Tag Archives: Reblog

REVIEW REBLOG – Kaitlyn Aurelia Smith – Tides

I have loved the sound of Kaitlyn Aurelia Smiths’ music for some time, (a lot to do with the use of the  Buchla Music Easel) ever since I first heard the track Sundry and this review has prompted me to make her the Artist of the Week.

kainobuko's avatarYeah I Know It Sucks

Artist: Kaitlyn Aurelia Smith
title:Tides
keywords: experimental, electronic

Tides by Kaitlyn Aurelia Smith is a remarkable pleasant release for the ears and the inner soul. It opens up with the calm easy going birds exploring the temperatures of a lovely day; but instead of having just nature do its thing it’s the artist’s lovable kindness in music that will make the inner hearts smile. Kaitlyn Aurelia Smith manages to use limited sounds to bring a melodically minimalism that seems to breath in and out love in the kindest order. It’s as if the artist captured the senses of naive innocence of a beautiful wishful day in natural surroundings; it’s soft, kind and cherishing.

This is not just the beginning if this amazingly soothing record; it’s a feeling that IS this record. In each ‘Tides’ track the artists explores a theme that is lovable and kind, the music that makes…

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INTERVIEW REBLOG – Phantasm Nocturnes (Betty Koster) interview

Phantasm Nocturnes has been on my Artist page for sometime and her music is on the Noise playlists. It’s pretty powerful music and so glad I can post this interview from Yeah I Know it Sucks

kainobuko's avatarYeah I Know It Sucks

1
Hello dear reader; good to see you here! I’m KN and on my way to the house of Betty Koster for an interview. In case you have been hiding away under a gravestone; Betty Koster is the music producer fairly known for her work under the Phantasm Nocturnes (and PN-lobit) moniker. Her music is pretty special and in general pretty damn spooky too!  I’ve always wanted to meet her, so recently I just asked if she would be up for an interview. She agreed and now I’m on my way to her home.. How exciting and glad you can come along, as I’m probably too excited to pull this one off all on my own.

Luckily it’s been a wonderful day weather wise, maybe she has a garden to sit and sunbathe for a bit.. We are close now.. A nice and posh looking neighborhood..

a nice looking neighborhood Betty Koster lives in a…

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ARTICLE REBLOG – A Conversation With Themselves: On Clayton Cubitt’s Hysterical Literature

Part two of the Sounding Out series on Hysterical Sound. This is a really interesting piece and raises important questions…read on

guestlistener's avatarSounding Out!

Hysterical Sound3Welcome to our second installment of Hysterical Sound. Last week I discussed silence and hysteria in relation to Sam Taylor-Johnson’s silent film Hysteria, suggesting that the hysteric’s vocalizations go unheard because we have tuned them out. In upcoming weeks Veronica Fitzpatrickwill explore how the soundtrack of The Texas Chainsaw Massacre can be considered hysterical in its rejection of language and meaning and John Corbett, Terri Kapsalis and Danny Thompson share an excerpt from their performance of The Hysterical Alphabet.

Today, Gordon Sullivan, considers the video art series Hysterical Literature in relation to a long history of women’s vocalizations serving as aural fetishes for the pleasure of male listeners. In doing so he troubles the dichotomies raised by the project, dichotomies between masculine visual pleasure and feminine aurality, between language and bliss.

— Guest Editor Karly-Lynne Scott

Each video in filmmaker and photographer Clayton…

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REVIEW REBLOG – See Pereria – On(e)

kainobuko's avatarYeah I Know It Sucks

artist: See Pereria
title: On(e)
keywords: electronic, experimental, instrumental, Sheffield

See Pereria is the one delivering the ‘On(e)’ in its electronic coat of coolness & perfection. See Pereria’s EP begins with ‘Ceres’ which features a bubbled up baseline, funky acid looniness and a sensual voice that sings as if she is one human synthesizer that keeps the humanity within this midnight groove of a tune.

The second track named ‘Eris’ has a very nice moving baseline, and spiritually fitting vocals. At times I feel like its having a similar effect on my ears as the big ‘I feel Love’ hit by Donna Summer, but then something more celtic, mystical… something that wouldn’t be out of place heard through a valley blasted from the top of a large hill with lookout.

The last track is ‘Leda’ which uses a nice dubby scene to fly away on. It has a relaxing vibe…

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ARTICLE REBLOG – Inequalities in classical music: why do they matter?

Christina Scharff

Interesting piece with a wider application, originally posted on The Sampler.

