Tag Archives: electronic artists

SUNDAY MIX – SLEEP

Once a month Feminatronic combines two favourite things, electronic music and poetry, to bring an oasis of calm and this month is no exception as the mix is about Sleep.

 

 

Sleep, little pigeon, and fold your wings,

Little blue pigeon with velvet eyes;

Sleep to the singing of mother-bird swinging—

Swinging the nest where her little one lies.

Away out yonder I see a star,—

Silvery star with a tinkling song;

To the soft dew falling I hear it calling—

Calling and tinkling the night along.

In through the window a moonbeam comes,—

Little gold moonbeam with misty wings;

All silently creeping, it asks, “Is he sleeping—

Sleeping and dreaming while mother sings?”

Up from the sea there floats the sob

Of the waves that are breaking upon the shore,

As though they were groaning in anguish, and moaning—

Bemoaning the ship that shall come no more.

But sleep, little pigeon, and fold your wings,—

Little blue pigeon with mournful eyes;

Am I not singing?—see, I am swinging—

Swinging the nest where my darling lies.

Japanese Lullaby – Eugene Field (1892)
 
 

 

Sleep, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.

Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.

As thy softest limbs I feel
Smiles as of the morning steal
O’er thy cheek, and o’er thy breast
Where thy little heart doth rest.

O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful night shall break.

Cradle Song – William Blake (1757 – 1827)
 

 

O God! can I not save

One from the pitiless wave?

Is all that we see or seem

But a dream within a dream?

A Dream within a Dream – Edgar Allan Poe (1809 – 1849)

 


 

TODAYS DISCOVERY – SYNTHESIS VOL 2 – DIXIE TREICHEL

REVIEW REBLOG – A Closer Listen -Far Rainbow ~ No Medicine That Can Cure A Fool

Discovered for myself Far Rainbow a while back but thanks to A Closer Listen glad to return and reblog this review.

ukstratboy's avatara closer listen

RainbowFar Rainbow are Emily Mary Barnett and Bobby Barry. On No Medicine That Can Cure A Fool they introduce the listener to a deeply colorful world that’s alive and blended together rather uneasily by rocky, experimental seas and the oh-so-still ambient sky. At first, the ambient drones prepare to take you deeper into the music. Diluted cymbals crash heavily. A pulsing bass tries to conceal the dawn chorus and its song of sweetness and light. Chirping birds eventually lose their voices and are replaced by electronic copies that bubble out of the music like a deep sea sonar. No Medicine That Can Cure A Fool is colorful music that slowly spreads its wings. A drum suddenly kicks in and provides a steady rhythm to the sailing drone which, incidentally, has its own rhythm – it just isn’t a beat – and the frequency of the drone wavers up and down…

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Electronic Music in Britain in the 1950s and 60s: James Mooney and Monty Adkins in Conversation

So, I began with thoughts of focussing on Experimental Electronic Music and like most went down the route of the standard history that everyone charts.
As some of you by now will realise, although I do post a lot about the well known electronic artists, genres and histories, I also try to give those well under the radar a space to get their music heard or the genre a wider audience. This includes trying to bring to attention the scene in the rest of the world.
I had heard about Hugh Davies and his catalogue of ‘alternative electronic history’ but until today had not had a chance to explore further. So glad I did !
As I knew in my heart, there was and still is an alternative electronic music scene and one where many artists are quietly creating music unknown or ignored.
This is why I am reblogging this article as part of the Experimental Season, as many of the themes are still so relevant today and why Hugh Davies’ work is still vital as a challenge to the traditional historical theory.
Listening to the Soundcloud discussion is recommended as it gives an insight into roles of Daphne Oram ad Delia Derbyshire in the development of British electronic music and technology. Some interesting questions and answers.

