Review courtesy of Yeah I Know it Sucks. This has led to Todays Discovery…
Artist: Yullippe
title: Lys
keywords: electronic, Japan, industrial, new wave, noise, ambient, techno,
Yullippe is born in 1993, Osaka, Japan. And now many years later (what year is it now? 2015?) she released her new album named ‘lys’. It is here that she hits all the self-claimed genre boxes like ‘electronic/industrial/techno/noise/vocal/.. For a big part the tracks seems to cover a sense of darkness, but there are some bright sparkles too. An album with tracks that would do well at a Gothic intended midnight party, as well as something shimmerier; for perhaps a listening session at home.
But there is also ‘Miss You’ which is the surprise on this album.. but let me start with the beginning and walk you through it (in case you want to skip it, you can either click the album cover, or scroll down for a link if interested)
Lys’ gives the right amount of…
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This is how I hoped it would work for artists.
Reblog a couple of articles from Headphone Commute about the artist Dalot.
I then go an discover more for myself and find this release. After listening to it I made it my discovery for the day.
It is then listened to by Yeah I Know I Sucks, who write a great review of the release, which I am reblogging here and linking to Twitter and Facebook.
Artists: Dalot & M.Cadoo
title: Phantom Strains
keywords: electronic, Greece, London, ambient, electronic, post-rock, United Kingdom
Thanks to a post on the wonderful blog named Feminatronic that is setup to celebrate the eclectic creativity of women in electronic music /an equal share of music information gets passed along. Today I followed their recommendation up and became hopelessly intrigued by a psychedelic work done by Dalot, aka sound artist Maria Papadomanolaki.
The music captured within the production of Dalot is one that comes across as if it’s alive and breathing electronic waves. Slowly the sound of this happening begins to open up, be more present as it becomes more clear and to the foreground. When it reaches the right volume it folds open like a flower of nature, showcasing a rustic field of electric calmness that has an effect on me as a listener that is of a visually pleasing and…
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Courtesy to A Closer Listen for this review and well worth following the link and looking at the creativity of The Vegetable Orchestra : )
The genre-defying debut of female trio möström is a sparkling original, beguiling in the best sense. These Viennese veterans of other bands (including Gustav, broken.heart.collector and The Vegetable Orchestra, dedicated to “the exploration of the acoustic properties of vegetables” – really!) have now combined forces to produce music that can’t be imitated, because it doesn’t imitate anything else. In fact, the only comparison we can make involves the “Emoticon” video, which shares the visual (although not the aural) tone of múm’s “They made frogs smoke til they exploded”. Simultaneously playful and creepy, the childlike visuals are blended with extremely dark undertones, earning a parental warning without a single lyric.
Still with us? Good. Then you’ll definitely appreciate the album. Perhaps the safest way to approach the music is sideways, so as not to alarm it. The disjointed feeling of the combined instrumentation (bass clarinet, keyboard, DIY electronics) is mirrored by…
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Long but very interesting read. Courtesy to Sounding Out! for this article.
If you were to choose to watch live video composer and performer Ana Carvalho’s work silent, your brain would be easily guided into a synesthetic experience, assigning sounds to each rhythmic change in color, pace, frame. Her images oscillate…they dance, they breathe. As you experience this, there might be a sense that you have lost your ability to hear the outside world, as these images are clearly attached to, woven with, a part of sound.
There is a history of composers such as Iannis Xenaxis and Cornelius Cardew using graphic scores and notation in place of traditional methods and symbols, as a way to reach a deeper expression through allowing greater interpretation, chance, and improvisation with their musicians. They concentrate more on conveying information on how a work is played, rather then what notes to play when. Carvalho uses the graphic score much in the same way, but also as a…
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Here is the review of Minutestatic by Dalot..Thanks again to Headphone Commute for the review.

It’s been some time since I covered an n5MD release. Mike Cadoo’s Oakland based label has been a favorite for over a decade now. So it’s totally my fault for overseeing its releases in 2012. Here’s how it this usually happens. A promo copy from the label lands in my mailbox. I open the package and think, “Aha! Another n5MD CD! This is going to be fantastic! I need to do a label special soon!” Then I carefully place the disc along with other n5MD releases… and there it stays… for months… I suppose that is how I missed out on the latest from Light Out Asia, Crisopa, Asonat, Aerosol, Ex Confusion, Dreissk, Eleventhfloorrecords, Mike Harris, and of course, Dalot.
Well, the good news is that I didn’t completely forget about any of the above, and that a label special is still in…
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Here are a couple of pieces courtesy of Headphone Commute shining a spotlight on the electroacoustic artist Dalot.
Hi Maria, what have you been up to lately?
I am still settling down to my new place/neighborhood since my move from NY to London during the summer.
How did you initially get signed to n5MD?
In 2009, I contacted n5MD to ask them if they would be interested in selling some copies of my EP via their mailorder website. They coincidentally liked it and they signed me.
What does your name Dalot mean and where does it come from?
Dalot is the french word for culvert. Back in the golden days of Myspace, I decided to open an account and I needed a username. Next to me there was a French Dictionary. I opened one of its pages by chance and Dalot was the first word I saw. I liked the look and sound of it and I kept it. Recently, I discovered that there are two areas that…
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I posted the piece of music created by Elizabeth Veldon to commemorate the dropping of the atomic bomb on Hiroshima on the 6th August.
I heard this field recording and it felt appropriate to post it here to remember the 70th Anniversary of the dropping of the atomic bomb on Nagasaki
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