Tag Archives: experimental

SUNDAY MIX – SLEEP

Once a month Feminatronic combines two favourite things, electronic music and poetry, to bring an oasis of calm and this month is no exception as the mix is about Sleep.

 

 

Sleep, little pigeon, and fold your wings,

Little blue pigeon with velvet eyes;

Sleep to the singing of mother-bird swinging—

Swinging the nest where her little one lies.

Away out yonder I see a star,—

Silvery star with a tinkling song;

To the soft dew falling I hear it calling—

Calling and tinkling the night along.

In through the window a moonbeam comes,—

Little gold moonbeam with misty wings;

All silently creeping, it asks, “Is he sleeping—

Sleeping and dreaming while mother sings?”

Up from the sea there floats the sob

Of the waves that are breaking upon the shore,

As though they were groaning in anguish, and moaning—

Bemoaning the ship that shall come no more.

But sleep, little pigeon, and fold your wings,—

Little blue pigeon with mournful eyes;

Am I not singing?—see, I am swinging—

Swinging the nest where my darling lies.

Japanese Lullaby – Eugene Field (1892)
 
 

 

Sleep, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.

Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.

As thy softest limbs I feel
Smiles as of the morning steal
O’er thy cheek, and o’er thy breast
Where thy little heart doth rest.

O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful night shall break.

Cradle Song – William Blake (1757 – 1827)
 

 

O God! can I not save

One from the pitiless wave?

Is all that we see or seem

But a dream within a dream?

A Dream within a Dream – Edgar Allan Poe (1809 – 1849)

 


 

TODAYS DISCOVERY – SYNTHESIS VOL 2 – DIXIE TREICHEL

REVIEW REBLOG – A Closer Listen -Far Rainbow ~ No Medicine That Can Cure A Fool

Discovered for myself Far Rainbow a while back but thanks to A Closer Listen glad to return and reblog this review.

ukstratboy's avatara closer listen

RainbowFar Rainbow are Emily Mary Barnett and Bobby Barry. On No Medicine That Can Cure A Fool they introduce the listener to a deeply colorful world that’s alive and blended together rather uneasily by rocky, experimental seas and the oh-so-still ambient sky. At first, the ambient drones prepare to take you deeper into the music. Diluted cymbals crash heavily. A pulsing bass tries to conceal the dawn chorus and its song of sweetness and light. Chirping birds eventually lose their voices and are replaced by electronic copies that bubble out of the music like a deep sea sonar. No Medicine That Can Cure A Fool is colorful music that slowly spreads its wings. A drum suddenly kicks in and provides a steady rhythm to the sailing drone which, incidentally, has its own rhythm – it just isn’t a beat – and the frequency of the drone wavers up and down…

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SOUNDCLOUD SPOTLIGHT – PATRIZIA MATTIOLI

Patrizia M

REPOST – CLAIRE GUERIN – Free Download of Soundbox Orchestra

Missed this event to publicize it but the free download link is here.
Courtesy to Claire Guerin blog for this post.

Claire Guerin's avatarClaire Guerin

Atelier Macumba
HB55 Kunstfabrik, Herzbergstrasse 55 (Eingang B)
Berlin-Lichtenberg
Tram M8, 21: Herzbergstr/Siegfriedstr
18:00 PÜNKTLICH!!!!

The participants in the SoundBoxes Workshop will present an immersive, surround-sound experience inspired by the works of Alvin Lucier, Pauline Oliveros, John Grzinich, David Tudor, Gordon Monahan and others, performed in a darkened room for an eyes-closed audience. In the piece, a swarm of individual, simple sound sources such as tones and textures are modulated and moved through the space physically by the performers to create a complex sonic environment. Delicate and intimate sounds pass closely near the bodies and ears of the audience, while stronger, more extreme sounds occur at the edges of the space to give a sense of the architecture of the room and the objects in it.

PLEASE ARRIVE AT 18:00 SHARP FOR THIS PERFORMANCE!

And then stick around for IPAs and a chance to demo some of theMacumbista.net

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REBLOG – CLAIRE GUERIN – Podcast interview with The Salon de Bruit in Berlin

I have clicked through and it looks as if this will be very interesting with focus on the Irish Sound Art Scene. Try to catch it online after the 28th. In the meantime, there is a list of links of artists, venues and sites that are related to the episode – Well worth checking out.
Courtesy to Claire Guerin and her blog for this post and don’t forget to check the soundboxes free download above.

Claire Guerin's avatarClaire Guerin

‘Seamus and Paul from the Salon de Bruit in Berlin invited me to join them on their monthly podcast.  They wanted to hear about sound art in Ireland from my experience to what I’ve grown up with and experienced with The Guesthouse.  Follow the link to have a listen and to see the links to some of the work I suggested in the interview too. ‘ -Claire Guerin

senderberlin.org

This will be online from the 28th of July 2015.

Salon de Bruit <-Click here to listen

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TODAYS DISCOVERY – MARTA ZAPPAROLI

MARTA ZAPPAROLI

REVIEW REBLOG – Various Artists – Italian experimental underground 015 survey – volume II

 This is the review –

Various Artists – Italian experimental underground 015 survey – volume II.

Courtesy to Yeah I Know it Sucks for this find.

As always, the review is quirky and to the point, which is refreshing and led me to these explorations into experimental electronic music, with some familiar names and some I am going to look up.

Here are a couple of artists on other compilations that you may be interested in –

TODAYS DISCOVERY – ISNAJ DUI

Following on from the previous posts I visited  the Electric Spring 2015 site and discovered the music of Isnaj Dui

Electronic Music in Britain in the 1950s and 60s: James Mooney and Monty Adkins in Conversation

So, I began with thoughts of focussing on Experimental Electronic Music and like most went down the route of the standard history that everyone charts.
As some of you by now will realise, although I do post a lot about the well known electronic artists, genres and histories, I also try to give those well under the radar a space to get their music heard or the genre a wider audience. This includes trying to bring to attention the scene in the rest of the world.
I had heard about Hugh Davies and his catalogue of ‘alternative electronic history’ but until today had not had a chance to explore further. So glad I did !
As I knew in my heart, there was and still is an alternative electronic music scene and one where many artists are quietly creating music unknown or ignored.
This is why I am reblogging this article as part of the Experimental Season, as many of the themes are still so relevant today and why Hugh Davies’ work is still vital as a challenge to the traditional historical theory.
Listening to the Soundcloud discussion is recommended as it gives an insight into roles of Daphne Oram ad Delia Derbyshire in the development of British electronic music and technology. Some interesting questions and answers.

Here is the original overview of the concert and presentation on Daphne Oram and Delia Derbyshire –

https://hughdaviesproject.wordpress.com/2015/02/19/daphne-oram-and-delia-derbyshire-electric-spring-festival-18-feb-2015/

James Mooney's avatarHugh Davies Project

In February 2015, a concert of tape music works by Delia Derbyshire and Daphne Oram was staged as part of the Electric Spring Festival at University of Huddersfield. The concert was preceded by a public conversation between the curator of the concert, Dr James Mooney, and one of the festival’s artistic directors, Prof Monty Adkins. A complete recording of this pre-concert discussion is now available via SoundCloud: click here.

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The conversation addressed the context of electronic music in Britain in the 1950s and 60s and included discussion of Hugh Davies, his self-built instruments and – in particular – his International Electronic Music Catalog. The tools and techniques of electronic music production in the 50s and 60s were discussed, as was the institutional context of the BBC Radiophonic Workshop, where both Derbyshire and Oram worked.

While simultaneously extolling the challenges and contingencies of archival research, Mooney and Adkins discussed the work of some of the key figures in British electronic…

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