Source: Introduction to Live Coding Performance with Shelly Knotts and Joanne Armitage
When and where
University of Huddersfield
December 5th
10am to 4pm
EVENT – Live in session: Shiva Feshareki & Jack Jelfs
Joining me in the studio on 27th November, Shiva Feshareki & Jack Jelfs will perform live with turntables and homemade instruments. Tune into NTS.live from 8-10am.
Born in London in 1987 Shiva Feshareki is a composer, DJ and turntablist working closely with the physicality of sound. With electronics, she focuses on analogue and bespoke electrics that generate ‘real’ and pure sounds of electricity, over computer products. With acoustic instruments, she is concerned with the interaction of tone, texture, and space. Since 2013, Shiva works mainly as a collaborative composer, and uses either deep improvisation or chance events, to create her collaborative teams, and often works with children and young people in educational environments.
Jack Jelfs is an artist working in London. Much of his work lies between musical composition and sculpture and uses wood, steel, video, electromagnets, plastic and analogue electronics. He has recently undertaken several collaborations with Shiva Feshareki, including…
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REBLOG – Chosen One: Christina Vantzou
You know that feeling of happiness when you are waiting for a bus and two come along at the same time? Here is a wonderful in depth (and I mean it)interview with Christina Vantzou.
Courtesy to Fractured Air for the reblog.
Interview with Christina Vantzou.
“ I think about images a lot while working on sound, but in a very simplified way at first. I collect images and slowly individual scenes starts to form in mind. The feeling or level of tension the images would hold against the music is what I think about, rather than narrative.”
—Christina Vantzou
Words: Mark & Craig Carry
October 2015 saw the Kansas-born and Brussels-based artist and composer Christina Vantzou release her third solo album – ‘N°3’ – via Chicago-based independent Kranky. Vantzou – whose formidable body of work also spans the mediums of both visual art and film-making – began her own music career as one half (alongside Adam Wiltzie) of the duo The Dead Texan as the hybrid role of keyboardist/animator/video artist. The pair released their debut self-titled album in 2004 (Vantzou’s distinctive artwork graces the sleeve) and still ranks as one of the…
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REBLOG – Fractured Air 46: Moon Ate the Dark ‘Moon Over Blood Mountain’
Courtesy to Fractured Air for the reblog and suggest you listen to Moon Ate the Dark, who I have featured previously on Feminatronic. Great playlist : ))
Moon Ate the Dark is the neoclassical-infused drone collaborative project between Welsh pianist Anna Rose Carter and Canadian producer Christopher Brett Bailey. The London-based artists’ two full-length releases – 2012’s self-titled debut and this year’s highly-anticipated follow-up (‘Moon Ate The Dark II’), both released on the prestigious Berlin-based imprint Sonic Pieces – forges a deeply affecting experience for the heart and mind: the rich, dense textures of Bailey’s production is masterfully interwoven with Carter’s stunningly beautiful piano-based compositions.
Fractured Air 46: Moon Ate the Dark “Moon Over Blood Mountain”
To listen on Mixcloud:
https://www.mixcloud.com/Fractured_Air/fractured-air-46-moon-ate-the-dark-moon-over-blood-mountain/
Tracklisting:
01. Emily Hall ‘Scream’ [Bedroom Community]
02. Laurie Spiegel ‘Drums’ [Philo, Unseen Worlds]
03. Jenny Hval ‘Blood Fight’ [Rune Grammofon]
04. Wendy Carlos and Rachel Elkind ‘Rocky Mountains’ [Warner Bros.]
05. Ikue Mori ‘Musashi Plain Moon’ [Tzadik]
06. Joanna Newsom ‘The Book of Right On’ [Drag City]
07. Eliane Radigue ‘Kyema’ (excerpt) [Experimental Intermedia Foundation]
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REBLOG – Sounding Out! Podcast #48: Sound and Sexuality in Video Games
As ever thought provoking…
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This week’s podcast questions how identity is coded into the battlecries shouted by characters in video games. By exploring the tools that sound studies provides to understand the various dynamics of identity, this podcast aims to provoke a conversation about how identity is encoded within the design of games. The all too invisible intersection between sound, identity, and code reveals the ways that sound can help explain the interior logic of the games and other digital systems. Here, Milena Droumeva and Aaron Trammell discuss how femininity and sexuality have been coded within game sounds and consider the degree to which these repetitive and objectifying tropes can be resisted by players and designers alike.
