Category Archives: Reblog

Review Reblog – Nina Kardec – Tribute To Kaly — Yeah I Know It Sucks

artist: Nina Kardec title: Tribute To Kaly keywords: electronica label: Sirona-Records http://www.sirona-records.com/ Nina Kardec was one of these artists that has been around netlabel-land for quite some time, and this album (if I can rely on my memory and resources) has been released in the early days when a social website called Myspace was still […]

via Nina Kardec – Tribute To Kaly — Yeah I Know It Sucks

 

Always glad to discover things via other discoveries : )) Very rhythmic and free download too.

Review Reblog – International Call and Response: Ladyz in Noyz — Yeah I Know It Sucks

Hi there and welcome. We all know what a lady is; someone who drinks tea with a little pinky up in the air, but noise ladies are a little different! Are you interested? We have something really interesting for you over here; it’s a movie in which noise ladies from different parts of the world […]

via International Call and Response: Ladyz in Noyz — Yeah I Know It Sucks

Review Reblog – Kasper T. Toeplitz & Anna Zaradny ~ Stacja Nigdy w Życiu — a closer listen

How to best translate the live experience to the vinyl experience? Play it loud. Having been (pleasantly) deafened by Anna Zaradny at the Unsound Festival a few years back, I was heartened to hear two new LPs from the artist this season: the current collaboration with Kasper T. Toeplitz on Aussenraum and a solo set on Musica Genera / Bocian Records. […]

via Kasper T. Toeplitz & Anna Zaradny ~ Stacja Nigdy w Życiu — a closer listen

I can always count on A Closer Listen to expand my musical  journey in new directions and this fits with the theme this week of Electroacoustic music.

 

News – c i r c e : the black cut [v.3] ~ open call 2016 — A STEREOSCOPIC perspective of Music & Art©

c i r c e :the black cut: Open Call 2016 Deadline: September 04, 2016 [Phase #1] Website: annastereoscopic.wordpress.com/κίρκη-circe/ International Open Call: CIRCE :The Black Cut: 3rd Presentation The New International Open Call of Participation in the 3rd Presentation of CIRCE The Black Cut consists of 3 Phases and its new Theme is ‘CIRCE The […]

via c i r c e : the black cut [v.3] ~ open call 2016 — A STEREOSCOPIC perspective of Music & Art©

Reblog – The New Peruvian Electronic Renaissance — Bandcamp Daily

 

“We have not been an industrialized society. It’s been precarious, but that has spawned a very inventive and rich culture.” —Luis Alvarado Electronic music in Peru dates back to the 1960s, but you’d be forgiven for not knowing that until recently. The tropical bass boom has put the Andean nation on electronic music’s global map, and […]

via The New Peruvian Electronic Renaissance — Bandcamp Daily

News – Immagini Per Diana Baylon: new vinyl by Teresa Rampazzi — laura zattra

As with the spellbinding Musica Endoscopica, this issue of Immagini Per Diana Baylon – one of her three known soundtracks for art installations – helps to place Teresa as Italy’s answer to Daphne Oram; that is, a pioneering female experimenter operating in a male dominated field since the ’50s, and an artist/musician/technician who was magnetically drawn to the emerging possibilities […]

via Immagini Per Diana Baylon: new vinyl by Teresa Rampazzi — laura zattra

Reblog – Visuals to sounds: the Oramics Machine

Here is another in the series Visuals to Sound from nnnoises.com

nnnoises's avatarnnnoises

Nowadays lots of media artists, musicians and music software and hardware products are dedicated to translating visuals into sounds and vice versa. One of the pioneers in this area of “visual sound” was a British electronic composer called Daphne Oram. She was one of the founders of the famous BBC Radiophonic Workshop in 1958. But after hearing Poème électronique of Edgar Varese at the Brussels World’s Fair, she decided to leave the BBC and start her own electronic music studio a year later, the Oramics Studios for Electronic Composition. In this studio, she made one of the first synthesizers and quite likely the first audiovisual synthesizer in the beginning of the 1960s: the Oramics Machine.

With this (of course) analogue and largely mechanical machine, she drew shapes and waveforms onto a synchronised set of ten 35mm film strips which overlayed a series of photo-electric cells. These cells in…

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Reblog – Visual Noise 17: Soft Revolvers by Myriam Bleau — nnnoises.com

Soft Revolvers is an audiovisual performance by Canadian artist Myriam Bleau. She explores the limits between musical performance and digital arts, creating audiovisual systems that go beyond the screen and integrate hip hop, techno and pop elements. For Soft Revolver she makes use of 4 spinning tops built with clear acrylic by the artist. Each […]

via Visual Noise 17: Soft Revolvers by Myriam Bleau — nnnoises.com

 

Courtesy to nnnoises.com for the reblog.

Review Reblog – Ann Key – Music / Anti Music

https://w.soundcloud.com/player/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F263177339&visual=true&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false

Ann Key * the key to unlock the doors to music and anti-music? Ann Key is one person you should hook up online with when you had already given yourself into the dangerous social anti-social trap that is that digital not-really-a-book of faces. She is there as a music and anti-music lover spreading the word […]

via Ann Key – From Scratch — Yeah I Know It Sucks

 

I can always rely on Yeah I Know it Sucks to highlight those artists that may otherwise fall way below the radar.

Review Reblog – Pauline Oliveros & Musiques Nouvelles ~ Four Meditations / Sound Geometries

Yes, totally agree – Don’t stop listening….there is always something else to hear.
Courtesy to A Closer Listen for this reblog.

shredfearn's avatara closer listen

pauline_oliveros_musiques_nouvelles_four_meditations_sound_geometries“The ear hears, the brain listens, the body senses vibrations.” Veteran US composer Pauline Oliveros has not only been part of the avant-garde in the classical space for the last six decades, she has arguably been one of its leaders. Throughout, Oliveros has been driven by capturing the sounds of entire spaces, not just of instruments. This was epitomised in the 1989 magnum opus Deep Listening, which was recorded in a vast, underground cistern with 45-second reverberation (watch the start of her TEDx talk to hear what a balloon pop sounded like, and read more about the cistern from our own Joseph). Her mantra is to listen to everything all the time – and to remind yourself when you’re not listening. Musically, this encompasses the sounds of the environment – soundscapes in the definitive sense of the word – as well as those produced by the music performers at an individual level. Four…

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