SUNDAY MIXES – BIRDS

I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,–
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings–
I know why the caged bird sings!

Sympathy – Paul Lawrence Dunbar (1872 – 1906)

Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

Hope is the Thing with Feathers – Emily Dickinson (1830 – 1886)

When April bends above me
And finds me fast asleep,
Dust need not keep the secret
A live heart died to keep.

When April tells the thrushes,
The meadow-larks will know,
And pipe the three words lightly
To all the winds that blow.

Above his roof the swallows,
In notes like far-blown rain,
Will tell the little sparrow
Beside his window-pane.

O sparrow, little sparrow,
When I am fast asleep,
Then tell my love the secret
That I have died to keep

I Love You – Sara Teasdale (1884 – 1933)

Do you ask what the birds say? The Sparrow, the Dove,
The Linnet and Thrush say, “I love and I love!”
In the winter they’re silent—the wind is so strong;
What it says, I don’t know, but it sings a loud song.
But green leaves, and blossoms, and sunny warm weather,
And singing, and loving—all come back together.
But the Lark is so brimful of gladness and love,
The green fields below him, the blue sky above,
That he sings, and he sings; and for ever sings he—
“I love my Love, and my Love loves me!”

Answer to a Child’s Question – Samuel Taylor Coleridge (1772 – 1884) 

REVIEW REBLOG – Volutes – The Quiet Hours

Really recommend this release and so glad I can reblog this review courtesy of Stationary Travels.

REBLOG – Meet Female Frequency

Courtesy to SoundGirls.org for this spotlight on Female Frequency.

ETHEREAL SOUNDSCAPES COMPILATION PLANNED

Here’s an opportunity some artists may be interested in : )

demerararecords's avatarDemerara Records

Demerera Records plan to put out a compilation in 2016 focused on ethereal, otherworldly soundscapes. So if you have tracks that are maybe harmonically modal and unconventional or which utilise strong evocative sounds in a surreal or dreamlike way, please submit them using one of the following methods:

  • create a dropbox folder and add demerararecords@yahoo.co.uk
  • put the track(s) on a Soundcloud page & email details to us
  • attach file(s) to a WeTransfer file with a covering message

Please do not use any other method to submit tracks. Tracks selected will be used on an informal license basis whereby the composer/artist allows Demerara Records to use the track(s) on the album but the composer/artist retains full ownership of both the track and recording and can use it/them again for separate release in the future.

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TODAYS DISCOVERY – BIRDS OF PASSAGE

REVIEW REBLOG – Birds of Passage & I’ve Lost ~ I Was All You Are

What a Todays Discovery – Maybe it’s the way I’m feeling this afternoon but the electroacoustic ambience of Alicia Merz aka Birds of Passage, is quite a find….and yes I agree with ACL, it is like watching a film in extreme slow motion, a beautiful film at that.

Courtesy to A Closer Listen for the review.

postrockcafe's avatara closer listen

The cover of I Was All You Are says it all: blinding sunshine, dried weeds, a woman walking alone.  Alicia Merz (Birds of Passage) seems to have been raised in haziness, forever existing just a bit out of focus.  When she sings of “sunny garden places”, it’s easy to picture her lying in a meadow, catching the clouds between her fingertips.  On I Was All You Are, she also sings of water; the elements are beginning to coalesce.

I’ve Lost is a downbeat name for a recording artist, bearing poetic associations: it’s not you I’ve lost, but the world.  The art of losing isn’t hard to master.  The ambient settings of I’ve Lost are slow beyond slow; there’s no way to measure them, but 4 b.p.m. seems a reasonable estimate.  Listening is like watching a film in slow motion, then filming it and watching that film in…

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REBLOG – Delphine Dora and Sophie Cooper “Distance Future” (Was Ist Das? – 2015)

SOUNDCLOUD SPOTLIGHT – ANGELICA CASTELLO

I previously reblogged a review of Angelica Castellos’ Sonic Blue courtesy of A Closer Listen. I came across the review again and this lead me to her Soundcloud page.

So here is todays Spotlight –

ANGELICA CASTELLO

PODCAST / ARTICLE REBLOG – Sounding Out! Podcast #46: Ruptures in the Soundscape of Disneyland

Cynthia Wang – Her work is framed in critical cultural perspectives. In the past she has done research on how Asian American musicians use digital media to build community and collaborate, and how crowdfunding sites like Kickstarter and Indiegogo provide new avenues of creative production and distribution for independent artists.
Check out the other podcasts via the SO! site – interesting series on sound, soundwalks and field recording with an academic but accessible remit.

Cynthia Wang's avatarSounding Out!

CLICK HERE TO DOWNLOAD: Ruptures in the Soundscape of Disneyland

SUBSCRIBE TO THE SERIES VIA ITUNES

ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST

In this podcast, Cynthia Wang shares examples taken from a soundwalk she performed at Disneyland. Disneyland has been an idealized space for the middle-class white American experience, and the aural signals and music used throughout the park encourage visitors to become cultural tourists and to share in this mindset. Here Cynthia considers the moments of rupture that disturb Disney’s controlled soundscape. Join us as we listen for a pathway out of the hyper-consumerist labyrinth of Disney. And, if you would like to learn more about this soundwalk, visit it’s website here.

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Cynthia Wang is currently a PhD candidate at the Annenberg School of Communication at USC, a USC Endowed Fellow, and a USC Diploma in Innovation grant recipient (for an LGBTQ stories…

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Todays Discovery / SoundCloud Spotlight – LYNDSIE ALGUIRE

Lyndsie Alguire

Celebrating the eclecticism of Electronic Artists who identify as female