone, minimalism and techno in multichannel systems.

Her minimalistic focus is rooted in the exploration of the stratigraphic potential of voltage-controlled synthesizers, in terms of polyrhythm and polyphony.
Synthesis, texture-based forms and immersive listening are three fundamental conditions for her to enhance an advanced cognitive and auditory art, not based on extrinsic links but solely built on the experience of the spectrum, able to develop our very limited ability of perceiving the vertical domain of music, involving us in a holistic way.” www.caterinabarbieri.com

Submission to ‘Ekho:: Toward a Repetitive Sounding of Difference’

Undular is an eight-channel piece composed by Caterina Barbieri. All sounds derive from a…

View original post 168 more words

REBLOG – Chosen One: Christina Vantzou

You know that feeling of happiness when you are waiting for a bus and two come along at the same time? Here is a wonderful in depth (and I mean it)interview with Christina Vantzou.
Courtesy to Fractured Air for the reblog.

admin's avatarFRACTURED AIR

Interview with Christina Vantzou.

“ I think about images a lot while working on sound, but in a very simplified way at first. I collect images and slowly individual scenes starts to form in mind. The feeling or level of tension the images would hold against the music is what I think about, rather than narrative.”

—Christina Vantzou

Words: Mark & Craig Carry

vantzou_b-w_web

October 2015 saw the Kansas-born and Brussels-based artist and composer Christina Vantzou release her third solo album – ‘N°3’ – via Chicago-based independent Kranky. Vantzou – whose formidable body of work also spans the mediums of both visual art and film-making – began her own music career as one half (alongside Adam Wiltzie) of the duo The Dead Texan as the hybrid role of keyboardist/animator/video artist. The pair released their debut self-titled album in 2004 (Vantzou’s distinctive artwork graces the sleeve) and still ranks as one of the…

View original post 2,841 more words

REBLOG – Fractured Air 46: Moon Ate the Dark ‘Moon Over Blood Mountain’

Courtesy to Fractured Air for the reblog and suggest you listen to Moon Ate the Dark, who I have featured previously on Feminatronic. Great playlist : ))

admin's avatarFRACTURED AIR

Moon Ate the Dark is the neoclassical-infused drone collaborative project between Welsh pianist Anna Rose Carter and Canadian producer Christopher Brett Bailey. The London-based artists’ two full-length releases – 2012’s self-titled debut and this year’s highly-anticipated follow-up (‘Moon Ate The Dark II’), both released on the prestigious Berlin-based imprint Sonic Pieces – forges a deeply affecting experience for the heart and mind: the rich, dense textures of Bailey’s production is masterfully interwoven with Carter’s stunningly beautiful piano-based compositions.

moonatethedark_sleeve

Fractured Air 46: Moon Ate the Dark “Moon Over Blood Mountain”

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/fractured-air-46-moon-ate-the-dark-moon-over-blood-mountain/

Tracklisting:

01. Emily Hall ‘Scream’ [Bedroom Community]
02. Laurie Spiegel ‘Drums’ [Philo, Unseen Worlds]
03. Jenny Hval ‘Blood Fight’ [Rune Grammofon]
04. Wendy Carlos and Rachel Elkind ‘Rocky Mountains’ [Warner Bros.]
05. Ikue Mori ‘Musashi Plain Moon’ [Tzadik]
06. Joanna Newsom ‘The Book of Right On’ [Drag City]
07. Eliane Radigue ‘Kyema’ (excerpt) [Experimental Intermedia Foundation]

View original post 78 more words

TODAYS DISCOVERY – Hyaena Fierling

Hyaena Fierling

Develops work in the field of sound action since 1999 as composer and investigator in the field of sound structuring; dedicates herself to experimental/improvised music since 1996.

Her work is based on improvisation and exploration, involving the capture of sounds and soundscapes (field work) as well as programming and editing (based on the canons of film sound) of sound sequences originated from unorthodox sound sources – wood and metal objects, stones, different instruments (prepared bass guitar, Hexluth – electrified luth, Moog and Micro Korg synths) or the exploration of sound possibilities in spaces with uncanny acoustic characteristics – the same sound sequences at a later time edited and sequence according to soundtrack assemblage composition, breaking the borders of experimental sound and music in cinematic space.



REVIEW REBLOG – Hyaena Fierling & Comrades – Emissaries

Strange ethereal wonder this and thanks to this review, Hyaena Fierling is Todays Discovery.

kainobuko's avatarYeah I Know It Sucks

Artists: Hyaena Fierling & Comrades
title: Emissaries
keywords: experimental, soundscape, sound art, poetry, sound poetry, electroacoustic,
label: suRRism-Phonoethics

Hyaena Fierling’s ‘madrigal for sugar dogs’ begins with an atmospheric soundscape that comes across warm and mysterious. It feels natural and yet unnatural at the same time; something human made with the moving sounds similar to a damp propellor from a helicopter and rare daft firework explosions in the deep backdrop. Then voices appear as if they are sirens of first aid ambulances making their noises in the warm atmospheric surreal darkness. Somehow these sirens are not the sounds of an emergency response as they seemingly come across as if they actually quite enjoy themselves.

With ‘Sunrise in Utopia’ Hyaena Fierling gets joined by MUTATE to deliver a fierce and yet roaming track of warrior-like awakening. It’s as if the grainy color on the artwork is being penetrated by glorious hand drumming…

View original post 333 more words