All posts by Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?
Reblog, Reviews

REVIEW REBLOG – Eli Gras (a amazing multidisciplinary artist, performer, inventor,entertainer, musician…)

The creativity and pure inventiveness of Eli Gras :)) An artist well worth watching all the videos and checking out more. Courtesy to Yeah I Know it Sucks for this overview.

kainobuko's avatarYeah I Know It Sucks

Eli Gras is a multidisciplinary artist active in lots of creative fields, but mostly known for her excellent career in experimental underground music since the early eighties. Her experimentations have covered all kinds of musical paths, from pure experimentalism to electropop, minimalism, funk, and so much more. What is striking to me from this artist is that she invents her own instruments, which of course brings a completely new and unique sound perspective to the ears and minds.

There are lots of videos of her live performances playing her inventions, which of course is an exciting thing to see and hear on the digital highway; but its even better and more exciting when you can hear and see her performing live in front of you. In a couple of days (upcoming Saturday 14th November) she will be doing her magical thing on the experimental cozy toxic grounds of Gifgrond.

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Reblog, Review

REVIEW REBLOG – Notes On… ‘Art Angels’ by Grimes

Here is review number two courtesy of Notes on Sounds…

Notes On Sounds's avatarNOTES, ON SOUNDS....

Grimes_-_Art_Angels“When you get bored of me I’ll be back on the shelf” sings Claire Boucher on one of her poppiest and catchiest tunes to date, ‘California.’ Luckily for her, Grimes isn’t likely to be put on to the shelf anytime soon. Her fourth LP Art Angels has been three years in the making, and halfway through that process she claimed to have thrown out a whole album’s worth of material for it not being good enough. More recently, she said that she found her older works “embarrassing.” Apparently she found listening to the likes of ‘Oblivion’ cringe worthy.

That must have left fans of Boucher’s a bit worried. Her last, breakthrough album Visions was a sometimes abrasive but often intelligent dive into harsher electronic, analogue territory, moving on from the double-whammy of synth-experiments Halfaxa and Geidi Primes in 2010 and her collaborative LP with d’Eon, Darkbloom. In…

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Reblog, Review

REVIEW REBLOG – Notes On… ‘Clean’ By The Japanese House

A couple of electro pop artist reviews today courtesy of Notes on Sound – a new site promoting primarily but not wholly new and undiscovered indie artists. Found a couple of posts that I can happily share here.

Notes On Sounds's avatarNOTES, ON SOUNDS....

japanese house cleanIn March, a mysterious figure called The Japanese Housereleased their first-ever track, ‘Still.’ It was a minimal, moody piece of work from a person who clearly loved using vocoders and enjoyed experimenting with auto-tune (in a good way). At the time it was quite difficult to garner any information about the shadowy figure behind the project, yet the track still got one of its first major plays on one of Zane Lowe’s last Radio 1 shows. It soon emerged that The Japanese House was the project of 20-year-old Londoner Amber Bain, and on her debut EP Pools To Bathe In, released in April, she’d made a short collection of tunes that were atmospheric, emotional and touched on a wide range of genres.

Her latest effort, Clean, might come just a few months after her debut but it shows that Bain is far from being short on ideas…

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Event, Reblog

EVENT – DD Day 2016 at HOME Manchester – Tickets on sale and funding in place

Artist of the Week, Discovery, Event

ARMISTICE DAY 2015

Here is a sublime piece that sonically fits the day from my Artist of the Week

Sharon Gal

Discovery, Introducing

TODAYS DISCOVERY – NAOMI KASHIWAGI

Naomi K

Naomi Kashiwagi is an award-winning artist who produces sound works, installations, performances and works on paper, that draw upon her cultural heritage, an intrinsic fusion of two cultures, British and Japanese. Drawing is central to Kashiwagi’s practice and she makes drawings using a range of media including diamonds, typewriters, gramophones and pianos, as well as graphite and pen.

The reason this artist is my Todays Discovery is her work with Gramophone records entitled –  Gramophonica

Articles, Reblog

ARTICLE REBLOG – Sound and Space

Some interesting thoughts here and includes sound artists Susan Philipsz and Louise K Wilson

Hayley Wanless's avatarHayley Wanless

Different spaces resonate in different ways.
The materials of a space will alter how a space sounds which also has an effect on how a space feels.
Sonic qualities of different spaces will all differ, whether the space is open and large, small and confined or outside and windy.
The environment can affect sound which is why if the same composition was played in a bedroom as opposed to a large hall, the listening experience would be completely different.
Materials can either reflect or absorb sound; reflecting surfaces provide and echo where as absorbing surfaces can dampen a sound. 

Susan Philipsz 

SP_46928-2-1024x768
Whilst visiting the Hamburger Bahnhof in Berlin last February, I experienced Susan Philipsz work ‘Part File Score’- 2014. Exhibited in the converted train station part of the gallery, Philipsz used the stations pillars to install speakers, thus almost hiding them away and revealing the true architecture of the space…

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Introducing, SoundCloud Spotlight

REMEMBRANCE…

Here is this weeks’ Soundcloud playlist – Electro Strings –  a little early as it seems to fit the week to come –

Discovery, Introducing

REMEMBRANCE SUNDAY

This is my Todays Discovery. Nothing more needs to be said…

Event

EVENT – “Can Composition and Performance be Research?” Forum, November 25th, London

Some interesting thoughts here about the process of composing and funding. Should be a lively debate…

Laura Zattra's avatarlaura zattra

“Coffee and synths. KayoDot album “Hubardo” recording, 2013-06-13″ by Daniel Means – Flickr: Coffee and synths. Licensed under CC BY 2.0 via Commons – https://commons.wikimedia.org/wiki/

Try to imagine a research funding application from Arnold Schoenberg. Research question: ‘can I make music in which all pitch classes are played equally often?’. In his article ‘Composition is not Research’ John Croft challenges a conception and ideal of compositional work in academia (download the PDF article).

The incongruity between the act of composition and the way we are required to portray it has not gone unremarked: the advice you’ll receive from a seasoned composer-academic is simply to make up some nonsense to get the money, and then forget the nonsense and write the piece you wanted to write in the first place. The problem with this is not just that funding goes to those most adept at writing nonsense, but that it is…

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