Category Archives: Reblog

Article Reblog – Pauline Oliveros – Listening | Juno Plus

Some people just make a massive impression on the world ….

joannakalinowska's avatarjo kali

po_v1Pauline Oliveros muses on sixty years of experimentation and unorthodox practice and tells Jo Kali why we should be listening instead of merely hearing.

“First I listen,” Pauline Oliveros says. “When I perform now, with my accordion, there’s no score. There’s no thought about what I’m going to do. I come onto the stage and I just listen.” There’s a welcoming quality to Oliveros; her voice is soothing and her features warmly lit by slivers of sunlight escaping her drawn blinds. “Then I begin to play and I follow what it is I am playing,” she continues, “because it is my whole body that’s engaged in making the music. It’s not just centred in what I might think about it. It’s really what I do about it.”

Oliveros’ approach to music is slightly unconventional. As a composer, performer and teacher, she’s not interested in the final piece or her students reading…

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Today’s Discovery – Golden Diskó Ship ~ Imaginary Boys

A wonderful suggestion led to Today’s Discovery – Thanks ACL : )

postrockcafe's avatara closer listen

golden-disk%e2%80%a1-ship_cover_1400x1400On most albums, there’s a single moment in which one leans into the album or leans away.  On Imaginary Boys, the moment arrives early, at 2:02 of the opening track.  The Middle Eastern groove of “Flaming Flamingo” has already been established with bass and breath, when suddenly the timbre shifts to modern composition with field recordings.  Only 22 seconds later, it shifts again to the tone of a suspense film in a darkened cinema.  But the track ends with the dominant presence of Theresa Stroetges’ wordless voice, flying speaker to speaker over a series of boings and light percussion.  This type of music is worth one’s full attention.

As Golden Diskó Ship, Stroetges has been making creative music for years, at first drawing comparisons to other artists, but now coming into her own.  She’s one of a group of inventive artists who subvert the ideas of radio-friendly music without dismantling them…

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Review Reblog – Valentina Villarroel – Sin Titulo

kainobuko's avatarYeah I Know It Sucks


Artist: valentinavillarroel
Title: Sin Titulo
Keywords:ambient circuit bending experimental hacking circuit recordings recordings Concepción

Stumbling upon valentinavillarroel’s Sin Titulo through the Feminiatronic website and loving it’ was exactly what had happened to me & could have happened to you too. My coincidental stumble was a good one as before I knew it I felt surrounded by the possibilities of circuit bending, electronics and music that had not been heard before. Titulo had the warm sounds of electronic niftiness all crackling and rattling in a super nice way, the only familiarities had to be something that sounded like a beat; how exciting!

I don’t know how exactly these tracks on the Sin Titulo had been made, but they come across born through pure experimentation. Sin Titulo number two has something that made me think of the higher animalistic spirit from a cyborg-mouse in heath & it sounded so alive that…

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Review Reblog – Dawn Tuesday – Papilionidae

So glad this release has been noticed and it’s dark ambient beauty.

kainobuko's avatarYeah I Know It Sucks


Artist: Dawn Tuesday
Title: Papilionidae
Keywords: ambient dark ambient electronic musicexperimental noise Alaska

It’s always fun to discover new music and artist you had never heard from before. Even if the artist you discover isn’t exactly bringing a very fun sounding release towards your eager ears. Dawn Tuesday’s Papiliondae for example isn’t like a fun-fair ride filled with clowns and jokes, but a very serious sounding soundscape that will suck you in with its intrusive dark ambient. I say dark, but it’s not all too dark, there is a great feel of warm prettiness to it that makes it more into the grayer areas of ambiance music. With distinctive flows that fly gracefully like a butterfly through the air, all on different heights and moods this release takes over the senses in a most captivating way.

