NEWS – Rhythms and Song / Reductive book launch at Hundred Years Gallery

Daniela Cascella's avataren abîme

Rhythms and Song is a new text published in the Reductive Four book . It’s in five parts: 1 and 5 are recordings of inner voices as well as prompts/scores for reading, 2, 3 and 4 were born out of very specific moments and materials: remembering a statue of Martyr Saint Vittoria in Rome during a gig (bones and wax), counting/listing some books of mine that got burned in a fire earlier this year (paper and fire), mixing the voices of Twin Peaks’ Nadine and Breton’s Nadja (silence and voice).

I will read from the texts during a performance in collaboration with Ryoko Akama on Friday 27th November at Hundred Years Gallery in London , as part of the Reductive Four book launch.

Rhythms and Song

1. That listening feeling.

2. The murmurs of Saint Vittoria, martyr.

3. The silences of Nadine and Nadja.

4. After the fire. A litany of…

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NEWS – Kaleidoscope to release Nov. 27th

I first came across the music of Magnetic Wind right at the very start of this project, when our music was featured along with other women electronic musicians on an all female playlist. For a while I thought that she had given up music but so glad to see that the muse is still there and pleasantly surprised to see this new release after a hiatus.

Magnetic Wind - Jessica Waters Art and Sound's avatarMagnetic Wind

Magnetic Wind’s newest album Kaleidoscope will release November 27th on CDBaby, ITunes and Bandcamp as well as CD Baby sponsored retailers (Spotify ect).Kaleidoscope is a collection of space driven ambient that has come to be Magnetic Wind’s musical signature.  Like a kaleidoscope, sounds and textures are patterned pieces organized into one work.  “Life is like a kaleidoscope too”, says Jess Waters of Magnetic Wind.  “You have pieces of memories and experiences and they are put together to create this unit of a whole experience of you.”xk9Ed61448155801

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TODAYS DISCOVERY – CATERINA BARBIERI

caterina barbieri


REBLOG – Caterina Barbieri

Here is an overview of the artist Caterina Barbieri from Ekho :: Women in Sonic Art, which I recommend you visit. Thanks to Ekho, Caterina Barbieri is my Todays Discovery and her music fits in well with the Friday Culture Fix.

Ekho's avatar:::::::::::: Ekho :::::::::::: Women in Sonic Art

“Caterina Barbieri (b.1990, Bologna, Italy) is a composer and performer of electroacoustic music. Mostly interested in modular synthesis, three-dimensional spatialisation and psychoacoustic aural sculpture, her music arises from a meditative approach to primary waveforms, microtonality and the polyrhythm of harmonics, on the boundary between drone, minimalism and techno in multichannel systems.

Her minimalistic focus is rooted in the exploration of the stratigraphic potential of voltage-controlled synthesizers, in terms of polyrhythm and polyphony.
Synthesis, texture-based forms and immersive listening are three fundamental conditions for her to enhance an advanced cognitive and auditory art, not based on extrinsic links but solely built on the experience of the spectrum, able to develop our very limited ability of perceiving the vertical domain of music, involving us in a holistic way.” www.caterinabarbieri.com

Submission to ‘Ekho:: Toward a Repetitive Sounding of Difference’

Undular is an eight-channel piece composed by Caterina Barbieri. All sounds derive from a…

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EVENT – Introduction to Live Coding Performance with Shelly Knotts and Joanne Armitage

Source: Introduction to Live Coding Performance with Shelly Knotts and Joanne Armitage

 Via YorkshireSoundwomen YSWN

When and where
University of Huddersfield
December 5th
10am to 4pm

EVENT – Live in session: Shiva Feshareki & Jack Jelfs

Graham Dunning's avatarFractal Meat

Joining me in the studio on 27th November, Shiva Feshareki & Jack Jelfs will perform live with turntables and homemade instruments. Tune into NTS.live from 8-10am.

Born in London in 1987 Shiva Feshareki is a composer, DJ and turntablist working closely with the physicality of sound. With electronics, she focuses on analogue and bespoke electrics that generate ‘real’ and pure sounds of electricity, over computer products. With acoustic instruments, she is concerned with the interaction of tone, texture, and space. Since 2013, Shiva works mainly as a collaborative composer, and uses either deep improvisation or chance events, to create her collaborative teams, and often works with children and young people in educational environments.