ARTICLE REBLOG – Resounding Silence: Learning to Hear the Hysteric’s Voice

Some may wonder why I reblog articles like this on Feminatronic, when it is a site about Women Electronic artists but that is precisely the point. Just as I felt that the artists I highlight were not really visible or heard, this article covers the history and underlying theories that have contributed to that perceived invisibility. It fits with the previous post about Alternative Electronic Histories and the aim to readdress the imbalances. Also, if you are interested in sound creation, the silences are also valid.

guestlistener's avatarSounding Out!

Hysterical Sound3

This week we are pleased to welcome Guest Editor Karly-Lynne Scott kick off the last Thursday Series that Sounding Out! is running in 2015. Over the last ten months, this stream has reconsidered historical figures from radio preacher Elder Michaux to folklorist Alan Lomax, found new ways to tune in the weird voices in literature from Joseph Conrad to H.P. Lovecraft, and featured unsettled soundscapes from Vancouver to Havana.

All year, our Thursday authors have been challenging sonic archives and remaking historical and contemporary problems. That trend continues with Scott’s exciting work and that of her authors in Hysterical Sound.

— Special Editor Neil Verma.

Hysteria, the infamous and now-discredited psychological disorder that was a common diagnosis for women during the 19th century, has important sonic dimensions that have often been overlooked. Indeed, sound holds a prominent place in both the symptoms and treatment of hysteria: from the…

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REVIEW REBLOG – Julia Kent ~ Asperities

I have loved the music of Julia Kent for some time and many may wonder why I would repost her here or have her on an artist page. Simply there has always been a movement in Classical music who have embraced electronic methods and processes to create an overall sound and track. This is an area that I will return to in the future and hey, what the heck – not purely electronic but beautiful.

Courtesy to A Closer Listen for the review

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AsperitiesAsperities is as close to commercial as one can get in modern composition without compromise.  Accessible yet deep, Julia Kent‘s cello-based music provides an entry point to those who might not otherwise have considered listening to instrumental music.  Her new album offers a mix of pensive, emotional tunes and the stringed equivalent of bangers.  Credit her background in Rasputina and Antony & the Johnsons for the knowledge of how to walk the line.

Even apart from the music, Kent’s presentation exposes the workings of a complex and mature mind.  The cover seems to indicate two personalities cleaving together, or the resolution of duality.  The press release describes the album as “the layers of sound peeling back to reveal a beating, bloody human heart.”  Contrast this with the majority of releases in the genre, which bend over backwards to be polite.  As Kent puts it, “it seems like a particularly dark…

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REVIEW REBLOG – The Space Lady – The Space Lady’s Greatest Hits

Finally on my Monday round up here is a review of The Space Lady, courtesy of Yeah I Know it Sucks.

They say never meet your heroes but thankfully I ignored that and here is proof.

sp lady

I spent Saturday evening in the company of a legend, in my view, and a genuine human being. Oh and she is a wizz on the Casio. Don’t be deceived by the minimal tech, the sound was ace and mesmerising.

kainobuko's avatarYeah I Know It Sucks

Artist: The Space Lady
title: The Space Lady’s Greatest Hits
keywords: electronic, independent, synth, whatever, London
label: Night Schoolhttp://www.nightschoolrecords.com/

I must have been living under the ground too much not to have heard of The Space Lady before. But all changed when a good music loving friend (Graham Boosey) dropped the word of the (to me mysterious) ‘the space lady’ in my eyes. My friend was going to see The Space Lady perform in London and knowing him taking the effort to go; this must be very special stuff!

Clueless and curious person that I was, I asked who the Space Lady was and my friend gave a nice short answer for me to scratch the surface of this (to me previously unknown) magic on. Here is what he answered when asked who this special lady was:

“”She originally worked as a street musician back in Boston, with a…

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REVIEW REPOST – Furchick’s stop motion animations

Furchick – Ever ready to shine a light. This has brightened the Monday gloom. Thanks Yeah I Know it Sucks.

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1Not very long ago we featured the new ‘Chris Cunningham’ of the next generation Jan Strach, but it’s only fair that there should be a female counter part to claim this precious throne of video art. Without all too much extravaganza I would like to inform you that our team of reporters and researchers did find the female ‘Cunningham’ of our next generation. Strangely this creative video artist had been sitting right under our noses, camouflaged as an experimental sound musician. Let’s give you a hint; it’s furry and has feathers?

Furchick!

But how is that possible, how on earth can Furchick be the female next generation ‘Cunningham’? Well, ladies and gentle males as you must know by now; everything is possible! And I might even make the remark that besides everything being possible; nothing is impossible!

Many scientists did take a good skeptical look at the proof that…

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EVENT – German Shows with Julia Holter

It’s Monday catch up and here is the first Event post from Delphine Dora.