Milena Droumeva is an Assistant Professor of Communication at Simon Fraser University specializing in mobile technologies, sound studies…
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TODAYS DISCOVERY – Hyaena Fierling
REVIEW REBLOG – Hyaena Fierling & Comrades – Emissaries
Strange ethereal wonder this and thanks to this review, Hyaena Fierling is Todays Discovery.
Artists: Hyaena Fierling & Comrades
title: Emissaries
keywords: experimental, soundscape, sound art, poetry, sound poetry, electroacoustic,
label: suRRism-Phonoethics
Hyaena Fierling’s ‘madrigal for sugar dogs’ begins with an atmospheric soundscape that comes across warm and mysterious. It feels natural and yet unnatural at the same time; something human made with the moving sounds similar to a damp propellor from a helicopter and rare daft firework explosions in the deep backdrop. Then voices appear as if they are sirens of first aid ambulances making their noises in the warm atmospheric surreal darkness. Somehow these sirens are not the sounds of an emergency response as they seemingly come across as if they actually quite enjoy themselves.
With ‘Sunrise in Utopia’ Hyaena Fierling gets joined by MUTATE to deliver a fierce and yet roaming track of warrior-like awakening. It’s as if the grainy color on the artwork is being penetrated by glorious hand drumming…
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REVIEW REBLOG – Eli Gras (a amazing multidisciplinary artist, performer, inventor,entertainer, musician…)
The creativity and pure inventiveness of Eli Gras :)) An artist well worth watching all the videos and checking out more. Courtesy to Yeah I Know it Sucks for this overview.
Eli Gras is a multidisciplinary artist active in lots of creative fields, but mostly known for her excellent career in experimental underground music since the early eighties. Her experimentations have covered all kinds of musical paths, from pure experimentalism to electropop, minimalism, funk, and so much more. What is striking to me from this artist is that she invents her own instruments, which of course brings a completely new and unique sound perspective to the ears and minds.
There are lots of videos of her live performances playing her inventions, which of course is an exciting thing to see and hear on the digital highway; but its even better and more exciting when you can hear and see her performing live in front of you. In a couple of days (upcoming Saturday 14th November) she will be doing her magical thing on the experimental cozy toxic grounds of Gifgrond.
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REVIEW REBLOG – Notes On… ‘Art Angels’ by Grimes
Here is review number two courtesy of Notes on Sounds…
“When you get bored of me I’ll be back on the shelf” sings Claire Boucher on one of her poppiest and catchiest tunes to date, ‘California.’ Luckily for her, Grimes isn’t likely to be put on to the shelf anytime soon. Her fourth LP Art Angels has been three years in the making, and halfway through that process she claimed to have thrown out a whole album’s worth of material for it not being good enough. More recently, she said that she found her older works “embarrassing.” Apparently she found listening to the likes of ‘Oblivion’ cringe worthy.
That must have left fans of Boucher’s a bit worried. Her last, breakthrough album Visions was a sometimes abrasive but often intelligent dive into harsher electronic, analogue territory, moving on from the double-whammy of synth-experiments Halfaxa and Geidi Primes in 2010 and her collaborative LP with d’Eon, Darkbloom. In…
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REVIEW REBLOG – Notes On… ‘Clean’ By The Japanese House
A couple of electro pop artist reviews today courtesy of Notes on Sound – a new site promoting primarily but not wholly new and undiscovered indie artists. Found a couple of posts that I can happily share here.
In March, a mysterious figure called The Japanese Housereleased their first-ever track, ‘Still.’ It was a minimal, moody piece of work from a person who clearly loved using vocoders and enjoyed experimenting with auto-tune (in a good way). At the time it was quite difficult to garner any information about the shadowy figure behind the project, yet the track still got one of its first major plays on one of Zane Lowe’s last Radio 1 shows. It soon emerged that The Japanese House was the project of 20-year-old Londoner Amber Bain, and on her debut EP Pools To Bathe In, released in April, she’d made a short collection of tunes that were atmospheric, emotional and touched on a wide range of genres.
Her latest effort, Clean, might come just a few months after her debut but it shows that Bain is far from being short on ideas…
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