Artist: Chrissie Caulfield Title: Wrong Way Home Keywords: violin, experimental, soundscape, live performance website: http://chrissieviolin.info/ With both my ears wide open (and I would suggest you to do the same) I pressed play on the following video featuring a performance by Chrissie Caulfield. I know it’s a video but I decided to focus on the […]
via Chrissie Caulfield – Wrong Way Home — Yeah I Know It Sucks
Good advice here, close your eyes and listen –
This month we’re delighted to have Dr. Leah Barclay, Co-Chair of Sonic Environments, and President of the Australian Forum for Acoustic Ecology , guest-curate this playlist: Sonic Environment Waves. About the playlist, Leah writes: This playlist features composers who are working in innovative ways with place, environmental sound and new technologies. It has been curated to […]
via Sonic Environment Waves (July 2016) — MAKING WAVES
Not solely electronic. Much is Classical music and / electroacoustic but increasingly there are electronic elements in the compositions and a great introduction to Australian composers. Really recommend listening to the beautifully presented playlists.
Hi there and welcome. We all know what a lady is; someone who drinks tea with a little pinky up in the air, but noise ladies are a little different! Are you interested? We have something really interesting for you over here; it’s a movie in which noise ladies from different parts of the world […]
via International Call and Response: Ladyz in Noyz — Yeah I Know It Sucks
Soft Revolvers is an audiovisual performance by Canadian artist Myriam Bleau. She explores the limits between musical performance and digital arts, creating audiovisual systems that go beyond the screen and integrate hip hop, techno and pop elements. For Soft Revolver she makes use of 4 spinning tops built with clear acrylic by the artist. Each […]
via Visual Noise 17: Soft Revolvers by Myriam Bleau — nnnoises.com
Courtesy to nnnoises.com for the reblog.
This is not totally different for me but last month I accepted the challenge, like many others, to listen to and write short notes on an album a day during February 2016. I thought I would post up these here as part of my Todays Discovery theme.
Not in any order of preference here are the first 5 –
Beautiful Introspection…
Rhythmic electroacoustic / field recordings with a sense of place and culture.
Glitch DJing disparate sounds into a cohesive soundscape
ARS SONOR – TRANSIENT / ETERNAL
Awakening drone…Space with a barbed wire edge
One to watch in 2016 –
Jessica Tucker (1989, USA), aka FETTER, is an Amsterdam-based multimedia artist, musician, and producer. With her intimate and layered vocal/electronic music, together with her surreal and playfully strange animation videos and poetry, Tucker’s work expresses a kind of optimistic melancholy. In her recent installation work she deals with themes such as narcissism, insecurity, and the concept of ‘maintaining potential.’ In the past Tucker has also explored through sound, video, installation, and performance, topics such as the paradoxical simultaneity of presence and absence in distanced forms of self-expression, the vulnerability and power of the voice, and the human tendency to conceptualize ‘self’ in terms of abstract spatial relations.
This is a real gem and a great introduction and personal view, based on 45 years of experience on Field Recording practice. It also seems that there are crossover difficulties experienced that I have had in creating music such as data storage and recording failures. I recommend that you do listen through headphones as the field recordings really come to life.
Due to restrictions just click on the link below to watch on Vimeo.
I’m glad I did.
Feminatronic 
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