Category Archives: Reblog

Review Reblog – Mia Zabelka & Asférico – The Broken Glass

cnosnibor's avatarAural Aggravation

Störung – str011 – 7th July 2017

Christopher Nosnibor

I need to work a better filing system for my to-review albums. As it stands, it’s literally a pile, with new deliveries being tossed on top of the pile or otherwise littering the floor next to my desk. The chaotic disorder doesn’t sit comfortably with my innate sense of order and organisation, but the pile has a life of its own. Logically, new arrivals should go to the bottom of the pile, but lifting the pile, precarious as it is, is a risky operation. The teetering stack reached a height and degree of instability this morning that lifting the disc and accompanying press release from the top caused the whole thing to slide in several directions at once. Gathering the strewn and scattered discs and press releases, many of which had become separated from one another, I happened upon The Broken…

View original post 493 more words

Review Reblog – Agnès Pe ‬- Para Ana (music video)‬

I came across Agnes Pe via Yeah I Know it Sucks some time ago and have followed her avant garde, witty and experimental work ever since.
“Wasn’t that a marvellous experience?”
Yes….and recommended too are her radio sound collages – Mitt Pate : )

kainobuko's avatarYeah I Know It Sucks

Artist: ‪Agnès Pe ‬
Title: ‪Para Ana (music video)‬
‪Keywords:‬ devotional faux-utopian ambience devotional distorted e-stim malfunction muzak muzak-stun Lleida

It doesn’t happen everyday when two intriguing artists collaborate in a audio visual form, but when the odd moons align and such a special thing actually happens it’s for sure something to inform everyone about! Especially when the artists in question are ‪Agnès Pe & Jan Strach. The result is a spectacular experience in the shape of a excellent trip in music video form. Jan Strach heard ‘Para Ana’ by Agnès Pe and must have been incredibly inspired as the good man started to create the perfect visuals to the sounds. ‬

‪With his love for video games and the excellent trained ears for the bizarreness in the music spectrum, Jan Strach managed to make the track come alive. It’s a real trip, one that is best viewed…

View original post 186 more words

Review Reblog – on pauline anna strom’s trans-millenia music, via rvng

It is a sad fact that some artists gain recognition late in their lives, sometimes due to a reappraisal of the “genre” they write. In hindsight some are realising that New Age and Melodic Instrumental music is really worth sitting down and listening to, albeit a bit late for some as in Pauline Anna Strom’s case, or too late for others. Without sounding preachy here – give things a listen, you might be pleasantly surprised.

bradfordbailey's avatarThe Hum Blog

View original post 962 more words

Review Reblog – on éliane radigue’s occam ocean vol. 1, out via shiin

Review Reblog – Gail Priest ~ Heraclitus in Iceland – A Closer Listen

From first hearing this release, I was blown away and if I get any money at Christmas, this will definitely be on my list.

postrockcafe's avatara closer listen

Iceland’s scenery is lovely yet savage.  The views are astonishing, from the Northern Lights to the purebred horses.  But storms can arise at any moment, and recent eruptions have solidified the nation’s reputation as the land of fire and ice.  One may drive up to a glacier on a one-lane road without guard rails, but if one should get in trouble, help may be late in arriving.  Last year a New Jersey tourist became famous for following his GPS six hours off course (having typed Laugarvegur  instead of Laugavegur, an easy mistake), briefly becoming a local celebrity; he then repeated the mistake on a drive to the Blue Lagoon.

Gail Priest captures the nation’s dichotomy in her dual-toned aural exploration, Heraclitus in Iceland.  The title refers to the philosopher who wrote, “You cannot step twice into the same river.”  Reading Heraclitus’ work while enjoying her residency in Olafsfjordur, the Australian sound artist…

View original post 244 more words

Review Reblog – Wetwe Feat. Tatyana Kalmykova – Okoloreki

It’s been a strange few weeks and I haven’t been able to keep up with things here but I’m kicking myself that I missed this…It is a wondrous thing to listen to…

kainobuko's avatarYeah I Know It Sucks

Artist: Wetwe Feat. Tatyana Kalmykova
Title: Okoloreki
Keywords: electronic experimental abstract ambient bass music downtempo drone folk modern classical russian folklor techno Moscow

I don’t know much about this music as I evidently avoided all the information that came with it as it appeared through our illustrious request form, but from my own ears and mind I could make up that this was a bit of a holistic revelation in sound ways. It was a calming one, that featured the prominent voice of a certain Tatyana Kalmykova that seemed to sing among the walls of ruins, or perhaps a still standing church with great acoustics. Sometimes her voice gets bounced into a room in which it still feels warm, yet the acoustics feel flat, a bit as if the bigness gets suddenly beamed through some old time radio.