Here is the original overview of the concert and presentation on Daphne Oram and Delia Derbyshire –

https://hughdaviesproject.wordpress.com/2015/02/19/daphne-oram-and-delia-derbyshire-electric-spring-festival-18-feb-2015/

James Mooney's avatarHugh Davies Project

In February 2015, a concert of tape music works by Delia Derbyshire and Daphne Oram was staged as part of the Electric Spring Festival at University of Huddersfield. The concert was preceded by a public conversation between the curator of the concert, Dr James Mooney, and one of the festival’s artistic directors, Prof Monty Adkins. A complete recording of this pre-concert discussion is now available via SoundCloud: click here.

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The conversation addressed the context of electronic music in Britain in the 1950s and 60s and included discussion of Hugh Davies, his self-built instruments and – in particular – his International Electronic Music Catalog. The tools and techniques of electronic music production in the 50s and 60s were discussed, as was the institutional context of the BBC Radiophonic Workshop, where both Derbyshire and Oram worked.

While simultaneously extolling the challenges and contingencies of archival research, Mooney and Adkins discussed the work of some of the key figures in British electronic…

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ALTERNATIVE HISTORIES OF ELECTRONIC MUSIC CONFERENCE 2016 – CALL FOR PAPERS

 “The story of the genesis and development of electronic/electroacoustic music is often told in the same familiar way. Experiments in musique concrète in Paris and elektronische Musik in Cologne played a central role in European developments, while activities in New York such as those of the Columbia-Princeton Electronic Music Center, John Cage and his Music for Tape-Recorders group, and Louis and Bebe Barron are frequently proffered as the most prominent American contributions. These activities were significant, of course; but they were not the only progenitors of modern-day electronic music. There are many, many other ways in which the story of electronic music’s history and development could be told…

For example… What does electronic music look like if we focus on the contributions of individuals whose work is less widely known; less widely recognised? What happens if we step away from the Western European and North American institutions that are normally figured as central to the genesis and development of electronic music?

There are many ways in which an ‘alternative’ history could be framed. The purpose of this conference is to explore all possibilities; to focus upon different ways of telling the story of electronic music; to explore its alternative histories.”

The above is a brief outline but does not cover all the themes that could be explored. Please visit the site for further detailed information.

PIONEERS OF EXPERIMENTAL ELECTRONIC MUSIC – Musica Endoscopica (Limited Vinyl Edition) by TERESA RAMPAZZI – LP

NPS-Pollini-Menini-Vidolin_e_Rampazzi

Teresa Rampazzi

Although it is very difficult to get hold of Teresa Rampazzis’ music you can hear samples of her work here.

Thanks to Laura Zattra  for highlighting the Italian Pioneers of Electronic Music on her blog.

TODAYS DISCOVERY – NEOTROPIC

RIZ MASLEN – NEOTROPIC

HOLLY HERNDON – BODY SOUND

I was thinking about the Sounding Out post and about the Fluxus movement and here is a wonderful modern piece utilising the body as an instrument.

If you visit the Infinite Greyscale site here, you can read further about the release.

There is a great review at A Closer Listen and worth a revisit (as I did today).

p0stm0rtem – My Obsession With Forever (None)

Well this is a find and thanks Yeah I know it Sucks for the review.

kainobuko's avatarYeah I Know It Sucks

p0stm0rdem - My Obsession With Forever In this, the album art for p0stm0rtem’s My Obsession With Forever, the artist stares at us from within a pink circular void, looking as though she were wondering if we were ready to have our ears exposed to enormous waves of destructive and infectious audio frequencies.

Artist: p0stm0rtem
Title: My Obsession With Forever
Label: Raging River Rec
Cat#: None
Keywords: Electronic, Experimental, Avant-Garde, Dream Pop, Emotronic, Experimental, Glitch, Noise, Noise Pop, Piano
Reviewer: Alex Spalding

Wow, dear readers, it’s hard to believe it’s another day and another review! And… I promise, it will be a really great review this time. Not like that one time, when I accidentally didn’t review anything at all and we just stood here staring at each other in silence for four hours. This time, there will be a soundtrack!

Through acquaintances on this vast electronic worldscape we have come to know as the internet, some…

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TODAYS DISCOVERY – P0STM0RTEM

Many thanks to Yeah I know it Sucks for leading me to Todays Discovery – p0stm0rtem