There was a bit of a buzz on Twitter today about a list compiled on RYM website covering women in electroacoustic, minimalism, tape music, musique concrète, free improvisation, and related genres which I highly recommend.
This is a brilliant work in progress and although there are many artists I know there are many that I do not. Never missing a chance to discover new music I began to look through and just followed the links.
In doing so, I came across Todays Discovery – Diane Thome.
Here is a wonderful collaboration she did with Robert Austin. He states on the Soundcloud page –
This is a collaboration with my longtime collaborator, Seattle composer Diane Thome. I designed sounds for her (usually hundreds), from which she selected a subset, and arranged the samples into an audio collage, typically 8-16 tracks. I would then nip, tuck, re-synthesize, adjust dynamics and panning etc. We would pass it back and forth until we both agreed that it was ‘done’. I would sometimes write sections for pieces myself, and the goal was to produce a computer-synthesized tape which could stand on its own, though typically a solo instrument would play together with the tape. “Estuaries” was scored for oboe and computer synthesized sound, and here is the latter.





Iden Reinhart first appeared on the scene back in 2010, with her Sléptis debut on Soundscaping Records. I finally got a chance to properly cover Reinhart’s second release as Strië on Time Released Sounds back in 2012, and

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