Review Reblog -Izabela Dłużyk ~ Soundscapes of summer

As you all know I have a great love for the synthesized sound and electronics but NOTHING compares to the sonic beauty of the real world and to more than prove the point, this release is exquisite.
Even without her personal backstory, this is a field recording album that is surely the top of my list and is a beautiful record of a day in Summer that we can all appreciate.

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Soundscapes of summerThis is perhaps the sweetest story we’ve heard all summer, and it arrives as the season is starting to slip away.  It’s the story of a young woman born blind who falls in love with the sounds around her, begins to record them, and pursues her childhood dream.

Under these conditions, Izabela Dłużyk‘s physical challenge becomes her gift.  She has an extraordinary ear for unique and startling sounds, which makes her an excellent field recordist.  Her writing also shows great sensitivity, and provides readers with an entry point as she describes “the mystery of fleeting moments, of sadness and hope brought by changing seasons”.  The sounds on this album were recorded this summer in Polish forests, but as the flocks prepare to migrate, the sonic field has already begun to change.  Given the date of release, it’s impossible to avoid comparisons to the human experience, as we trade the soundtrack…

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Review Reblog – Marlo Eggplant – Internal External

kainobuko's avatarYeah I Know It Sucks

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artist: Marlo Eggplant
title: Internal External
keywords: electronica ambient experimental experimental noise Olympia

Internal External by Marlo Eggplant is an album that clearly hangs on the experimental noise side of the sound spectrum. She seems to open up her inner workings and exposes the abstract sounds of feelings in ways that feel like we are actually behind these thoughts; a backstage of emotional content, one that exposes all her wires and yet are for any foreigner hard to define.

Basic Trust vs. Mistrust’ for example is moving material, a bit like we are on an train ride to the inner depths of the artist her mind, going in deep into the dark abyss of inner workings who are responsible for her outer workings. The sound is sliding through, creating a non grab-able content that could be seen as a tunnel vision of abstract ambient -noise. Over this rails the sound…

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Review Reblog – Bethan Kellough ~ Aven

“Job may have rued the futility of chasing the wind, but at least in one sense, this sound artist has managed to capture it. (Richard Allen)”
Exactly.

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Tone54_frontAven refers to that which is hidden, yet still is heard: underground shafts through which air reaches the surface.  Fascinated by Iceland’s natural geothermal activity, Bethan Kellough recorded the subterranean rumbles and upper-level hisses, and augmented them with wind recordings made in Iceland and South Africa.  Only the very trained ear will be able to distinguish the difference between South African wind and Icelandic wind (Savannah bush, strands of straw), but neither identification nor deception is her intention.  This soundscape is inspired by the very nature of sound.

While field recordings are the lead story, the artist also plays violin.  Her gentle strings allow her to shape the soundscape into a personal reflection.  What do you hear in these sounds? she asks without words.  What drama can be heard in rising rumbles and twists of wind?  To escape through a shaft from an underground cave is to act out a myth…

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Todays Discovery – Binary Breath by Heejin Jang

This is the danger for me or a good thing for you, that one link leads to another. Looking at the discography from Heavy Mess, a discrete cassette label. currently based in Salt Lake City, Utah and where you can find Teasips’ album from an earlier post, I came across this intriguing release from Heejin Jang.

“Crafting field recordings and digital noise into a sonic sculpture that is as hypnotic as it is chaotic. A perfect dose of ambience and frenzy.

A statement from the artist:

“The four ambient pieces that comprise “Binary Breath” are about the transpositions that had taken over my mind and body, generating a code in cipher.”

News – ‘Reversal Of The Muse’ – femininity in creativity

Laura Zattra's avatarlaura zattra

downloadREVERSAL OF THE MUSE is a new blog curated by Laura Marling that explores femininity in creativity.

The first podcast presents an interview with Vanessa Parr, sound engineer at The Village Studios in LA for 10 years, close collaborator of Elton John, B.B. King, Coldplay and John Mayer amongst others, and now independent sound engineer.

I find very interesting Laura Marling’s chat with Vanessa Parr where Vanessa recalls how she broke into a male dominated field, where female engineers are few and far between (the actual interview begins at 2’27”).

https://soundcloud.com/reversalofthemuse/in-conversation-with-vanessa-parr

This new blog has been shared on FB by the great mastering engineer Mandy Parnell.

Here is another video where Vanessa Parr discusses how she broke into the recording engineering field. It is no surprise that she states “I went to a number of studios where they say: ‘We don’t hire girls! We hire girls to be client-service-girls’ “.


<p><a href=”https://vimeo.com/46336808″>Women In Rock’s…

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Interview Reblog -High Scores: How Laura Shigihara Created “Rakuen” and its Soundtrack

Review Reblog – Teasips – A Closer Listen

Please allow me to introduce you to the cleansing, evocative music of Teasips (Angela Frances Wilson; she’s also one half of Electric Sound Bath). Enveloped in a sightless fog, these slow moving songs rise up and out of wide, cold lakes, at first bubbling to the surface and then leaving behind a line of gentle ripples, like […]

via Teasips ~ Proxemic Realms — a closer listen

Event – PoL # 27 Deep Listening — Points of Listening

With Ximena Alarcón Date: Thursday September 15, 2016 Time: 18:00 Venue: Southampton University, Building 19 room 3011, SO17 1BJ Free with limited capacity RSVP to: markpeterwright@gmail.com ‘You change my love You change my sound You sound my change You change my mind’ (Pauline Oliveros, in “The Roots of the Moment”, 1998) Composer, educator, humanitarian and […]

via PoL # 27 Deep Listening — Points of Listening

Review Reblog – Elizabeth Veldon – Three songs for a stillborn youth — Yeah I Know It Sucks

artist: Elizabeth Veldon title:three songs for a stillborn youth keywords: experimental avant garde electronic noise United Kingdom Elizabeth Veldon brings with her ‘three songs for a stillborn youth’ two main instruments into the recording range: a piano and ‘silence’. The compositions features lots and lots of the ‘silence’ but also has the carefully timed piano […]

via Elizabeth Veldon – Three songs for a stillborn youth — Yeah I Know It Sucks

Todays Discovery/ Review Reblog -Marielle V Jakobsons ~ Glass Canyon

Here’s my Todays Discovery – the artist Marielle V Jakobsons and I’m not going to add anything to this except listen…

 

…and read..

 

 

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Quick – how many solo synth and violin artists can you name?  If you came up with more than three, we salute you.  We last encountered Marielle V Jakobsons as the “J” in EJS, whose album was included in our winter recommendations; but here she presents a new sound for a new season.  Glass Canyon is even different from her last solo outing, Ore (recorded as Darwinsbitch), in that her abstractions have grown more accessible.  This is not to say that these tracks are friendly, how-do-you-do handshakers, but that the album as a whole declares, “Your efforts to understand me will be rewarded within a reasonable span.”

The mood of these six pieces is reflective without being mournful; they betray a deep concentration, an attention to craft.  Synth and violin are not natural partners, but Jakobsons fits them together like soulmates on an internet dating site.  “From…

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Celebrating the eclecticism of Electronic Artists who identify as female