Category Archives: Review

REVIEW REBLOG – Lyndsie Aguire – Clair Obscur

This is my Todays Discovery c/o and thanks to Yeah I Know it Sucks.

kainobuko's avatarYeah I Know It Sucks

Artist: Lyndsie Aguire
title: Clair Obscur
keywords: ambient, electronic, field recordings, melodic, piano
label: Time Relesed Soundhttp://timereleasedsound.com/
reviewer: Willem van O.

I was thinking of you, dear visitor of YIKIS. I thought about how much you would like to check out music that you would like. I guess it’s a matter of tastes, so we can’t please everyone; but the release done by Lyndsie Alguire is something that you are free to check out so you will be able to see if the music fits you and your delicate tastes. Checking the album notes makes me aware that Lyndsie Alguire is from Canada and that she is specialized in composing piano works and soundscapes, but this release on its own is rather different to my ears.

It first starts with Lyndsie Alguire’s ‘I was dreaming of you’ which gives way to a dreamy construction that for some reason makes…

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REVIEW REBLOG – KAYAKA – Sonic Kitchen

So glad I checked this out and breath of fresh air posting about jazz experimental electronics. You can hear the tracks from this release here
Courtesy to Dalston Sound for this review.

Tim Owen's avatar_____on Sound

SonicKitchen

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REVIEW REBLOG – Mark Lyken | Emma Dove ~ Mirror Lands (Deluxe Edition)

When I first came across Mirror Lands via A Closer Listen, I was struck by the sounds and images. Seems I still am and the release of the Deluxe Edition gives me another reason to revisit it.
Review courtesy to A Closer Listen.

postrockcafe's avatara closer listen

Mirror LandsOne of our favorite field recording works of last year, Mark Lyken and Emma Dove‘s Mirror Lands, is about to get the deluxe treatment from Time Released Sound.  Those who missed it last time will have another shot this Sunday!  To celebrate the re-release, we’ve slightly edited our initial review to reflect the new edition.

We last encountered Mark Lyken and Emma Dove with their installation-based EP and video The Terrestrial Sea. Their new work expands on that prior release and continues an investigation of the sonic and visual properties of Scotland’s Black Isle.  Time Released Sound is presenting the work in two versions: a regular and a deluxe edition.  Both editions include the soundtrack and a link to the film, while the deluxe edition includes additional ephemera (shown above): vintage prints, maps and pages from travel books, all honoring the location of the film.

Mirror Lands CoverThe film is…

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REVIEW REBLOG – FETTER – FETTER (The Ego Album)

Wanted for some time to post something about Fetter aka Jessica Tucker and now I can thanks to Yeah I Know it Sucks. Try to visit her site as it has much of her creative sound, video and installation work on it.

kainobuko's avatarYeah I Know It Sucks

Artist: FETTER
title: FETTER (The Ego Album)
keywords: electronic, experimental, floating, singer-songwriter, tripping, melodic, amsterdam

Jessica Tucker produced, composed, played and sang for you to create a very ear pleasing lovely album under her moniker named ‘Fetter’. It starts very pretty with a melody and all-round sound full of love, warmth and it really works as a lovely welcome. You automatically feel at home and slipped off your shoes at the front door even without someone asking for it.

Settled in a comfortable comfort ‘Fetter’ continues to impress with a well balanced dreamy mixture of trip rhythm and her vocal mixed through each-other to form a clone of Jessica Tuckers to create the perfect glow to tuck yourself away in.

From here it’s time to do something in return, and it’s kind of our task to provide Fetter with what she is singing about in her next song. ‘Feed my…

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REVIEW REBLOG – Green Shadow – green shadow sings the songs of green shadow

Elizabeth Veldon is an artist that Feminatronic has followed from the early days of the site but for some reason this review passed me by. Now is the time to make amends.

kainobuko's avatarYeah I Know It Sucks

Artist: Green Shadow
title: green shadow sings the songs of green shadow
keywords: experimental, avant-garde,electronic, noise, United Kingdom

Green Shadow sings the ‘all noise is silence’ song, which covers exactly what the title suggests, minus perhaps the singing. Or perhaps it is indeed sung, but just through unconventional ways. In any way the ‘all noise is silence song’ does deliver enough noise to become silent again. It’s a fascinating theory, and if you (like me) had strolled through the popular harsh noise wall memes on a certain social platform, you might even have seen visual proof of an extreme version of this conceptual thought and experiment.

Someone took a HNW track, placed it in an audio editor and enlarged the volume up, and up until only visual silence was left. This is a good example of a victorious miracle that is of a ‘try it yourself at home’ kind…

But…

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REVIEW REBLOG – Susan Matthews – SirenWire69

Finally reblogging this review and making Sarah Matthews , Todays Discovery.
Courtesy to Yeah I Know it Sucks for the review.

kainobuko's avatarYeah I Know It Sucks

Artist: Susan Matthews
title: SirenWire69
keywords: ambient, classical, experimental, other, avant-garde, industrial, United Kingdom

The first track ‘Hegemony’ comes in like a thrilling piece in which a possessed typewriter types by itself to create a panicky disturbing horror story. This kind of audio story is quite unique; the story telling, the chapters and the thrilling end certainly speaks to the imagination; turning the sounds in a short exciting movie that goes in the ears to create a unforgettable disturbing scene in the visual parts of the brain.

