Category Archives: Introducing

AN ALBUM A DAY

This is not totally different for me but last month I accepted the challenge, like many others, to listen to and write short notes on an album a day during February 2016. I thought I would post up these here as part of my Todays Discovery theme.

Not in any order of preference here are the first 5 –

GROUPER – RUINS

Beautiful Introspection…


VALENTINA VILLARROEL – ALKUN

Rhythmic electroacoustic / field recordings with a sense of place and culture.


KLARA LEWIS – ETT

Glitch DJing disparate sounds into a cohesive soundscape


ARS SONOR – TRANSIENT / ETERNAL

Awakening drone…Space with a barbed wire edge


SEA CHANGE – BREAKAGE

One to watch in 2016 –

SOUNDCLOUD SPOTLIGHT -Akane Hosaka

Akane Hosaka

“With her lunging rhythms and deliciously retro melodies, Akane Hosaka catapults us into a world of gleeful wallabies and drummer-boy monkeys.Her discovery of music came through song, and only later led to instrumental experimentation.References to her early influences, the 60s and 70s precursors of electropop, are deliberate, there for all to see: Raymond Scott, Perrey & Kingsley or Yellow Magic Orchestra. Nevertheless her true inspiration is from the visual world and lies in graphic forms and architectural fantasy:Keiji Ito, Archigram or Bruno Munari.For her, these images evoke musicthat she then sets about transcribing.Naturally reserved, she’s a perfectionist in her work. Seeing her in the studio is like watching a blacksmith in the smithy, as she bends her music into the required shapes.
Her compositions are like pastel-coloured soap bubbles in extra-bright Super 8.”
http://www.sonore.com

TODAYS DISCOVERY -Julia White

‘in the cities of dust’ a magnetic beauty sized in rough Diamond … for you.
Trained to noisey & punk rock, she offers us 9 pretty soothed thumbnails of pure beauty.” (David Teboul / Soft Recordings).

REVIEW REBLOG – Listen: ACRE TARN – ‘Dawn Faces’

Here is Todays Discovery – Acre Tarn and recommend listening to her Soundcloud page.
Courtesy to Notes on Sounds for the pointer and review.

Notes On Sounds's avatarNOTES, ON SOUNDS....

Hailing from The Lake District, Anna-Louisa Ehterington began impressing with her dreampop tunes last year with ‘Flex’ and ‘Lanterns.’ As ACRE TARN she’s been leading anyone who’ll follow down a rabbit hole that leads to a synth wonderland that’s hypnotic but propulsive enough to still get you dancing.

Her latest track ‘Dawn Faces’ doesn’t deviate too much from that already winning formula, instead pairing beautiful melodies and flittering synths together like we’ve become accustomed to. Still, it’s definitely not a sign of ACRE TARN slowing down, as ‘Dawn Faces’ might be her most engaging single yet; that’s in part due to the ethereal chanting Etherington adds and the weighty drums that keep the featherweight instrumentation grounded. Perhaps if Robyn spent a year listening to only the Cocteau Twins you’d get something that sounds like this. But Etherington beat her to it.

Listen to ‘Dawn Faces’ below.

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Melodic Instrumental – Matzumi

The latest playlist on Soundcloud #30 includes tracks from artists who create Melodic Instrumental music and Matzumi is one of the biggest names in this genre of electronic music.

Matzumi

MATZUMI

One woman – one project ! New Age, Ambient and Soundtracks.

REVIEW REBLOG – Mila Severtseva – Resistance

Here is Todays Discovery of glitchy beat based electronics, care of Yeah I Know it Sucks.

kainobuko's avatarYeah I Know It Sucks

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artist: Mila Severtseva
title: Resistance
keywords: glitch, experimental, electronic, avantgarde, beats,
label: Wrieuw Recordings http://wrieuwrecordings.bandcamp.com/

Mila is a mixed media based in Saint Petersburg in Russia. I first came across her work via this great website called Far From Moscow which is well worth checking out. Anyway, at that point she was writing music as diu pii and it was excellent bare bones almost tribal sketches of electronica goodness. I got in touch to ask if she wanted to do a split release on floppy disk, which fortunately for me, she did. One thing Mila does very well is often very chaotic and colourful works of art, I find these very appealing, she did the awesome artwork for our release and has since done the same for releases with Liminal Noise Tapes and Effluvia Recordings.

