Latin American electronic / electroacoustic artists tribute and creative responses to, the writings and thoughts of Pauline Oliveros.
Read more of the background to this project, curated by Susan Campos-Fonseca here
Latin American electronic / electroacoustic artists tribute and creative responses to, the writings and thoughts of Pauline Oliveros.
Read more of the background to this project, curated by Susan Campos-Fonseca here

https://www.facebook.com/femalefrequency/
Electronicgirls is a netlabel that produces and distributes works made by electronic and electroacoustic musicians. Solo projects and collective releases can be downloaded for free from the website – http://www.electronicgirls.org/…
“The label offers visibility, distribution, press office services for free: we believe in the freedom of culture.
We don’t believe in the contemporary music market’s rules.
Our releases are licensed under Creative Commons.
Electronicgirls was born in 2010 as an innovative hub
dedicated to the effort of women – from the past –
and contemporary artists in the field of electronic music.
Electronicgirls believe that music has no sex.
FEEL FREE TO SEND US YOUR MUSIC.
ENJOY OUR PRODUCTIONS.”

Eclectic Electronic Soundscapes
Today is International Women’s Day (March 8th 2017) and I put together this playlist of electronic music creators to celebrate as part of a week of Feminatronic overload on all platforms : )
This is in no way an exhaustive list. I’m just skimming the surface of creativity and as ever it’s just a starting point…
Artists are Truus, Anne Gillis, Bjork/Katie Gately, Marie Davidson, Ann Southam, Laetitia Sonami, Ikue Mori, Holly Herndon, Maja S. K. Ratkje, Lucrecia Dalt, AGF, Lily Greenham, Annette Peacock, Gudrun Gut, Constance Demby, Elodie Lauten, Doris Norton, Suzanne Doucet, Adina Izarra, Ruth White, Berengere Maximin, Laurie Anderson, The Space Lady and last but never least, Pauline Oliveros.
This is a little different to my usual Discoveries as it does contain songs but it just caught my ear this morning and it is composed, arranged, produced and played by Mene Savasta, an artist from Buenos Aires.
“It is an intimate and experimental album where songs and freer compositions merge in an integral way. My voice and keyboards are orchestrated with soundscapes I recorded over recent years. At Campo Cercano, Mene Savasta sang, played synths and programmed sequences. The remaining orchestration are fragments of the aural enviroment, recorded at different times and places with a portable recorder.”
Campo cercano (Near-field) was released as a website that offers an interactive visual experience – http://www.campocercano.com/
A couple of Spotlights courtesy of Many Many Women –
Shelley Knotts – Excerpt from Algorave set with UIAESK! (me + Holger Ballweg) at Power Lunches, London, UK. All sound live coded in SuperCollider
Elsa M’bala –
via Now Listening: Bleie — Many Many Women
Todays Discovery via Many, Many Women is Sarah Bly aka Bleie.
This piece uses “Moog Mother 32, x0xb0x, Elektron Analog Keys, Kaoss Pad, Ableton Live, and some random pedals. Vocal sample at 22:00 is from Don Hertzfeldt’s “World of Tomorrow.” Find it here: vimeo.com/ondemand/worldoftomorrow”
This month we’re delighted to have Dr. Leah Barclay, Co-Chair of Sonic Environments, and President of the Australian Forum for Acoustic Ecology , guest-curate this playlist: Sonic Environment Waves. About the playlist, Leah writes: This playlist features composers who are working in innovative ways with place, environmental sound and new technologies. It has been curated to […]
via Sonic Environment Waves (July 2016) — MAKING WAVES
Not solely electronic. Much is Classical music and / electroacoustic but increasingly there are electronic elements in the compositions and a great introduction to Australian composers. Really recommend listening to the beautifully presented playlists.
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