Tag Archives: electronics

ARTICLE REBLOG – Ritual, Noise, and the Cut-up: The Art of Tara Transitory

I first came across the artist Tara Transitory aka One Man Nation when I put together a season on African and Asian Electronic artists, so I have been looking forward to reading this article ( also recommend the series ). Just as an aside – I posted the article on the Feminatronic Facebook page and it has had a very positive response.

jstasiowska's avatarSounding Out!

Sound and AffectMarginalized bodies produce marginalized sounds to communicate things that escape language. The queer body is the site of sounds that engage pleasure, repression, rage, isolation, always somehow outside of dominant language. Sound Studies tells us that we should trust our ears as much as our eyes, justifying our trust in sound, and of the resonating body. Affect Theory goes further, saying that all senses play into a body that processes input through levels of response, experience, and anticipation. Affect is the vibrational space that is both bodily memory and anticipation. So where do sound and affect meet in queer bodies? How do marginalized peoples use sound and the body to express liberation, objectification, joy, and struggle?

Our writers in Sound and Affect tackle these questions across a spectrum of the marginalized experience.  I opened the series by offering the concept of the tremble, a sonic form of affect that is…

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FEMINATRONIC SEASON – LOUD EXPRESSION

Feminatronic is focussing on Noise music in all its variants.

Here is the most recent playlist that demonstrates some of the huge variety of sound and genres ( but there are many more) that I will be exploring.

REVIEW REBLOG – p0stm0rtem – p0stm0dern p0stm0rtem

This fits in well with my focus on Noise music and I have included a track by P0stm0rtem on the recent Soundcloud playlist. (see above).
Thanks again to Yeah I Know it Sucks for this review and also for highlighting those artists who may not get any exposure otherwise.

kainobuko's avatarYeah I Know It Sucks

The album art for p0stm0dern p0stm0rtem is probably perfect for this, an image of the artist wearing a pair of comically oversized shades. It is, otherwise and even in that regard nearly completely detached from any symbolic reference that I could deduce to the album in question. If you're asking, what could it all mean?.. nada. No, I am fully convinced that there is not a shred of tangible evidence here to suggest that this image has any conceptual relevance to... wait... upon closer inspection, I've discovered that the sunglasses are a faint yellow color and that a screen of some kind is being reflected, mirrored by the surface of the glasses, and... yeah, I guess I've still got nothing. Nevermind, I feel like I've just wasted a lot of your time. I apologize for the useless tangent. The album art for p0stm0dern p0stm0rtem is an image of the artist wearing a pair of comically oversized shades. It is, otherwise and even in that regard completely detached from any symbolic reference that I could deduce to the album in question. If you’re asking, what could it all mean?.. nada. No, I am fully convinced that there is not a shred of tangible evidence here to suggest that this image has any conceptual relevance to… wait… upon closer inspection, I’ve discovered that the sunglasses are a faint yellow color and that a screen of some kind is being reflected, mirrored by the surface of the glasses, and the image is all pixelated, and… yeah, I guess I’ve still got nothing. Nevermind. Wow, I feel like I’ve just wasted a lot of your time. I apologize for the useless tangent. Next time, I swear we’ll find something post-modern about an…

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SUNDAY MIXES – BIRDS

I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,–
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings–
I know why the caged bird sings!

Sympathy – Paul Lawrence Dunbar (1872 – 1906)

Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

Hope is the Thing with Feathers – Emily Dickinson (1830 – 1886)

When April bends above me
And finds me fast asleep,
Dust need not keep the secret
A live heart died to keep.

When April tells the thrushes,
The meadow-larks will know,
And pipe the three words lightly
To all the winds that blow.

Above his roof the swallows,
In notes like far-blown rain,
Will tell the little sparrow
Beside his window-pane.