Anyway, I am very pleased to present her EP “resistance” released under her own…

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REBLOG – Headphone Commute’s Best of 2015 : Music For Long Car Rides With My Family and Friends

 hEADPHONE COMMUTE

Including review links to Bjork, FKA Twigs, Holly Herndon, Grimes and Julia Holter.

Source: Headphone Commute’s Best of 2015 : Music For Long Car Rides With My Family and Friends

ARTICLE REBLOG -SO! Amplifies: Sounding Board Curated by Leonardo Cardoso

Part two of the Art of Sound playlist is out on Soundcloud  and the general focus this week is on Sound Art, in its’ widest sense, so this article came at the right time.
Courtesy to Sounding Out for the article reblog.

jaymloomis's avatarSounding Out!

Screenshot 2016-01-16 12.59.24

Document3SO! Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome!

The first annual Sounding Board sound exhibit was held at The Companion Gallery in Austin, Texas on December 3 – 6, 2015, as part of the 60th anniversary meeting of the Society of Ethnomusicology (SEM). In the promotional literature for the show, the curator, Leonardo Cardoso (Texas A&M), described its objective: to give students, ethnographers, ethnomusicologists, and any “sound-minded” people an opportunity to share research and contemplate fieldwork from different perspectives. Cardoso hoped that SEMSoundingBoard would “stimulate dialogue between ethnomusicology and other fields, especially sound studies, sound art, ecomusicology, anthropology, and media studies.” He also sought to facilitate interaction between the local community in Austin and SEM scholars who traveled to attend the conference.

sounding-board_rev

I spoke with Cardoso about this…

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INTERVIEW REBLOG – Furchick (an interview with the dog loving moonboot wearing experimentalist)

Everything you wanted to know about Furchick courtesy of Yeah I Know it Sucks.

kainobuko's avatarYeah I Know It Sucks

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Woof Woof!

^ KN (your interviewer) at the dog park ^ KN (your interviewer) at the dog park

KN: Hello and welcome dear readers, as you can see I’m at a Dog Park. I came here with my dogs not just to play, but to actually meet one of the people who run this place (the director is Trevor who happens to be a dog) …
I say people, but it’s probably better to say her real name; Furchick! She is a music and sound maker of the experimental order, making sounds in particular ways with a ton of creativity and a bucket full of ‘don’t give a fucks’. Well I’m not so sure about Furchick not giving fucks, but that’s why we have arranged this interview… To get to know a bit of the real Furchick, or simply just have a nice conversation going on.. If that’s possible between all the dogs running and barking that is……

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REBLOG – Midori Takada ‎- Through The Looking Glass

Some of you will know how I’ve championed this album in the past and so I’m glad to be able to reblog this here : ))
Courtesy to Obscure Music Daily.

Obscure Music Daily's avatarObscure Music Daily

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Through The Looking Glass is an album by Midori Takada that was released in 1983 on the label RCA. This album is ambient.

This album has some of my favorite ambient tracks on it. Beautiful serene melodies, slow warm drones, birds, windchimes, spastic xylophone(?) loops, and so on. The album utilizes lots of traditional and non-electronic instruments which gives it an awesome sound. Lots of wood winds and various minimalist percussions creating beautiful ambiances perfect for laying in a field on some alien planet watching the clouds. Half of the tracks are more serene and some are more tribal, especially with the final track “Catastrophe Σ” which is tribal ambient (a subgenre that focuses on rhythmic drumming instead of melodies) . My favorite tracks are the first, Mr. Henri Rousseau’s Dream, and the third, Trompe-L’oeil; the more serene / calm / melody driven ones.

Listen to it here

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