Para-Ti
by Liliana Carvalho
Ambient, field recording, sound art, soundscape
Para-Ti
by Liliana Carvalho
Ambient, field recording, sound art, soundscape
Chimères (pour ondes Martenot)
by Christine Ott
Alternative, cinematic, electronic, experimental, ambient, avant-garde, contemporary, electronica, ambient minimalism, modern classical, neo-classical, noise, ondes martenot, soundtrack
Lovely review here at A Closer Listen
My short review – How fresh and new sounding is the wonder that is the ondes martenot on this beautiful release : )
Sound Artist, DJ, Sound Play
” uses field recordings and found sounds and are inspired by ideas and reflections on silence and absence, architectural urban spaces, and feminist activism. Her electroacoustic compositions are created for a variety of forms, including multichannel and mixed media installations, moving image soundtracks, live performance and dance ”
Ain Bailey
Lecturer, Researcher, live Coding, drones and beats
Music on the xylem record label
norah lorway
Anna Xambo, PhD
” Senior Lecturer at DMU. Experimental electronic music maker. Co-Founder of WoNoMute at NTNU. Co-Founder of online records label Carpal Tunnel.”
pyr247 – H2RI Generated music using her self-built tool MIRLC
Anna Xambó
Lament by Patricia Wolf
Experimental, dark ambient, drone, field recordings, noise, sound art
I came across this beautiful ethereal release via this review in A Closer Listen
Sans Nom Ni Forme by Clara de Asis
Experimental modern minimalist composition
” …visual and audio arts through installations and performances that investigate digital medias with irony”
Cecile Babiole
“…electroacoustics and minimal approaches to sound….highlights simplicity, non-intervention and active listening”
Clara de Asís
Composer/Programmer/Improviser/Live Coder
tiemposdelruido
A day of complete contrasts…
You may be interested in –
An interview with Maggi Payne… Tone Glow. May 11 2020
Dark trance, electronic, forest psychedelic, psychedelic, trance, psy forest, psytrance, modular synth, synth.
Tibetan Book of the Dead, experimental, musique concrete, voice.
At the moment, like many, I find myself taking a step back and reflecting on how to move forward but not sure how my little journey in sound will progress.
In the meantime I am using my time to catch up and revisit sites and reviews I have missed, this being a case from A Closer Listen.
Actually, I spent this afternoon listening in full to Echos+ and it seems sonically to reflect the mood.
There’s a memorial aspect to acousmatic sounds that can lead towards a conceptual end-point usually avoided by Schaefferian humanism: the severing of the sound from its source is a kind of death. Echos + is an in-depth exploration of their afterlife, the composer turned into a caretaker (without the apocalyptic overtones of the famous project of the same name) dedicated to the consideration of sounds’ new state. Like a written document, the recording marks an aural element’s transition from life into its other, a technological aid that turns preservation into an art of re-signification. To care for these sounds in death is not to simply reproduce them, nor is it to circumscribe them in a narrative about mourning for the loss of a certain world, but to help reconfiguretheir meaning in a context that is no longer their own.
Echos +is made up of three pieces that work precisely…
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De Eurodance by agnes pe originally released 2011
Devotional…and a joy to listen to tonight.
Review Reblog – I’m taking things a little slower here at the moment for a range of reasons but I thought this would be a very good time to revisit and try to catch up with some of the reviews and releases I’ve missed over the past years. What better way than to start with this release and the Yeah I Know It Sucks review, both make me smile : )
Artist: Agnes Pe
title: De Eurodance
keywords: devotional, Lleida, Eurodance, Europa, experimental, electronica
De Eurodance. What is it, and how does it sound or simply goes?
Anges Pe is the brave Professional professor who had spent a great amount of time in researching this non favorable subject. She has traveled all over Europe, visiting every country, absorbing every form of culture and took as many first hand examples of ‘De Eurodance’ No stone has been unturned, no corner untouched as Agnes Pe simply wanted to know the bottom and the finest essence of De Eurodance. From Greek Hoompa Loompa parties, wooden shoe circle dances in the Netherlands, to Italian folklore fetish euro festivals and Eurozone neopolk gypsy’s..
Everything she has seen, heard, lived and noted down for the sake of De Eurodance.
Her research results have been widely published in over popular new wave children books, and for the illiterate…
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