So in light of the review from Pondewaywayway, here are a couple of tracks from Imogen Heap –
Couple of different things tonight…Thanks and Courtesy to PonDeWayWayWay for the reviews
I’m going to be honest and say from the start that this review underwent a complete overhaul right at the last minute. Originally I tried to look at how fans and casual listeners would view Imogen Heap’s latest album but, as I am myself a diehard fan, that became too difficult. What I concluded in that draft was that, for the casual listener, the success of the album rests on how they deal with what is, really, a rather fractured listen. Imogen’s new protracted approach to making an album has resulted in a release that lacks the sonic or thematic cohesion that would usually draw the songs on an album together. If you’re a fan whose followed the run-up to Sparks though this probably won’t prove to be a stumbling block because you’ll know about the projects that accompanied most songs. As a soundtrack to Imogen’s adventures over the last…
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Really interesting interview here
POSKOD.SG – 2 Jun 2012
This is a slightly revised version of a post from earlier this year.
This fits in well with my focus on Noise music and I have included a track by P0stm0rtem on the recent Soundcloud playlist. (see above).
Thanks again to Yeah I Know it Sucks for this review and also for highlighting those artists who may not get any exposure otherwise.
The album art for p0stm0dern p0stm0rtem is an image of the artist wearing a pair of comically oversized shades. It is, otherwise and even in that regard completely detached from any symbolic reference that I could deduce to the album in question. If you’re asking, what could it all mean?.. nada. No, I am fully convinced that there is not a shred of tangible evidence here to suggest that this image has any conceptual relevance to… wait… upon closer inspection, I’ve discovered that the sunglasses are a faint yellow color and that a screen of some kind is being reflected, mirrored by the surface of the glasses, and the image is all pixelated, and… yeah, I guess I’ve still got nothing. Nevermind. Wow, I feel like I’ve just wasted a lot of your time. I apologize for the useless tangent. Next time, I swear we’ll find something post-modern about an…
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I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,–
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings–
I know why the caged bird sings!
Sympathy – Paul Lawrence Dunbar (1872 – 1906)
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,
And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.
Hope is the Thing with Feathers – Emily Dickinson (1830 – 1886)
When April bends above me
And finds me fast asleep,
Dust need not keep the secret
A live heart died to keep.
When April tells the thrushes,
The meadow-larks will know,
And pipe the three words lightly
To all the winds that blow.
Above his roof the swallows,
In notes like far-blown rain,
Will tell the little sparrow
Beside his window-pane.
O sparrow, little sparrow,
When I am fast asleep,
Then tell my love the secret
That I have died to keep
I Love You – Sara Teasdale (1884 – 1933)
Do you ask what the birds say? The Sparrow, the Dove,
The Linnet and Thrush say, “I love and I love!”
In the winter they’re silent—the wind is so strong;
What it says, I don’t know, but it sings a loud song.
But green leaves, and blossoms, and sunny warm weather,
And singing, and loving—all come back together.
But the Lark is so brimful of gladness and love,
The green fields below him, the blue sky above,
That he sings, and he sings; and for ever sings he—
“I love my Love, and my Love loves me!”
Answer to a Child’s Question – Samuel Taylor Coleridge (1772 – 1884)
I previously reblogged a review of Angelica Castellos’ Sonic Blue courtesy of A Closer Listen. I came across the review again and this lead me to her Soundcloud page.
So here is todays Spotlight –
Here is a great short overview about Ingrid Plum.
Courtesy to Ekho: Women in Sonic Art for this post.
:::::::::::: Ekho :::::::::::: Women in Sonic Art
Ingrid Plum is a Brighton-based Composer/Musician www.ingridplum.com
“I find that feminist context emerges as part of my practice through my eschewing of boundaries that would be projected upon my choice of roles, rather than by making work that individually and specifically addresses feminist issues… I do not usually frame my work as feminist in itself. I am a feminist who makes work and my practice infers these issues – not by addressing them directly by subject, but by making work that exists despite and in spite of any gender gap that would deny me a contextual space for my work.”
“I followed Alvin Lucier’s example in ‘I am sitting in a room’, using the piano instead of a room and Nils Frahm’s ‘Mi’ as the source…I set up 2 Neumann 183 microphones to capture the sound of a Yamaha C6 grand piano…
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Due to technical stupidness ( probably on my behalf) Here is the show –
So glad I checked this out and breath of fresh air posting about jazz experimental electronics. You can hear the tracks from this release here –
Courtesy to Dalston Sound for this review.
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