Αυτή είναι η νέα δισκάρα των Moon Duo με τίτλο “Shadow of the sun” την οποία μπορείτε να απολαύσετε (ολόκληρη) παρακάτω:
Και αυτό είναι ένα ακόμα θεότρελο video clip φτιαγμένο για το “Animal”:
Τους περιμένουμε με ανυπομονησία αλλά και περιέργεια να τους δούμε να συμμετέχουν στο φετινό Ejekt Festival στο Φάληρο και να ανοίγουν για τον Parov Stelar και την μπάντα του.
Performing live in the studio on Friday 3rd April will be Conspirators of Pleasure, aka Poulomi Desai and Simon Underwood. Tune into NTS from 8am to 10am to hear them play.
Conspirators of Pleasure (Poulomi Desai – ex Dead Jalebies and Simon Underwood – founder member of post punk band The Pop Group) are an improvising duo that seek to bend all the rules, question the sacred, create extraordinary soundscape performances and self-regulating sonic systems, using modified and prepared instruments. Part of their unusual musical armoury includes a prepared sitar, sonically twisted stylophones, prepared bass, modified toys, resurrected radios and visually scarred slide projections. Their compositions explore experimental terrains, twisting technology to transform organic sounds into eerie calls that flow from intense waves of abrasive, noisy, chaos invoking industrial nostalgia, to structured pulsating rhythms, to melancholic, microtonal drones.
The duo have worked with a range of musicians and artists including, Noise=Noise…
Segments of the live Dotto performance recorded on Sunday 26th of April 2015 in Exile, Cork Community Printshop, lower Oliver Plunkett Street, Cork.
Group collaborative performance with Danny McCarthy (The Quiet Club), Harry Moore, Katie O’Looney, Mick O’Shea (The Quiet Club), Claire Guerin (Queef) and Laney Mannion (Queef).
The Sun—just touched the Morning—
The Morning—Happy thing—
Supposed that He had come to dwell—
And Life would all be Spring!
She felt herself supremer—
A Raised—Ethereal Thing!
Henceforth—for Her—What Holiday!
Meanwhile—Her wheeling King—
Trailed—slow—along the Orchards—
His haughty—spangled Hems—
Leaving a new necessity!
The want of Diadems!
The Morning—fluttered—staggered—
Felt feebly—for Her Crown—
Her unanointed forehead—
Henceforth—Her only One!
The surprising thing about Sleet is how warm it sounds, considering its title. This is the second winter-themed release from My Home, Sinking, both released in May, when garlands and dances around the maypole are more in fashion. Instead of capturing the feeling of sleet, it captures the feeling of sleet outside when all is safe and warm inside, a group of friends trading stories in dialogue and lyrical song while softly playing the instruments they have brought to the house.
The lineup has changed slightly since the self-titled debut. This is still Enrico Coniglio’s baby, but apart from Coniglio, only Katie English (cello) appears on both works. Their interplay still counts for a uniformity of sound. But new moments stand out here, especially those in which one or two instruments act in twain: the guitar and vibraphone, joined by light drums on “Chains”; the field recordings, vinyl…
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