All posts by Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?

Review Reblog – Tattered Kaylor ~ Sombre nay Sated

This week’s playlist #102 is Artist Alphabet letter E and it gives me a good reason to catch up and discover new artists. This lead me to this older review from ACL regarding the sound artist Tessa Elieff / Tattered Kaylor.

postrockcafe's avatara closer listen

cover_1000Australian sound artist Tessa Elieff (Tattered Kaylor) has created and curated many workshops, festivals and sound installations over the past few years, but her recorded discography (including last year’s debut album Selected Realities) is expanding her reach to a global audience.  Sombre nay Sated, released on World Listening Day (July 18), gives listeners a metaphorical window into the rooms of some recent installations.

Elieff’s fascination with perception as it pertains to “sonic realities” was put to the test on this recording, as none of the three pieces were meant to be confined to the studio.  As frequent visitors to performances and installations can attest, depth, space and movement are key factors.  In many cases, a sound cast in one room is meant to be echoed in another.  How then does one translate such an environment to a stereo experience – one that will itself be…

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Friday Focus – Fair_Play

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FAIR_PLAY is a network designed to promote the visibility to the practices of women, cis, trans and sociocultural minorities ignored by the mainstream visibility systems in the fields of sound art, experimental and alternative music and related arts.
The aim is to set up spaces for creation and fair representation through organising events, workshops and mentoring schemes, relaying calls for projects, and sharing tools for boosting visibility and the dissemination of information.
F.AQ. https://fairplay.hotglue.me/faq
For information on events and opportunities subscribe to the newsletter:
http://facebook.us12.list-manage.com/subscribe…

Review Reblog – Cat Hope – Yume — Yeah I Know It Sucks

Artist: Cat Hope Title: Yume Keywords: australia electronic experimental silkscreen art cat hope diy record label free jazz noise Moscow Label: Post-Materialization Music Sometimes it’s good to have a dictionary at hand as even though it’s fun to rely on thinking that you know it all, sometimes words that you think you know turn out […]

via Cat Hope – Yume — Yeah I Know It Sucks

 

Have I posted this? Never mind worth the second post…

 

New Release: Ewa Justka – Acid Smut

Graham Dunning's avatarFractal Meat

New on cassette or download, Ewa Justka presents four tracks of handmade-hardware electronic music: acid, techno, gabba, industrial, noise. Running at 43 minutes, the yellow tape comes with printed labels and inlay card. Pre-order now from Fractal Meat, or buy on the launch night, 15th April at Dismantle Yourself, Somerset House.

Ewa Justka is a Polish electronic noise artist, self taught instruments builder and electronics teacher based in London. She currently studies MA Computational Arts at Goldsmiths College.

Justka’s main field of research is based on exploration of materiality of objects, vibrant, ontological systems (human bodies, plants’ bodies, electronic circuits: varied range of micro and macro environments and relations between them) and an investigation of modes of quasi-direct perception through noise performance actions, interactive installation, DIY electronics, hardware hacking, plant-molesting, breaking, deconstructing and collaborating. In her artistic work Ewa attempts to explore the concept of materiality of the…

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Today’s Discovery #2 – Anne Heche – h + x

This is my second Today’s Discovery thanks to YIKIS : )

kainobuko's avatarYeah I Know It Sucks


Artist: anne heche
Title: h + x
Keywords: electronic ambient house Brazil

Anne Heche’s h + x is a singular track that feels romantic in a dark way. Like a forbidden romance that is naughty and thrilling on both side of the story. With classical sounding instruments and a tight firm sounding beat the soundtrack for such a thrilling ‘forbidden’ love affair (something that parents and most other people would probably not approve off) the scene is very much set.

The impression is even more elevated by the well placed samples of a sampled conversation coming out of a classic movie. I remember seeing it as the movie had a storyline you won’t easily forget, but unfortunately (thanks youth dementia) not remember its title or any other specific details from. But I do remember it was a fantastic story with a jet set setting in which a proper good looking…

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New Release – Algobabez – Burning Circuits

 

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New on tape and digital, a two-trrack album from live-coding duo, Algobabez. Burning Circuits is a pair of 20 minute algorithmic jams using both SuperCollider and hardware, creating abrasive, jacking and disconcerting dancefloor music. Preorder from 28th March, released 15th April. This tape is released for Dismantle Yourself, a night of deconstructive rave in the Deadhouse […]

via Release: Algobabez – Burning Circuits — Fractal Meat

Today’s Discovery – Sylvia Monnier- Stock Shot & Addictive Sling

My review? Actors never sounded so good : )

” Mika Perez has fragmented her aural identity across a number of guises and collaborative outlets. Whether issuing dreary and dreamy sets of amorphous synth pop as Sunny Dunes or recording as a duo (as Deep Catalogue or Suaves Figures), Perez never fails to bring a certain sense of ethereal genius into the fold. But Perez’s other ongoing solo project is Sylvia Monnier, an alias she’s used to issue surreal sets of synthetic sound on Cosmic Winnetou, Scum Yr Earth, Seconds, and BLWBCK, among others.

Sylvia Monnier now graces Sacred Phrases’ catalog with ‘Stock Shot & Addictive Sling,’ a conceptual cassette that meditates on some of the film world’s more dynamic, emotionally raw players. “Michel Piccoli” opens the set with curious apprehension, descending into frame like a light fog rolling through the woods. Distant static and occasional creaks provide the only sense of percussion and “rhythm” while the narrative is told entirely in negative space. “Theresa Russell” and “Gene Hackman” float in a sonic simmer of crackling textures and cyclical drone. “Delphine Seyrig,” one of the more dynamic pieces here, transitions from vacant field recordings and anonymous musique concrete into something much more mechanical, almost like a bizarrely kosmische take on industrial drone music. “Dennis Hopper” and “Maria Schneider” close the set out in an open-ended epiphany.”

Released March 17, 2017

Friday Focus – Pink Noises

 

“Pink Noises promotes work by women who are DJs, electronic musicians and sound artists, make information on music production more accessible to women and girls,… and encourage critical thinking about audio technologies and cultures.

The website Pinknoises.com was founded in 2000 by musician and writer Tara Rodgers (Analog Tara). It was supported by a large community of contributors and participants in online discussions and occasional events. The site was updated for a few years and has remained online as an archive since then. This page continues its mission with links to info and videos of inspiring artists, gear, and audio esoterica.”

Today’s Discovery – Ludmila Frajt

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Ludmila Frajt (December 31, 1919 – March 14, 1999) was a Yugoslav and Serbian composer. She wrote choral, orchestral and chamber works, music for films and radio-dramas, electro-acoustic works, as well as music for children.




A pioneer of female writing in the domain of Serbian music, she often wrote ‘female’ vocal genres such as lullabies and threnody (music for mourning the dead) .

Review Reblog – Agnès Pe – Tremble Passion

kainobuko's avatarYeah I Know It Sucks


Artist: Agnès Pe
Title: Tremble Passion
Keywords: devotional experimental radiohead source extreme sound forum data shit madrigals midines tremble soundLleida

Agnès Pe is back and this time she brought some trembling-worthy music experiments with her. I can’t report on them all as that would not only be considered ‘spoilers’ to everyone who enjoys exploring the newest Agnès Pe release without pre-knowledge of what to expect & how things will sound like BUT still have some things to write about the things that are important: for example how it starts!

The start is always important as it lures people in, wether it’s a cinema experience or in this case a audio-kind of entertainment. The story with this brand new release sets a clear setting of ambient & electric shaving. The right word might be a electric hair trimmer with ambience included. Everyone might be able to get a haircut by scissors…

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