Jack Jelfs is an artist working in London. Much of his work lies between musical composition and sculpture and uses wood, steel, video, electromagnets, plastic and analogue electronics. He has recently undertaken several collaborations with Shiva Feshareki, including…

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REBLOG – Chosen One: Christina Vantzou

You know that feeling of happiness when you are waiting for a bus and two come along at the same time? Here is a wonderful in depth (and I mean it)interview with Christina Vantzou.
Courtesy to Fractured Air for the reblog.

admin's avatarFRACTURED AIR

Interview with Christina Vantzou.

“ I think about images a lot while working on sound, but in a very simplified way at first. I collect images and slowly individual scenes starts to form in mind. The feeling or level of tension the images would hold against the music is what I think about, rather than narrative.”

—Christina Vantzou

Words: Mark & Craig Carry

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October 2015 saw the Kansas-born and Brussels-based artist and composer Christina Vantzou release her third solo album – ‘N°3’ – via Chicago-based independent Kranky. Vantzou – whose formidable body of work also spans the mediums of both visual art and film-making – began her own music career as one half (alongside Adam Wiltzie) of the duo The Dead Texan as the hybrid role of keyboardist/animator/video artist. The pair released their debut self-titled album in 2004 (Vantzou’s distinctive artwork graces the sleeve) and still ranks as one of the…

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REBLOG – Fractured Air 46: Moon Ate the Dark ‘Moon Over Blood Mountain’

Courtesy to Fractured Air for the reblog and suggest you listen to Moon Ate the Dark, who I have featured previously on Feminatronic. Great playlist : ))

admin's avatarFRACTURED AIR

Moon Ate the Dark is the neoclassical-infused drone collaborative project between Welsh pianist Anna Rose Carter and Canadian producer Christopher Brett Bailey. The London-based artists’ two full-length releases – 2012’s self-titled debut and this year’s highly-anticipated follow-up (‘Moon Ate The Dark II’), both released on the prestigious Berlin-based imprint Sonic Pieces – forges a deeply affecting experience for the heart and mind: the rich, dense textures of Bailey’s production is masterfully interwoven with Carter’s stunningly beautiful piano-based compositions.

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Fractured Air 46: Moon Ate the Dark “Moon Over Blood Mountain”

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/fractured-air-46-moon-ate-the-dark-moon-over-blood-mountain/

Tracklisting:

01. Emily Hall ‘Scream’ [Bedroom Community]
02. Laurie Spiegel ‘Drums’ [Philo, Unseen Worlds]
03. Jenny Hval ‘Blood Fight’ [Rune Grammofon]
04. Wendy Carlos and Rachel Elkind ‘Rocky Mountains’ [Warner Bros.]
05. Ikue Mori ‘Musashi Plain Moon’ [Tzadik]
06. Joanna Newsom ‘The Book of Right On’ [Drag City]
07. Eliane Radigue ‘Kyema’ (excerpt) [Experimental Intermedia Foundation]

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REBLOG – Sounding Out! Podcast #48: Sound and Sexuality in Video Games

As ever thought provoking…

 

Milena Droumeva's avatarSounding Out!

CLICK HERE TO DOWNLOAD: Sound and Sexuality in Video Games

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This week’s podcast questions how identity is coded into the battlecries shouted by characters in video games. By exploring the tools that sound studies provides to understand the various dynamics of identity, this podcast aims to provoke a conversation about how identity is encoded within the design of games. The all too invisible intersection between sound, identity, and code reveals the ways that sound can help explain the interior logic of the games and other digital systems. Here, Milena Droumeva and Aaron Trammell discuss how femininity and sexuality have been coded within game sounds and consider the degree to which these repetitive and objectifying tropes can be resisted by players and designers alike.

Milena Droumeva is an Assistant Professor of Communication at Simon Fraser University specializing in mobile technologies, sound studies…

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TODAYS DISCOVERY – Hyaena Fierling

Hyaena Fierling

Develops work in the field of sound action since 1999 as composer and investigator in the field of sound structuring; dedicates herself to experimental/improvised music since 1996.

Her work is based on improvisation and exploration, involving the capture of sounds and soundscapes (field work) as well as programming and editing (based on the canons of film sound) of sound sequences originated from unorthodox sound sources – wood and metal objects, stones, different instruments (prepared bass guitar, Hexluth – electrified luth, Moog and Micro Korg synths) or the exploration of sound possibilities in spaces with uncanny acoustic characteristics – the same sound sequences at a later time edited and sequence according to soundtrack assemblage composition, breaking the borders of experimental sound and music in cinematic space.



Celebrating the eclecticism of Electronic Artists who identify as female