Having a focus on the Theremin on all platforms this week so I am reposting some old and new posts this weekend starting with this –
Rockmore was without peer as a performer in the early decades of the instrument’s use. While many listeners have heard the theremin played poorly or used mostly as a spooky special-effects device, Rockmore used it to perform classical works. Under her control, the theremin sounded like a blend of the cello, violin and human voice.
THE NADIA REISENBERG AND CLARA ROCKMORE FOUNDATION
This is a new idea I am trying here, to spotlight the SoundCloud pages of artists, many of which only have their SoundCloud pages as their web presence, especially new or under the radar artists and so this is another means to give a bit of a boost and shine a light on their music.
This week introduces Lomita
1932 – Pauline Oliveros, American accordion player and composer (Deep Listening Band). Happy 83th! #30M #wiki
— Wiki Birthday 🙂 (@wikibirth) May 30, 2015
Female composer Pauline Oliveros interested in meditation practices wrote Crow Two where performers communicate with audience via telepathy
— SJR Music Department (@Sjr_Music1) May 30, 2015
http://t.co/AdDPuWhSAo via @youtube I don’t need an excuse to play my favourite Pauline Oliveros video but today gives me an extra excuse
— feminatronic (@feminatronic) May 30, 2015
Discovered Twigs and Yarn via A Closer Listen review here
Here is this weeks mix of music and poetry and the subject this week is the Sun –
Great is the sun, and wide he goes
Through empty heaven with repose;
And in the blue and glowing days
More thick than rain he showers his rays.
Though closer still the blinds we pull
To keep the shady parlour cool,
Yet he will find a chink or two
To slip his golden fingers through.
The dusty attic spider-clad
He, through the keyhole, maketh glad;
And through the broken edge of tiles
Into the laddered hay-loft smiles.
Meantime his golden face around
He bares to all the garden ground,
And sheds a warm and glittering look
Among the ivy’s inmost nook.
Above the hills, along the blue,
Round the bright air with footing true,
To please the child, to paint the rose,
The gardener of the World, he goes.
Summer Sun – Robert Louis Stephenson
The Sun—just touched the Morning—
The Morning—Happy thing—
Supposed that He had come to dwell—
And Life would all be Spring!
She felt herself supremer—
A Raised—Ethereal Thing!
Henceforth—for Her—What Holiday!
Meanwhile—Her wheeling King—
Trailed—slow—along the Orchards—
His haughty—spangled Hems—
Leaving a new necessity!
The want of Diadems!
The Morning—fluttered—staggered—
Felt feebly—for Her Crown—
Her unanointed forehead—
Henceforth—Her only One!
The Sun – Just touched the morning – Emily Dickinson
How valuable it is in these short days,
threading through empty maple branches,
the lacy-needled sugar pines.
Its glint off sheets of ice tells the story
of Death’s brightness, her bitter cold.
We can make do with so little, just the hint
of warmth, the slanted light.
The way we stand there, soaking in it,
mittened fingers reaching.
And how carefully we gather what we can
to offer later, in darkness, one body to another.
Ah Sunflower, weary of time,
Who countest the steps of the sun;
Seeking after that sweet golden clime
Where the traveller’s journey is done;
Where the Youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves, and aspire
Where my Sunflower wishes to go!
Kate Carr ~ Songs from a Cold Place.
Here are a couple of “cold” reviews from A Closer Listen –
Missed this but I have checked and you can still listen to the show on NTS and here is the link for FRACTAL MEAT ON A SPONGY BONE http://www.ntsradio.co.uk/shows/fractalmeat/
Studio guest on Friday 20th MArch will be Liz Helman: tune into NTS from 8am to 10am.
Liz Helman is a London-based artist and independent curator working across different media, including photography, video and sound. Manipulating her own recorded and found sound, she constructs atmospheric sound pieces, and in all her time-based media works, she explores the psychological and emotional attachment to place and dwelling. Journeying between recollection and reality, she challenges format driven orthodoxies, fragmenting and layering image and sound to consider the experience of dislocation and displacement.
Here is an interesting article from ))) Sound Reflections which is worth a visit
Recently I posted a round up of resources for female sound artists and audio engineers : the debate on whether there is a need for gender-specific resources remains open, but the fact remains that female artists in the field remain a minority, and remain under-represented.
To read more visit…
http://www.soundreflections.org/?p=975
You must be logged in to post a comment.