Part 2 has also a serene beauty over it, also a form of sadness…

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Introducing / Reblog – Experimental Pianist Kelly Moran on Electronics, Religion, & Running to Future

Review Reblog – Andie Brown & Sharon Gal – Mami Wata

“Mami Wata is the debut recording of the duo of Andie Brown, the ex-Cindytalk bassist now working primarily with glass and electronics, and ‘vocal experimentalist’ Sharon Gal, who also plays electronics and recordings. It’s the latest CD-R release on French micro-label Wild Silence……” – Dalston Sound

 

 

Tim Owen's avatar_____on Sound

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Article Reblog – Beyond the Grandiose and the Seductive: Marie Thompson on Noise

guestlistener's avatarSounding Out!

Dr. Marie Thompson is currently a Lecturer at the Lincoln School of Film and Media, University of Lincoln. Her new book Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism has just been published by Bloomsbury. We’ve been following each other on Twitter for a while(@DrMarieThompson and @AbstractTruth)  and I have become very interested in her ideas on noise. I’m David Menestres, double bassist, writer, radio host, and leader of the Polyorchard ensemble (“a vital and wonderfully vexing force of the area’s sonic fringes”) currently living in the Piedmont region of North Carolina.

Cover of “Beyond Unwanted Sound Noise, Affect and Aesthetic Moralism,” By Dr. Marie Thompson

In her new book, Dr. Thompson covers a wide variety of ideas from Spinoza to Michel Serres’s cybernetic theory, acoustic ecology and the politics of silence to the transgressiveness of noise music, and many other concepts to show…

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Review Reblog – Tattered Kaylor ~ Sombre nay Sated

This week’s playlist #102 is Artist Alphabet letter E and it gives me a good reason to catch up and discover new artists. This lead me to this older review from ACL regarding the sound artist Tessa Elieff / Tattered Kaylor.

postrockcafe's avatara closer listen

cover_1000Australian sound artist Tessa Elieff (Tattered Kaylor) has created and curated many workshops, festivals and sound installations over the past few years, but her recorded discography (including last year’s debut album Selected Realities) is expanding her reach to a global audience.  Sombre nay Sated, released on World Listening Day (July 18), gives listeners a metaphorical window into the rooms of some recent installations.

Elieff’s fascination with perception as it pertains to “sonic realities” was put to the test on this recording, as none of the three pieces were meant to be confined to the studio.  As frequent visitors to performances and installations can attest, depth, space and movement are key factors.  In many cases, a sound cast in one room is meant to be echoed in another.  How then does one translate such an environment to a stereo experience – one that will itself be…

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Review Reblog – Cat Hope – Yume — Yeah I Know It Sucks

Artist: Cat Hope Title: Yume Keywords: australia electronic experimental silkscreen art cat hope diy record label free jazz noise Moscow Label: Post-Materialization Music Sometimes it’s good to have a dictionary at hand as even though it’s fun to rely on thinking that you know it all, sometimes words that you think you know turn out […]

via Cat Hope – Yume — Yeah I Know It Sucks

 

Have I posted this? Never mind worth the second post…

 

New Release: Ewa Justka – Acid Smut

Graham Dunning's avatarFractal Meat

New on cassette or download, Ewa Justka presents four tracks of handmade-hardware electronic music: acid, techno, gabba, industrial, noise. Running at 43 minutes, the yellow tape comes with printed labels and inlay card. Pre-order now from Fractal Meat, or buy on the launch night, 15th April at Dismantle Yourself, Somerset House.

Ewa Justka is a Polish electronic noise artist, self taught instruments builder and electronics teacher based in London. She currently studies MA Computational Arts at Goldsmiths College.

Justka’s main field of research is based on exploration of materiality of objects, vibrant, ontological systems (human bodies, plants’ bodies, electronic circuits: varied range of micro and macro environments and relations between them) and an investigation of modes of quasi-direct perception through noise performance actions, interactive installation, DIY electronics, hardware hacking, plant-molesting, breaking, deconstructing and collaborating. In her artistic work Ewa attempts to explore the concept of materiality of the…

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