Botanical Rite no.1′ brings the sound of a piano that drops like a muffled memory; slowly and politely in a soft Lo-fi layer of pleasant dust. The sounds of a pleasant noise switches it’s place and confirms that both sound entities are pretty much the sane, even though them being different.

With ‘Bruised Letter’ we can hear a bruised letter being spoken out…

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REVIEW REBLOG – Akane Hosaka pt2

Here is part 2 of the focus on Akane Hosaka.
There is a certain charm with the music and the review sums it up, it does bring a ray of sunshine through the clouds.
Review courtesy of Yeah I Know it Sucks.

kainobuko's avatarYeah I Know It Sucks

2Artist: Akane Hosaka
keywords: rhythm, melodies, lo-fi, retro, loops, fun, happy, experimental, electronic

Do you remember the fun music by Akane Hosaka? Her album ‘Loop Music‘ on Wrieuw Recordings (released on a floppy diskette) is still one of my personal highlights in the collection. But to be fair, Akane Hosaka doesn’t sit still and continues her musical journey in an ever expanding way!

Akane Hosaka creates the happiest loopiest electronic loop experimentations and it’s not only obvious fun for her to make them, but also great fun for us listeners to follow these electronic adventures as they come to life and evolve. The great thing of her music expeditions is that a part of the process is that her wonderful nostalgic happiness are once done all finding a way on her official sound cloud account; making it possible to really follow the happenings as if it’s stories within…

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REVIEW REBLOG – She Spread Sorrow ~ Rumspringa

This is dark and mesmeric and thanks to A Closer Listen is Todays Discovery.

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SHE SPREAD SORROW Rumspringa - Lo res album cover for webThe violence enacted by noise and industrial music has been, from their very inception, directed towards the body in one way or another. Shattering its insides, penetrating its skin, transgressing all of its boundaries, they are musics that draw the domination of nature to its harshest consequence — an organic pain inflicted in the key of progress. It is not, however, a sort of absolute pain (as romantic longing for nature), but one that concedes the complexity of the body-mind relationship when it states the obvious: some of us like this stuff. This kind of pleasurable harm presents a very modern revelation with which tradition prefers to be iron-fisted, in the sense that when taboos are broken there is often a disciplinary ritual process of social healing, of reintegration, but what happens when that ritual enacts even more violence upon the body it is attempting to restore? Such is…

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REVIEW REBLOG – The Femme-Mynistiques – Here She Comes… Live @ The Boom Room

Something a bit different for this Monday. I had been saving this review and then someone sent me an article about Women in UK Hip Hop and it all came together.
As usual many thanks to Yeah I Know It Sucks for this review.

kainobuko's avatarYeah I Know It Sucks

artist: The Femme-Mynistiques
title: Here She Comes… Live @ The Boom Room
keywords: hip-hop, rap, experimental, electronica, jungle,lyrical,spoken word,poetry,tribal house,vocals, Philadelphia
reviewer: Esther Langendorf

some info from The Femme-mynistiques bandcamp account:
In January 2011, at the behest of the Plum Dragoness (founder/hostess of Poet-tree-En-Motion), the three artists (Alexa Gold, Lady Omni Mc & Plum Dragoness) decided to collaborate, performing as The Femme-mynistiques and blending their respective skills in dance, music production, theater, poetry and song into an illuminating blend of musical performance celebrating the spirit of freedom, femininity and love.

Now in Augustus 2015 we are listening to this trio’s E.P. named ‘Here She Comes… Live @ The Boom Room’ a release consisting of four tracks recorded from a live performance that is of an excellent audio quality.
When hearing the first track named ‘she walks among us’ I can’t ignore that there is ‘music and vocal wise’ something very…

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REVIEW REBLOG – In the Light of Air: ICE Performs Anna Thorvaldsdottír

I’ve been saving this review from ACL for a little while and then Q2 posted the overview and whole piece to listen to here –
Anna Thorvaldsdottir Carves Isolated, Icy Paths With ‘In the Light of Air’
The two fit well together.
Thank you A Closer Listen for the Review.

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In the Light of AirLess than a month after Anna Thorvaldsdottír’s inclusion on Nordic Affect’s Clockworking, a new collection of her work has been issued.  This four-movement work (plus a concluding piece) premiered only a year ago, and is performed by the International Contemporary Ensemble.  At the 2014 Reykjavik Arts Festival, a series of breath-activated lights enhanced the experience, while many klakabönd (metallic ornaments known as a bind of ice) were used as percussion.  Much of this is apparent in the clip below, but home listeners might imitate the experience through creative lighting and sound-and-motion activated appliances.

Not that any of this is necessary to enjoy the album, a combination of filigree-thin solos and remarkable convergences.  Thorvaldsdottír honors both the contributions of the individual performers and their work as an ensemble.  At this point, fifteen years and five hundred premieres into their career, ICE’s resume is so long that it causes the…

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