What a Todays Discovery – Maybe it’s the way I’m feeling this afternoon but the electroacoustic ambience of Alicia Merz aka Birds of Passage, is quite a find….and yes I agree with ACL, it is like watching a film in extreme slow motion, a beautiful film at that.
Courtesy to A Closer Listen for the review.
The cover of I Was All You Are says it all: blinding sunshine, dried weeds, a woman walking alone. Alicia Merz (Birds of Passage) seems to have been raised in haziness, forever existing just a bit out of focus. When she sings of “sunny garden places”, it’s easy to picture her lying in a meadow, catching the clouds between her fingertips. On I Was All You Are, she also sings of water; the elements are beginning to coalesce.
I’ve Lost is a downbeat name for a recording artist, bearing poetic associations: it’s not you I’ve lost, but the world. The art of losing isn’t hard to master. The ambient settings of I’ve Lost are slow beyond slow; there’s no way to measure them, but 4 b.p.m. seems a reasonable estimate. Listening is like watching a film in slow motion, then filming it and watching that film in…
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I previously reblogged a review of Angelica Castellos’ Sonic Blue courtesy of A Closer Listen. I came across the review again and this lead me to her Soundcloud page.
So here is todays Spotlight –
Cynthia Wang – Her work is framed in critical cultural perspectives. In the past she has done research on how Asian American musicians use digital media to build community and collaborate, and how crowdfunding sites like Kickstarter and Indiegogo provide new avenues of creative production and distribution for independent artists.
Check out the other podcasts via the SO! site – interesting series on sound, soundwalks and field recording with an academic but accessible remit.
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In this podcast, Cynthia Wang shares examples taken from a soundwalk she performed at Disneyland. Disneyland has been an idealized space for the middle-class white American experience, and the aural signals and music used throughout the park encourage visitors to become cultural tourists and to share in this mindset. Here Cynthia considers the moments of rupture that disturb Disney’s controlled soundscape. Join us as we listen for a pathway out of the hyper-consumerist labyrinth of Disney. And, if you would like to learn more about this soundwalk, visit it’s website here.
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Cynthia Wang is currently a PhD candidate at the Annenberg School of Communication at USC, a USC Endowed Fellow, and a USC Diploma in Innovation grant recipient (for an LGBTQ stories…
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This is my Todays Discovery c/o and thanks to Yeah I Know it Sucks.
Artist: Lyndsie Aguire
title: Clair Obscur
keywords: ambient, electronic, field recordings, melodic, piano
label: Time Relesed Soundhttp://timereleasedsound.com/
reviewer: Willem van O.
I was thinking of you, dear visitor of YIKIS. I thought about how much you would like to check out music that you would like. I guess it’s a matter of tastes, so we can’t please everyone; but the release done by Lyndsie Alguire is something that you are free to check out so you will be able to see if the music fits you and your delicate tastes. Checking the album notes makes me aware that Lyndsie Alguire is from Canada and that she is specialized in composing piano works and soundscapes, but this release on its own is rather different to my ears.
It first starts with Lyndsie Alguire’s ‘I was dreaming of you’ which gives way to a dreamy construction that for some reason makes…
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Here is a great short overview about Ingrid Plum.
Courtesy to Ekho: Women in Sonic Art for this post.
:::::::::::: Ekho :::::::::::: Women in Sonic Art
Ingrid Plum is a Brighton-based Composer/Musician www.ingridplum.com
“I find that feminist context emerges as part of my practice through my eschewing of boundaries that would be projected upon my choice of roles, rather than by making work that individually and specifically addresses feminist issues… I do not usually frame my work as feminist in itself. I am a feminist who makes work and my practice infers these issues – not by addressing them directly by subject, but by making work that exists despite and in spite of any gender gap that would deny me a contextual space for my work.”
“I followed Alvin Lucier’s example in ‘I am sitting in a room’, using the piano instead of a room and Nils Frahm’s ‘Mi’ as the source…I set up 2 Neumann 183 microphones to capture the sound of a Yamaha C6 grand piano…
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Due to technical stupidness ( probably on my behalf) Here is the show –
I haven’t gone mad but posting this for two reasons. Firstly it links in with some items about Ingrid Plum and gives Fractal Meat a plug as it is a radio show that gives space and promotes experimental, noise and sound music being created today. Well worth visiting.
On Friday 18th September Ingrid Plum will join me in the studio to perform live and play some tracks from her forthcoming album, Plangent. Tune into NTS from 8-10am.
Using extended technique and improvisation, Plum combines her voice with field recordings and electronics to create layered soundscapes blending spoken word and song. Her recordings and live performance have the honesty and intimacy of a confessional alongside the sonic scope of the forests and open coastlines of her native Denmark, a landscape that inspires much of her music.
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