Category Archives: Discovery

REVIEW REBLOG – Birds of Passage & I’ve Lost ~ I Was All You Are

What a Todays Discovery – Maybe it’s the way I’m feeling this afternoon but the electroacoustic ambience of Alicia Merz aka Birds of Passage, is quite a find….and yes I agree with ACL, it is like watching a film in extreme slow motion, a beautiful film at that.

Courtesy to A Closer Listen for the review.

postrockcafe's avatara closer listen

The cover of I Was All You Are says it all: blinding sunshine, dried weeds, a woman walking alone.  Alicia Merz (Birds of Passage) seems to have been raised in haziness, forever existing just a bit out of focus.  When she sings of “sunny garden places”, it’s easy to picture her lying in a meadow, catching the clouds between her fingertips.  On I Was All You Are, she also sings of water; the elements are beginning to coalesce.

I’ve Lost is a downbeat name for a recording artist, bearing poetic associations: it’s not you I’ve lost, but the world.  The art of losing isn’t hard to master.  The ambient settings of I’ve Lost are slow beyond slow; there’s no way to measure them, but 4 b.p.m. seems a reasonable estimate.  Listening is like watching a film in slow motion, then filming it and watching that film in…

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SOUNDCLOUD SPOTLIGHT – ANGELICA CASTELLO

I previously reblogged a review of Angelica Castellos’ Sonic Blue courtesy of A Closer Listen. I came across the review again and this lead me to her Soundcloud page.

So here is todays Spotlight –

ANGELICA CASTELLO

Todays Discovery / SoundCloud Spotlight – LYNDSIE ALGUIRE

Lyndsie Alguire

REVIEW REBLOG – Lyndsie Aguire – Clair Obscur

This is my Todays Discovery c/o and thanks to Yeah I Know it Sucks.

kainobuko's avatarYeah I Know It Sucks

Artist: Lyndsie Aguire
title: Clair Obscur
keywords: ambient, electronic, field recordings, melodic, piano
label: Time Relesed Soundhttp://timereleasedsound.com/
reviewer: Willem van O.

I was thinking of you, dear visitor of YIKIS. I thought about how much you would like to check out music that you would like. I guess it’s a matter of tastes, so we can’t please everyone; but the release done by Lyndsie Alguire is something that you are free to check out so you will be able to see if the music fits you and your delicate tastes. Checking the album notes makes me aware that Lyndsie Alguire is from Canada and that she is specialized in composing piano works and soundscapes, but this release on its own is rather different to my ears.

It first starts with Lyndsie Alguire’s ‘I was dreaming of you’ which gives way to a dreamy construction that for some reason makes…

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REBLOG – EKHO: Women in Sonic Art – Ingrid Plum

Here is a great short overview about Ingrid Plum.
Courtesy to Ekho: Women in Sonic Art for this post.

Ekho's avatar:::::::::::: Ekho :::::::::::: Women in Sonic Art

Ingrid Plum is a Brighton-based Composer/Musician www.ingridplum.com

“I find that feminist context emerges as part of my practice through my eschewing of boundaries that would be projected upon my choice of roles, rather than by making work that individually and specifically addresses feminist issues… I do not usually frame my work as feminist in itself. I am a feminist who makes work and my practice infers these issues – not by addressing them directly by subject, but by making work that exists despite and in spite of any gender gap that would deny me a contextual space for my work.”

Submission to ‘Ekho:: Toward a Repetitive Sounding of Difference’

“I followed Alvin Lucier’s example in ‘I am sitting in a room’, using the piano instead of a room and Nils Frahm’s ‘Mi’ as the source…I set up 2 Neumann 183 microphones to capture the sound of a Yamaha C6 grand piano…

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MIXCLOUD SPOTLIGHT – Fractal Meat on a Spongy Bone with Ingrid Plum

Due to technical stupidness ( probably on my behalf) Here is the show –

REBLOG – Fractal Meat on a Spongy Bone with Ingrid Plum

I haven’t gone mad but posting this for two reasons. Firstly it links in with some items about Ingrid Plum and gives Fractal Meat a plug as it is a radio show that gives space and promotes experimental, noise and sound music being created today. Well worth visiting.

Graham Dunning's avatarFractal Meat

On Friday 18th September Ingrid Plum will join me in the studio to perform live and play some tracks from her forthcoming album, Plangent. Tune into NTS from 8-10am.

Using extended technique and improvisation, Plum combines her voice with field recordings and electronics to create layered soundscapes blending spoken word and song. Her recordings and live performance have the honesty and intimacy of a confessional alongside the sonic scope of the forests and open coastlines of her native Denmark, a landscape that inspires much of her music.

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TODAYS DISCOVERY / SOUNDCLOUD SPOTLIGHT – KAYAKA

REVIEW REBLOG – Mark Lyken | Emma Dove ~ Mirror Lands (Deluxe Edition)

When I first came across Mirror Lands via A Closer Listen, I was struck by the sounds and images. Seems I still am and the release of the Deluxe Edition gives me another reason to revisit it.
Review courtesy to A Closer Listen.

postrockcafe's avatara closer listen

Mirror LandsOne of our favorite field recording works of last year, Mark Lyken and Emma Dove‘s Mirror Lands, is about to get the deluxe treatment from Time Released Sound.  Those who missed it last time will have another shot this Sunday!  To celebrate the re-release, we’ve slightly edited our initial review to reflect the new edition.

We last encountered Mark Lyken and Emma Dove with their installation-based EP and video The Terrestrial Sea. Their new work expands on that prior release and continues an investigation of the sonic and visual properties of Scotland’s Black Isle.  Time Released Sound is presenting the work in two versions: a regular and a deluxe edition.  Both editions include the soundtrack and a link to the film, while the deluxe edition includes additional ephemera (shown above): vintage prints, maps and pages from travel books, all honoring the location of the film.

Mirror Lands CoverThe film is…

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TODAYS DISCOVERY / SOUNDCLOUD SPOTLIGHT – FETTER

Jessica Tucker (1989, USA), aka FETTER, is an Amsterdam-based multimedia artist, musician, and producer. With her intimate and layered vocal/electronic music, together with her surreal and playfully strange animation videos and poetry, Tucker’s work expresses a kind of optimistic melancholy. In her recent installation work she deals with themes such as narcissism, insecurity, and the concept of ‘maintaining potential.’ In the past Tucker has also explored through sound, video, installation, and performance, topics such as the paradoxical simultaneity of presence and absence in distanced forms of self-expression, the vulnerability and power of the voice, and the human tendency to conceptualize ‘self’ in terms of abstract spatial relations. 

from artists’ own site