I was lucky enough to see Jane Weaver when she toured her last release The Silver Globe and bathed in the sonic psychedelic synths, a sound that resonates with the past but is still of today and melodic too, which is an art in itself : )
Frank Hilberg, producer of the channel WDR 3 of the Westdeutscher Rundfunk Cologne, and Reinhold Friedl, are the auhors of a two-hour-feature about the Electronic Music of “Nuove Proposte Sonore” (NPS) and Teresa Rampazzi.
I was interviewed by Reinhold Friedl on February 3rd for this purpose, alongside Francesca Rampazzi (Teresa Rampazzi’s daughter).
The documentary will air next Saturday night, at 22:04 on WDR 3 (it will be possible to listen to it on the WDR 3 Podcast in the forthcoming months).
Open Sounds | 27 May 2017, 22.04 – 23.00 Uhr | WDR 3
Live-stream of the program: http://www1.wdr.de/radio/wdr3 –> click “Live hören” or go directly to: http://www1.wdr.de/radio/player/radioplayer106~_layout-popupVersion.html
The N.P.S. Group during the first period 1965-1968: left to right, Memo Alfonsi, Ennio Chiggio, Rampazzi (with sunglasses), Serenella Marega, Gianni Meiners – Courtesy: Ennio Chiggio.
Finally, reblogging this review and ICYMI.
Wonderful sonic postcards that demonstrate “field recordings are worth the exploration as Furchick shows”

Artist: Furchick
Title: Postcards from the Antipodes
Keywords: experimental furchick avant-garde field recordingsPerth
Label: Dog Park
Reviewer: Audio Hater
I remember once reading a negative review on a humble and honest blog named ‘yeah I know it sucks’ for a release done by a field recording artist who recorded all these city courtyards. It resulted in the artist writing a angry email why it was presumed boring, which of course nobody in our humble office had the will to reply; after all the audio on the album spoke for itself.
Courtyards in the city, some children playing, a bit of sunshine and all of the tracks could be only separated from the track title that corresponded to the place the track was recorded; these courtyards might have been beautiful in real life, a great walk for the recording artist himself but the actual audio recordings had been frankly boring and…
View original post 1,049 more words
There is so much music!, so I’m trying to revisit some artists and releases with ICYMI.
Here’s an artist I discovered via Yeah I Know it Sucks.
Flaer Smin is from Kazakhstan and if you are a fan of expansive New Age / Chillout / Downtempo then her music is for you and can be found at Archive.org
She has a brand new release – In Search of….. https://o2label.ru/releases/07-036/
Artist: Flaer Smin
title: IRA
ca: o2 label 05 – 06
keywords: new age,instrumental
label: o2 label https://archive.org/details/@o2label
reviewer: Willem van O.
Imagine a piano on the beach, being played by a person with the urge to sing a song that sounds a bit like ‘holy night, silent night’ in a way as if the voice was a humming violin. It’s a tiny bit odd as you can imagine that the little waves of the sea are softly splashing against the piano and slip back against the toes of the musician that is responsible for it. Nonetheless this is a bit what the first track seems to sketch in the mind. The piano music is very nice and fits quite nicely with the little waves and the soft beach background sounds; as if it is complimenting the scenery with every note of the key.
Than the weather seems to change…
View original post 236 more words

Artist: Luna Arakawa
Title: Ocean of tears called sky
keywords: canadian diy experimental abstract avant-garde avantgarde brian eno canadian composer classical dark ambient experimental electronic feminism modern classical piano radiohead steve reich Toronto
Ocean of tears called sky is an emotional melodic playful work that sounds light in sound, yet feels heavy in the heart. It’s perfect to hear when in the mood for a tear, or a couple of them. Listening in the darkness with a dim light without distraction and blur your mind out in this work of melody and experimentation.
It comes seemingly in little pretty chapters with strange squeaky sounds in the middle, lifting up the mood for it not to become too heavy to carry upon the listeners’ shoulders. But when the last chapter arrives, the music gets vibrant in flow and somehow it also touches me in a emotion that sets indeed a action…
View original post 97 more words
“In a way, it is about restlessness, an uncomfortable tossing and turning in all these many different places, a struggle somehow to forge a connection between my own internal world and all these places and persons I have encountered. I think this holds a sense of unease and strain, with both beautiful and failed moments of intimacy and connection which are made either possible or impossible in the difficult and distorted context of being away. It is quite sad, really.” – Kate Carr
A strong selection of field recordings pepper the gentle songs of The Story Surrounds Us. Australian Kate Carr now lives in London, and she’s brought a fresh selection of recordings, taken during her travels around the globe, that both soothe and shock.
These recordings are scattered over and throughout the music, sometimes rolling through arid, absent spaces that lack comfort or reassurance, missing the high definition of a point A to B; cartography is absent as the lifespan of the music diminishes. This in turn opens the door – the creaking, body-aching door that opens the record, perhaps – to a subtle displacement which is not so much associated with the outer geography of the place itself but rather with a series of troubled thoughts and processes that constantly blitz the inner self; these inner lands try to find peace and rest, but it’s hard to find solace among the screeching midnight insects.
These recordings are ushered into the midst of guitar…
View original post 282 more words
I have loved this record for so long and over the years have visited it on many occasions. It is “a masterpiece failed by its own time”. – like so many that I could name. While other artists are feted and gain all the publicity, there are many who deserve as much accolade and praise – and finally, Midori Takada is getting the recognition she long deserved.
Although it doesn’t quite fit into the electronic field as such, please try and listen, and take in the 40 minutes that demonstrate how often gems are lost due to fashion in music, lack of distribution, knowledge and being in the wrong time and place.
It is sublime.
You must be logged in to post a comment.