But it’s not all about Tatyana Kalmykova’s voice, it’s also pretty much…

View original post 430 more words

Article Reblog – Out of Sync: Gendered Location Sound Work in Bollywood

Sounding Out! is a definite recommend from me. It never ceases to amaze me how long term issues such as gender and class, amongst others, are covered in engaging, intelligent and interesting ways and this series is a welcome addition to their huge collection of writings, articles and ‘food for thought’.

pjaikumar's avatarSounding Out!

co-edited by Praseeda Gopinath and Monika Mehta

Our listening practices are discursively constructed. In the sonic landscape of India, in particular, the way in which we listen and what we hear are often normative, produced within hegemonic discourses of gender, class, caste, region, and sexuality. . . This forum, Gendered Soundscapes of India, offers snapshots of sound at sites of trans/national production, marketing, filmic and musical texts. Complementing these posts, the accompanying photographs offer glimpses of gendered community formation, homosociality, the pervasiveness of sound technology in India, and the discordant stratified soundscapes of the city. This series opens up for us the question of other contexts in India where sound, gender, and technology might intersect, but, more broadly, it demands that we consider how sound exists differently in Pakistan, Sri Lanka, the Maldives, Bangladesh, Bhutan, Nepal, and Afghanistan. How might we imagine a sonic framework and South Asia from these…

View original post 2,087 more words

Review Reblog – Heejin Jang – Trouble in the Camp

I came across Heejin Jang – Binary Breath via YIKIS last year and was interested to hear this new release. On listening, it’s excoriating…but in a good way.

kainobuko's avatarYeah I Know It Sucks

Artist: Heejin Jang
Title: Trouble in the Camp
Keywords:electronic experimental avant-garde experimental indie rock noise psychedelic rock synth United States
Label: Doom Trip

Unleashed on the special day of spookiness, the one that people named ‘Halloween’ are the fearful sounding spooky sounds from ‘Trouble in the Camp’ by Heejin Jang. It is best to hear it in complete darkness with the sound up loud and yourself hiding underneath a blanket of comfort. This music will bring out the shimmering demons of the night, the creepy crawlers & the audio ghouls that hammer their wooden sticks of magic in fierce-full depths, ready to haunt you for some poisoned candy.

Some of them come across cold and slimy, as if the ghosts of the many snails you have stepped on all throughout your life had now come to scare the hell out of you for a good old-time case of revenge…

View original post 292 more words

Reblog – Sonic Panorama: Sonic Feminisms, SAOUT RADIO

Sonic Panorama: Sonic Feminisms, SAOUT RADIO Artists: Randa Maroufi, Cathy Lane, Habiba Effat, Myriam Pruvot. There are as many sounds as possible ways to be woman. As many women as possible feminisms. As many feminisms as possible sounds. For the 2017 program at ifa Gallery Berlin, Anna Raimondo proposes for Saout Radio a sonic travel into the […]

via Sonic Panorama: Sonic Feminisms at ifa Gallery Berlin Oct 9 – Nov 30, 2017 — Cathy Lane

 

“Saout Radio, represented by Younes Baba-Ali and Anna Raimondo, explores the universe of sonic arts, including radio, sound art, video and interventions in the public space. It proposes a sonic travel into the universe of sonic arts exploring its different possibilities, the richness of its languages and the multitudes of its sensuous experiences.”

 

 

Review Reblog – Album of the Day: Colleen, “A flame my love, a frequency” — Bandcamp Daily

a1077658403_10

 

In a world of horror, multi-instrumentalist Colleen’s loops, layers, and prose-poem lyrics feel medicinal.

via Album of the Day: Colleen, “A flame my love, a frequency” — Bandcamp Daily