O sparrow, little sparrow,
When I am fast asleep,
Then tell my love the secret
That I have died to keep

I Love You – Sara Teasdale (1884 – 1933)

Do you ask what the birds say? The Sparrow, the Dove,
The Linnet and Thrush say, “I love and I love!”
In the winter they’re silent—the wind is so strong;
What it says, I don’t know, but it sings a loud song.
But green leaves, and blossoms, and sunny warm weather,
And singing, and loving—all come back together.
But the Lark is so brimful of gladness and love,
The green fields below him, the blue sky above,
That he sings, and he sings; and for ever sings he—
“I love my Love, and my Love loves me!”

Answer to a Child’s Question – Samuel Taylor Coleridge (1772 – 1884) 

SOUNDCLOUD SPOTLIGHT – ANGELICA CASTELLO

I previously reblogged a review of Angelica Castellos’ Sonic Blue courtesy of A Closer Listen. I came across the review again and this lead me to her Soundcloud page.

So here is todays Spotlight –

ANGELICA CASTELLO

REVIEW REBLOG – Lyndsie Aguire – Clair Obscur

This is my Todays Discovery c/o and thanks to Yeah I Know it Sucks.

kainobuko's avatarYeah I Know It Sucks

Artist: Lyndsie Aguire
title: Clair Obscur
keywords: ambient, electronic, field recordings, melodic, piano
label: Time Relesed Soundhttp://timereleasedsound.com/
reviewer: Willem van O.

I was thinking of you, dear visitor of YIKIS. I thought about how much you would like to check out music that you would like. I guess it’s a matter of tastes, so we can’t please everyone; but the release done by Lyndsie Alguire is something that you are free to check out so you will be able to see if the music fits you and your delicate tastes. Checking the album notes makes me aware that Lyndsie Alguire is from Canada and that she is specialized in composing piano works and soundscapes, but this release on its own is rather different to my ears.

It first starts with Lyndsie Alguire’s ‘I was dreaming of you’ which gives way to a dreamy construction that for some reason makes…

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REBLOG – EKHO: Women in Sonic Art – Ingrid Plum

Here is a great short overview about Ingrid Plum.
Courtesy to Ekho: Women in Sonic Art for this post.

Ekho's avatar:::::::::::: Ekho :::::::::::: Women in Sonic Art

Ingrid Plum is a Brighton-based Composer/Musician www.ingridplum.com

“I find that feminist context emerges as part of my practice through my eschewing of boundaries that would be projected upon my choice of roles, rather than by making work that individually and specifically addresses feminist issues… I do not usually frame my work as feminist in itself. I am a feminist who makes work and my practice infers these issues – not by addressing them directly by subject, but by making work that exists despite and in spite of any gender gap that would deny me a contextual space for my work.”

Submission to ‘Ekho:: Toward a Repetitive Sounding of Difference’

“I followed Alvin Lucier’s example in ‘I am sitting in a room’, using the piano instead of a room and Nils Frahm’s ‘Mi’ as the source…I set up 2 Neumann 183 microphones to capture the sound of a Yamaha C6 grand piano…

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MIXCLOUD SPOTLIGHT – Fractal Meat on a Spongy Bone with Ingrid Plum

Due to technical stupidness ( probably on my behalf) Here is the show –

REBLOG – Fractal Meat on a Spongy Bone with Ingrid Plum

I haven’t gone mad but posting this for two reasons. Firstly it links in with some items about Ingrid Plum and gives Fractal Meat a plug as it is a radio show that gives space and promotes experimental, noise and sound music being created today. Well worth visiting.

Graham Dunning's avatarFractal Meat

On Friday 18th September Ingrid Plum will join me in the studio to perform live and play some tracks from her forthcoming album, Plangent. Tune into NTS from 8-10am.

Using extended technique and improvisation, Plum combines her voice with field recordings and electronics to create layered soundscapes blending spoken word and song. Her recordings and live performance have the honesty and intimacy of a confessional alongside the sonic scope of the forests and open coastlines of her native Denmark, a landscape that inspires much of her music.

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TODAYS DISCOVERY / SOUNDCLOUD SPOTLIGHT – KAYAKA