Category Archives: Reblog
Review Reblog – Barberic Slapton – tonne
….and is also Today’s Discovery – Lo fi experimental noise.
Artist: Barberic Slapton
title: tonne
keywords: experimental crunchy noise rage weird Hamilton
Barberic Slapton has brought the music that you ought to hear, material that Stockhausen would masturbate too and Einstein would pulls his nose hairs out with. With a strong pass in the legs the first one named ‘naptonne’ steps fiercely in. It’s like psychedelic fireworks to my ears, heels clicking on the terrain while rockets gets launched into the ether and submarines bubble around in electrified water… In other words; it’s abstract! But oh so mentally challenging the sensible corners of a person’s intellect… But wait, it gets even weirder… pardon, I mean; it gets even intensively better!
A track named ‘live at doors pub’ will pop in like a instant hellfire in which a panicked panic shouts at the hairs of your neck to stand up and bow to the noise! Barberic Clapton pushes us all to…
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Reblog – Fractured Air x Blogothèque – S02E07 | July mix
If you like mixes there’s a lot of new and interesting releases from a wide range of artists on this one, including Kara-Lis Coverdale, Kaitlyn Aurelia Smith, Mary Ocher and the more electronic shift in sound for artist Colleen.
July saw the highly-anticipated return of world-renowned French composer Colleen (aka Cécile Schott) with her achingly beautiful new single “Separating”, taken from the forthcoming “A flame my love, a frequency” out October 20th via Thrill Jockey. On her new album, Schott’s viola da gamba – used on her last two records “Captain of None” and “The Weighing Of The Heart” – is replaced by solely electronic instrumentation: Moog pedals and Critter and Guitari synthesizers. The result is yet another otherworldly, far-reaching sonic odyssey from this visionary solo artist.
Following on from last year’s exceptional debut mini-album “Shady & Light”, Hamburg-born and Berlin-based multi-instrumentalist and producer Martyn Heyne has unveiled his stunning new single “Carry”, taken from the forthcoming solo debut album (coming out later this year on the neo-classical imprint 7K!). The divine guitar-based compositions crafted by Heyne carves out a ceaselessly rich listening experience for the…
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Review Reblog – Gaël Segalen ~ Memoir of My Manor
After 2o years of sound work and field recording, Gaël Segalen finally released her first LP. 2016’s L’Ange Le Sage was melodic and abrasive in equal quantities. Memoir of My Manor continues in this vein, adding a new, nearly club-like sensibility. The Parisian artist calls her compositions “danceable field recording”, but the first album only hinted at the dance floor, while the second flaunts this facet before drawing back to the shadows. This is appropriate for an album inspired by monsters, although the creature on the cover doesn’t seem all that scary.
The thirteen-minute “Remember” pulses and broods, while failing to give an indication of the artist’s rough edges. Instead, it operates as a dangerous mirror to Giorgio Moroder’s “The Chase”, inviting listeners to run rather than dance. When additional synths enter, the track takes on a near-industrial sheen. It’s a bold opening gambit, daring listeners to stick around for…
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Reblog – Pioneer Spirits: New media representations of women in electronic music history
“Pioneer Spirits: New media representations of women in electronic music history” is a new important article by Frances Morgan in the current issue of Organised Sound, Vol. 22, Issue 2 (Alternative Histories of Electroacoustic Music) August 2017, pp. 238-249.
Teresa Rampazzi is numbered amongst those composers previously “either ignored or thought to be marginal […]. Some media representations of the female electronic musician raise concerns for feminist scholars of electronic music history. Following the work of Tara Rodgers, Sally MacArthur and others, [Frances Morgan considers] some new media representations of electronic music’s female ‘pioneers’, situate them in relation to both feminist musicology and media studies, and propose readings from digital humanities that might be used to examine and critique them”.
You can read the complete abstract here.
Frances Morgan is Deputy Editor of The Wire, former editor of plan b magazine, writes the Soundings column for Sight & Sound…
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Reblog – LCNL 085: Your Grace Adrianna Natalie presents Another Side
…and not so quiet start to the week but has led to my Today’s Discovery – The Unseen Shadows (ALRN069)
by Your Grace Adrianna Natalie
Over the years we’ve featured several mixes from the Alrealon Musique. This mix comes courtesy of Your Grace Adrianna Natalie, the most recent artist to join the label. Her debut EP The Unseen Shadows was released last November, showcasing her penchant for unconventional techno and dark moods. This mix weaves her own tracks in with kindred spirits (Regis, Dasha Rush, and Orphx), fellow New Yorkers (Chanski), sacred ancestors (Throbbing Gristle) and more. (Joseph Sannicandro)
Download/listen at Soundcloud (at least for now…)
MINI-INTERVIEW
Please introduce yourself.
I was born and raised in New York, in The Bronx.
I am currently living in Jersey City, but spend most of my time in NYC for work and Brooklyn for technoing with my techno sisters and brothers. Lately, I’ve been spending lots of time in my studio, playing with my sexy toys.
Growing up music was my best friend, its what…
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Reblog – Maiya Hershey – Tides [Shimmering Moods]
A quiet start to the week…
Today’s Discovery #2 – Theda Hammel on Giving Sondheim the Synth Treatment
Sometimes you just come across something that makes you sit up and listen….
Today’s Discovery – Katharina Klement ~ peripheries
Today’s Discovery brings a city to life…
What comes to mind when you think of Belgrade? Katharina Klement went on a nine-week mission to discover the sound of the city, and came away with a multitude of answers.
peripheries plays like a sonic photo album, the images more important than the flow. While the album begins with a thump, the field recordings soon settle into a sort of rhythm. As the set progresses, a tapestry is revealed. The overture of the city is heard from a balcony: dogs, sirens, traffic, street music, passers-by. A discernible hum emerges. Is this Belgrade? Can a single chord, a melange of sounds, sum up the city? Klement answers with an emphatic no. Her explorations reveal jagged edges and clear demarcations, from Tesla’s gorgeously amplified induction motor to the bells of Saint Sava.
An unexpected poignancy visits during “nijemo kolo (mute dance)”, though one must read the liner notes to detect it…
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Focus Reblog – In the studio with Poppy Ackroyd
Let’s start at the very beginning. Can you tell us how you got involved in composing, and what was your very first piece of gear? My first piece of equipment was an Electro Harmonix 2880 super multi-track looper. It looks really simple but is surprisingly versatile. I wrote the original version of my track ‘Grounds’ […]
via In the studio with Poppy Ackroyd — Headphone Commute
Here’s another article about the composer Poppy Ackroyd and the methods and tech she uses in the studio to create her music.
Feminatronic 
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